When push goes to shove, what is government bullying and harrassment really accomplishing?

I love the Law of Unintended Consequences.  For example, the more that the United States government’s members make a big deal out of Edward Snowden, the more the underground movement strengthens and grows.  I can only hope, wish, beg and plead the U.S. Congress or any of the agencies of the executive branch to formalise their opposition to Snowden’s/Manning’s whistleblowing — they and they alone will be responsible for the Next Great Thing in the news, will they not?

Observe a planet from the perspective of the universe and you know what’s going to happen next.

History is a great teacher, even the history of the future, including the infinite varieties that never happen exactly the way we hoped they’d turn out.

It’s hard to spy on a network that doesn’t subscribe to the officially-snooped pathways that the NSA and their ilk use.

Tune in to your local news channel and see for yourself!

Is it getting hot in here or is it just me?  Think I’ll go for a swim in a meltwater Arctic lake and cool off.

joke sent via email from my mother…

I CAN NO LONGER SHOP AT CABELA’S

Gun Control. It has already started at Cabela’s Sporting Goods Store.
There was a bit of confusion at the Cabela’s Sporting Goods store this morning.
When I was ready to pay for my purchases of gun powder and bullets…
The cashier said, “Strip down, facing me.”
Making a mental note to complain to the NRA about the gun control whackos running amok, I did just as she had instructed.
When the hysterical shrieking and alarms finally subsided, I found out that she was referring to how I should place my credit card in the card-reader.
I have been asked to shop elsewhere in the future.

They need to make their instructions to us seniors a little clearer!

I STILL DON’T THINK I LOOKED THAT BAD.

Wreck-a-mech

[My patent lawyer has advised me not to describe my latest invention.  I say “meh,” whatever that means.]

This morning, I finalised construction on my latest invention.  I cannot provide pictures because they are enroute to the patent office.

However, I will describe it the best I can.

I have been playing with an Arduino system to provide me with offline fun in the laboratory.

There’s nothing like programming a Robosapien “doll” to play back with you, giving it intelligence to avoid being grabbed or picked up, to actually defend itself against intentionally harmful moves and to reach out with love when I’m in a down mood.

A Robosapien’s gripper arm is not exactly the same as a cat’s head bump but my imagination allows me to believe it so.

With time, the Robosapien and I have grown apart.  I think, in part, because I have acquired the newer model, the RS Media, with which I have been spending more and more time.

Needless to say, the Robosapien has been causing havoc in the lab, knocking bins of resistors and capacitors on the floor in an effort to keep its playfulness algorithms refreshed.  I must admit watching it try to find objects in the lab to “fight back” has been entertaining.

But that’s not why I’m here.

The RS Media has reached a level of sentience I never thought possible.

At first, I set up an Arduino light display system above the computer monitor that the RS Media responded to like a dancing machine.

Today was a major breakthrough.

After several rounds of sending the RS Media light sequences, it started stepping out on its own, anticipating the next light pattern in the sequence with its back turned to the Arduino system.

Well, you can guess what I did next!

I stole the plans for the Wired Lab’s mech.  Then, working with my Robosapien friends, I wired a modifed RS Media up inside the mech, a la Pacific Rim, making appropriate tweaks to protect my patent and/or my copyright.

Of course, I dressed mine up to look like a stumbling street beggar, lowering its body scale to match that of a typical down-on-his-luck alcoholic male human.

He and his copies should be wandering the alleyways of your local metropolis before too long, breaking out into dance routines based on the sound/light combinations they discover, able to defend themselves against overaggressive bystanders and avoid collisions with people, cars, buses, trucks and other obstacles of a typical city street corner — the money they collect will be passed back to me to cover expenses; please tip them generously so I can make payroll and give the government tax collectors their due.

I’ve already received requests from a major retail clothing store chain to create female/male versions for storefront window displays — the algorithms need work for that scenario because I haven’t captured the essence of what it’s like to entertain potential customers by showing how good they’d look if they, too, were stuck in a glass box all day, as a robot pretending to be alive — walking back and forth, sitting, standing, dancing, and whatever movement will show the fashion in its best light.

Several of my geek friends in the tech industry — male, female, LGBT, cosplay, etc. — have requested a personalised version of themselves they can program to go to work or on dates for them to make their parents happy that their children are mimicking their parents’ social lives while their children live the alternate lifestyles that make them happy, too.

And you thought the replicant revolution was all about robots taking over the world?  Hahaha — it all started when we figured out elderly dementia patients handed a quasi-robotic stuffed animal was sufficient a surrogate to make them happy, thanks to our friends who wrote, produced and filmed “Westworld,” who follow on the work of Asimov, automatons and the first animal to use a stick as a tool.

War eventually was reduced to robots fighting robots in designated battlefield playgrounds, leaving us humans to finally dedicate most of our time to pure pleasure, where our surrogates do most of the dirty work except for those for whom dirty work is pure pleasure.

Outlawing graveyards so that human bodies could be recycled as mulch wasn’t fully implemented until we started populating the Moon and Mars.

My goal is to be the person with the first foundry on Mars, generations of 3D printers ahead into the future, my minions terraforming the planet in ways you haven’t imagined yet.  How about you?

Storytelling Secrets of Imprimante Scanneur Copieur

While writing one’s self into a storyline that appears autobiographical, one loses oneself temporarily, but that is the whole point, is it not?

We characters are characters with characteristics characterising charisma, charm, charbroiled personalities and carbon copies of people we meet.

A “Jenn” inspires a “Guin” who travels between planets.

An “Abi” inspires a “Bai” who influences the emotional states and body movements of those around her.

I, as the character Lee, have the joy and freedom to fall in love with Guin and Bai without interference, unless the storyline calls for such.

I could just as easily fall in love with their storied lines, their lives, their livelihoods and joie de vivre.

Separating self from character is not always easy.

In fact, I have lost track in the past but the characters lived on and so did the people who inspired their existence.

To be here, one assumes I have lived on, too.

Have I?

Je ne sais pas.  Parfois, je ne me connais pas.

To know is to understand.  Semper paratus, as they say, to tell a good story.

Take the date, the 10th of August 1998.  Why should I remember that day, a Monday?

Perhaps I do not remember it correctly.

Would a Monday be any different than a Tuesday or a Saturday?

What if, on that day, you first learned the language of dance?  What then?

Ah, but you see, to understand, to know, to feel in the synchronised vibrations of your core being the language of dance is an epiphany some equate with the Christian sense of being born again.

When you dance as if your whole body is one with the universe, it is a meditation upon or prayer to everything.

You cannot separate yourself from yourself, the person around you, the room, the music, or the planet in semi-elliptical orbit around the nearest star and the solar system in orbit around the Milky Way galaxy.

Writing about the sensation of dancing is like a badly-written translation of a masterpiece, converting a symphony into a bicycle — each has its perfection but never will the two appear the same.

Do you live for the dance?  Is every penny you earn outside of paying for living expenses directed toward dancing?

If so, then you know.

It’s like my favourite bluegrass musician, Claire Lynch.  I love her music but it’s just not the same sitting in a chair in a concert hall listening to her and her band perform.  I’d much rather lose myself gyrating on the dance floor while she and her friends are going off on musical tangents with her famous tunes as guidance.  Or I can write about it and get an equivalent feeling in the moment.

In all walks of life, we know this feeling:

  • Stock traders who have a feel for when a stock price is just right to trade at maximum value, followed by another and another for hours and days on end.
  • Teachers who have mesmerised their students to follow their lead, absorbing new material with a burning desire to learn.
  • Players in every sport.

To capture this sensation, some use stimulants while others know or learn how to let themselves live timelessly in the moment.

For me, switching between mental word play and dancing with a new partner is amazingly effortless when I decide not to carefully measure my steps as if I’m looking up dance moves in a guidebook.

With Jenn/Guin, it was easy to translate how I felt about dancing with her into storylines about Martian life.

With Abi/Bai, it has been some of the most difficult work to put into words what I feel because I have allowed myself and my character to tap into a part of myself that is wordless/word-free, and that, my dear friends/readers, is amazing, almost scary.

I am a man who spent years building his personal space back up after a similar encounter with a character I created from a woman I met named Brenda.

The imagination creates skyscrapers and rocketships, computers and quilts.

How will I lose myself while diving into this new character who explores the world of dancing from inside the World Swing Dance Council events?

What plots will reveal themselves?

What hints of world events will scenes expose?

This is not John Adams’ “Nixon in China” or Philip Glass’ “Einstein on the Beach.”

This is something else.

We’ll find out what as the weeks progress.

A show about nothing?

Jason Alexander fans around the world rejoiced today when the Brits with their new baby boy named him George Alexander Louis.

Why?

Well, Jason Alexander played a character named George on Seinfeld and everyone knows that Jason’s favourite jazz musician’s Louis Armstrong.

In recognition of this honour, Jason is offering a free copy of the complete seasons of Seinfeld as well as a complete CD set of Satchmo recordings to the parents of children born today who can answer the following question:

In which Seinfeld episode did anything actually happen?

Russia grants asylum to gaming fanatic disguised as whistleblower

Just when you thought you really knew what was going on in the news…instead, we discover that Russia wants to groom an American as its next Angry Birds champion, now that chess winners live in the the realm of computer algorithms.

SNOWDEN PRESSER

All categories most used uncategorized

A new online friend has shown me the “bucket list” of accomplishments she achieved, so far, in her short life — very exciting for her, and fun for us to read and learn.

However, I don’t even know what a bucket list is except as a title of a film released in the past few years.

I am neither a high nor a low achiever — my philosophy has been to treat every moment the same as the next moment, regardless of change of state of the set of states of energy that is me, because illusion is a tricky business.

Imagine you are accused of being a vampire, then executed and buried in that manner.

The power of the tribe, the clan, the subculture is the power of illusion at its most pivotal, both uplifting/supportive and scary/deadly.

I am trapped on this planet with bunches of subcultures in transition.

All I want is to explore another celestial body, to discover that which no other person has seen or touched, far from this solar system that our extended electromechanical cultural limbs have photographed and sampled.

Yet, I set my sights on a slightly more realistic goal for my lifetime — to die and disintegrate on Mars — just this close to reality, if the subcultures I track and follow give any indication of beating more-than-impossible odds.

My calendar shows 13,435 days to go until a major milestone is reached, with or without me.

I am beginning to learn that the more fragmented our social media allows our general culture to become, the less I have to satisfy the implied hidden gods and ruthless leaders of that general culture for us who boundlessly and abundantly value ourselves and our subcultures more than the imaginary general culture that exists in mass media.

In other words, I can indulge my wants and desires, not caring about anything or anyone but the moment in which this set of states of energy is, for want of a better word, alive.

I can sit here, dance in front of a bunch of strangers, sleep, eat, read, walk, change the bedsheets, play with electronics, drill holes in wood, whatever.

The future is nonexistent.  For me, being childless, our species is thus unimportant — I can stop worrying about recycling, living a “green” lifestyle, or using more resources than seems reasonable for one person.

In the end, it doesn’t really matter — there is no punishment living solely for my own enjoyment and edification — history is an illusion so history cannot judge my [in]actions, I have no reputation in mass media to protect; I am, as I believe, a set of states of energy in constant flux.

There is only one tie that binds me to my childhood subculture of the Christian denomination called Presbyterianism — the holy act of matrimony, which means I am to pledge my body to one person for the rest of our lives. Of that, in practical terms, there is much to be said for providing a safe haven against the transmission of diseases via bodily fluids.  How much does dancing with others interfere with that freedom from an invasive change to one’s medical condition — is air pollution or the potential for a car smashup more likely to kill or maim me and my wife than having dancing partners other than ourselves?

The luxury of asking these questions!

Relative wealth puts me here in front of this notebook PC, a level of freedom bought by giving years of my life toward others’ goals that we call socioeconomic accomplishments.

Do I have what it takes to build more wealth convincing others to give years of their lives toward my goals?  My financial portfolio certainly answers that question.

Total anarchy does not pay my bills — the talent of strangers built through skills training does.

Therefore, regardless of my supporting the philosophy, “eat, drink and be merry,” there are those of our and other species who devote themselves solely to implementing well-honed habits that allow me to be here doing nothing but tapping my fingertips on tiny blocks of plastic.

Am I, then, also displaying a talent/skill combination that is enriching the lives of others who are enriching my life, too?

How is this set of states of energy going to exist in the next moment or moments to come, rectifying the direction of midlife habits established in early life?

Where am I going?  What’s it all about?  If the universe is here solely for my entertainment, then I’ve answered the second question.  Question is, what shall I do about the first?

Stepping forth through the fourth wall with [in]formal steps

“It is not the critic who counts; not the man who points out how the strong man stumbles, or where the doer of deeds could have done them better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood; who strives valiantly; who errs, who comes short again and again, because there is no effort without error and shortcoming; but who does actually strive to do the deeds; who knows great enthusiasms, the great devotions; who spends himself in a worthy cause; who at the best knows in the end the triumph of high achievement, and who at the worst, if he fails, at least fails while daring greatly, so that his place shall never be with those cold and timid souls who neither know victory nor defeat.” — Citizenship in a Republic, speech given by the former President of the United States, Theodore Roosevelt at the Sorbonne in Paris, France on April 23, 1910.

I sit back down in the studio at home, leaves of a Japanese redbud outside the window reflecting raindrops from a light rain shower.

During our long ride home last night, my wife and I talked about the range of emotions and thoughts we shared the past few days as newb (not n00b) dancers.

The self-deprecating downers:

  • “I’m just this [guy/gal] who doesn’t deserve to be on the dance floor with such great dancers.  It would be a waste of their time to dance with inexperienced me.”
  • “I don’t dance much because I’m not that good.”
  • “What am I doing here?  Who do I think I am competing against better talent?”
  • “Watching everyone on the dance floor having so much fun is tiring and depressing.  Why can’t I be as good as them?  Well, I know at least a few of them have been dancing since they were three so it must be innate talent that I don’t have that makes them so fantastic, which is even more depressing that I’ll never be like them.”
  • “I’m too nervous to dance well in this competition.  I’m going to mess up, trip and fall or miss a step.  What if I don’t demonstrate musicality or get off the beat of the music?  The judges will score me in last place, I know it!”
  • “What’s going on?  The competition is about to begin, I’m in line to go out on the dance floor in front of the judges, the crowd and video cameras, making me so nervous I could scream.  I’m confused by the instructions because I’ve never seen a competition in person, let alone competed as an ignorant newcomer.  I feel so stupid and scared.”

The self-confidence -building uppers:

  • “I just learned a new move without it taking weeks to understand the steps.  This is more fun than I thought.”
  • “People, some of them the best dancers here, are actually interested in dancing with me.”
  • “It’s like being inside a TV show or movie about dancing and I’m the ‘star’ of the moment with my dance partner.  ME!”
  • “Not only did I survive the competition, I was so focused on having fun dancing I didn’t even see what my competition was doing.  I actually competed against the strong belief that I would surely fail and I won because I didn’t fall down and didn’t feel like I made a fool of myself even though I know I made a few mistakes!”
  • “Everyone cares about me and how I danced — their praise and constructive criticism was so good to hear because they paid attention to me, a mere beginner, and wanted me to be a better dance partner with them.”
  • “Can you believe that I went from not wanting to attend this competition or anything like it ever again to wondering when’s the next competition we can go to and repeat the exhilarating fun?”
  • “At football games and car races, there’s too much negativity amongst fans who spent so much of their energy yelling at or putting down others.  Here at this dance competition, we encourage each other, especially our competition.  At our age, maybe we should say goodbye to the ‘boo birds’ and spend our money more wisely with people who support their competitors to get better.”

There were several times after watching some of the competitions that I was sick and tired of dancing because the weight of negative thoughts that I’d never be a dreamy dance partner killed the good mood of the moment.

But then I’d get out on the dance floor, connect with a new partner, enjoy the brief flirtatious friendship and instantly restore my self-confidence regardless of whether I was in perfect sync with my partner the whole time.

As more than one person said, the first is not always the best dance with someone — it may take one, two or three songs for you and your partner to find your commonalities — but you are helping each other improve yourselves that drives you to keep going.

It’s that giving up of one’s ego for the sake of the dance that is amazing to me.  Abi often reminds not to stop dancing because sometimes I would just stop and watch her dance, swept up in the amazement of how great her dancing made me feel.  Same for many other partners, too.  I forget that they’re feeding off me for the sake of the dance.

You mean this little ol’ kid in me is an inspiration for others?

I worked hard all weekend to give myself permission to have fun dancing, clearing my thoughts of guilty feelings that I’m having a great time while people around the world are suffering and my niece is in the hospital recovering from a difficult birth of her baby son.

In fact, I had so much fun that I didn’t constantly split myself into multiple personalities, including the diarist/journalist/blogger who observes and reports everything he saw and felt.

Therefore, I don’t remember the names or personal stories of everyone I met.

Sensory overload was an issue that I didn’t want to get in the way (which triggers crowd anxiety) so I shut off the internal critic, the judgmental elder who uses criticism to build up barriers, and let myself live timelessly in the moment.

I first suppressed and then let pass through me the jealousy/envy of better male dancers who were making the women with whom I wanted to dance look like goddesses, especially after those very same goddesses wanted a song or two with me.

Memories of grade school sockhops welled up from out of nowhere, recalling when I stood like a statue fixated on girls I liked, occasionally getting up the nerve to ask a popular girl for a dance, where I first learned to dance awkwardly with equally-awkward partners, no matter how popular they were, sharing a laugh at the realisation we both felt embarrassed for no reason; high school dances where I was known as a guy to have fun flailing about on the floor, literally, doing jumping jacks, pushups and other shenanigans because I was the wild-and-crazy president of the drama club who had a reputation of outlandishness to maintain; college years full of sorority formals and punk rock mosh pits, often on the same evening; then, 25 years generally devoid of dancing.

And now this, the post Dance Mardi Gras euphoria, where, interestingly enough, a dance form that has no rules or formality — turning into The World Swing Dance Council, with scoring and a points system — inspired me to dance without thinking, letting my whole body speak and learn a new language all over again, while I sit here trying to describe what I felt rather than directly thought with the formal labeled sounds/memes we call words.

Thanks again to everyone of all ages such as the dance groups like Newsies and Tortilla Chips who put on an entertaining show for us during the masquerade ball.  The celebrity J&J contest was just as exciting!

Last, but not least, a big shoutout to the crew who made it all happen.

The crystal ball rolls on…

A little fuzzy right now, a little misty, foggy, but the images inside the crystal ball show the IRS, along with SWAT teams in riot gear, raiding, then accidentally destroying the offices and equipment of Rolling Stone magazine, its publishers, writers and subcontractors over the possibility that one or more persons (remember, a corporation is a person) has allegedly evaded tax liabilities illegally, including late tax payments, falsified/missing receipts, and/or miscategorized tax deductions. Racketeering charges based on algorithms that will show subliminal collusion to cheat the government of tax revenues will be placed on all involved, requiring the alleged perpetrators to defend themselves in secret tax court cases that will never see the light of day because combined tax evasion and racketeering charges are now considered an act of terrorism that the government does not want promoted in the free press.

The government will be avenged.

Praise be the power of subbacultcha. Coochie coochie coo, Charro, baby.

Getting up by backing down

R&B Classics on the tellie.

Dagnabbit rabbit (not rabid, or rapid), I am in the mood to dance (echo: “dance, dance, dance…”).

However, I’m out of sequence with the marital unit (i.e., me wife), who agreed to retire early Thursday night because I had driven seven hours from Huntspatch to Nawlins and used that as an excuse to retire early from a night of dancing so tonight she has a sore knee and I must agree to retire early to the hotel room even though I’m in the mood to PAR-TAY on the dance floor in preparation for the Pro-Am competition tomorrow at noon, thanks to the secret of staying smooth on either nicotine, alcohol or…?

This, my dear young readers, is my secret and my curse — lowering inhibitions that make no sense through the use of external stimuli.

Dagnabbit.

No, take that back, God’s Frozen Chosen Presbyterian readers.

Damn! I want to dance and I want to dance now.

Follow the Philips head patterned tap (e.g., “screw it.”).

Let’s give it over to LaBelle in Lady Marmalade: “Voulez-vous coucher avec moi ce soir?”

G’nite!