Is every touch electrifying?

Lee looked down at his smartphone — 100% charged.  Not used much that evening.

He swiped the screen to unlock.

Checking his multiple email inboxes, he paused his thoughts, holding a memory of a single touch, the person out of view behind him.

His thoughts restarted, rewinded, recalling high-heeled dancing shoes — the shoes merely straps, the wearer’s toenails painted blue, the calves brown, muscular, tight.  The wearer’s face unpainted, brown, Filipina, smooth, thin lines hiding on her forehead until emotions displayed with an instructor’s tone of professional voice.

“Toe, toe, toe, heel, Karen.  Head turned left, not tilted.  Heel!  Don’t be afraid or timid to step forward, Lee.  Elbow up!”

A hand reached from behind and pushed Lee’s right elbow up, holding it in place for his dance partner’s arm to rest upon.  Another hand smacked the back of his leg.

Bai laughed.  “That was fun.  I liked that!”  She smacked Lee’s leg again until he got his step right.

Lee’s dance partner, his wife, Karen, smiled.  “‘Heel.’  Like a dog.  Like the way they pronounce Hill around here.”

Lee concentrated on his waltz steps while also trying to let go and enjoy the music.

Bai nodded at Guinevere nearby, as if to say, “See, they are trainable.  You just have to know how to train them.”

To Lee, the reward for getting the dance steps right or getting them wrong was a corrective dance with Bai, or just the slightest hint of a promise of the chance to dance with Guin.

Karen stood and watched while Bai made Lee trace the same waltz steps she made, forward, then turned slightly left or right but still forward, tracing an imaginary straight line on the dance floor, less than the zig-zag of a grapevine move.

Lee looked at Bai’s legs, wishing they were his, remembering his marathon training days and his almost-sinewy legs of a runner.

Standing in a clubhouse lobby checking email was not going to get him those legs.

Wishing was not going to make him have athletic legs like Bai’s.

Still, Lee wished his wife desired athleticism over sleep and looked forward to them getting closer medical attention come October when their family practice physicians moved to a concierge system.  Perhaps Karen would finally get the diagnosis of sleep apnea that Lee believed she had.

Solve her sleep problems and Karen might have more energy to exercise.  More exercise, more dancing, lower weight and more like the lithe figures with whom Lee enjoyed spinning around the dance floor like angels.

Lithe did not mean size zero clothing.

Lee had danced with a woman whose size matched his wife’s but who had mastered the art of spinning a larger body size, thanks to her years of ballet training.

Training means practice.

In two days, Lee and Karen would start renting a dance studio on a monthly basis, dedicating themselves to their new hobby, the art of dance — waltz, rumba and West Coast Swing — their goal to be better students than Bai expected.

Lee lived from moment to moment, enjoying the sensation of change.  How much more he valued the change of holding the hand of a different dance partner as songs ended and began?

Warm hands, cold hands, perspiring hands, dry hands, single fingers, two or three fingers held at once, fingers covered with rings, bare fingers, painted nails, chipped nails, chewed nails, filed nails.

Strong grip, weak grip, shaky grip, light grip.

The electrifying first touch of hands told a lot.

The dance unrolled the plot.

The dancers’ bodies and the way they matched their steps leader to follower revealed the storyline, sweeping move by sweeping move.

What messages do static charges send?

What about preconceptions and assumptions?

Expectations and dreams?

Are thoughts conveyed at the impact point of two fingers about to touch?

Lee dropped the smartphone in his shirt pocket and poured himself a quarter cup of coffee, filling the rest of the cup with half-and-half cream, hoping to dilute the caffeine effect so late at night.

Else his memories would drag him to a keyboard and away from bed with his wife and cats.

The divorce diet

Bai looked at her figure in the mirror.

Little more than a size four, close to a size six.

Watching herself and her partner on video from a recent dance competition had shown her that she was not the skinny ballerina figure she used to be.

Time’ll do that to you.

That, and alcohol to a diabetic’s disposition.

She breathed.  She needed water, part of her purification cleansing diet, much like the nutritional input to which she resorted during her divorce.

Her so-called divorce diet.

She wanted to go back to per post-divorce size two, or a size one in clothing store labeled terms.

More importantly, she wanted to be a great dance partner again, spinning on point effortlessly, turning faster than anyone else on the floor, the perfect follower for the perfect leader.

She was no engineer but she understood inertia better than most scientists — it doesn’t take a formula to show you that you don’t move at the same speed as you did in 1998, or even 2008, when you went from a complete stop to 120 BPM in a second, not two.

With her new job as a night club DJ, she could cue up four or five songs and dance with the club patrons as part of her exercise regime.

As a dancing instructor, she just wasn’t burning calories as fast as she’d like.

Soon, she’d be showing off her slimmer figure at Swing Fling in Washington, D.C.

After that, who knew?  Maybe River City Swing in Jacksonville, Meet Me in St. Louis Swing Dance Championships or Boogie by the Bay in San Francisco.

She had goals, not all of them dance.  Sure, she’d like to travel overseas for dance competitions, buy a sewing machine and turn all of her students into top competitors, but there was more.

Much more.

Lose a boyfriend, gain a girlfriend who was her best friend, then her boyfriend’s former girlfriend.

She had options.  Choices.  Her secret to life was her happiness and youthful exuberance.

Her life was often tiring but she wouldn’t have it any other way.

She returned to the mirror and practiced a new move.

She had been taught by the best and expected nothing less from herself.

Practice, practice, practice!

The deciduous forest is buzzing and chirping today

A yellow jacket, a sweat bee and a fly are chasing each other in the slit of sunlight that passes over the rubbish bin this late Friday morning.

Getting permission to import them to Mars was no easy task.

I could not import dragonflies.

Vibratoids, the equivalent of speakers or earphones embedded in my body, give me the sensation that I’m in a deciduous forest as I walk through the greenhouse that serves as our meeting room, food growth chamber and place for general meditation.

The vibratoids make me think that insects are buzzing in treetops and birds are chirping as they fly from limb to limb looking for food.  The sound of wind through tree limbs and the small blasts of air on my arms, neck and face add to the immersion algorithm’s programmed goal of acclimating me to Mars with occasional reminders of what Earth must feel like, what we jokingly call the decompression chamber effect.

But I have work to do.  I cannot dwell too long on the memories of a planet I get to visit less and less often as the Martian colonies mature, requiring my attention, not to mention my declining health — I don’t know if I can endure many more trips.

I remember my last night on Earth.

But before I do, I’ll tell you a joke repeated to me by a fellow traveler to Mars, a tourist named Adyer Xedif.  A juvenile joke but one I’ve heard more than once from first-time visitors —  Q: If men are from Mars and women are from Venus, where are politicians from? A: Uranus.

I hear the rapid flutter of the wings of a hummingbird pass before my eyes but I see only the bird’s green body and white-tipped tail in my imagination.  Oh, how the immersion algorithm can be so cruel without knowing it!

We are a small set of colonies here, able to manage ourselves without the need for the professional political class of workers so, needless to say, we get a lot of jokes about politicians when tourists and new settlers begin to realise they won’t have politicos to blame for inefficiencies and errors that occur because, as we know, we want a perfect world and we train for a perfect world but we don’t live on a perfect world.

Our customer complaint system is a throwback to the time when “free market capitalism” was the rule of the day, including some societies on Earth.

We call it the customer complaint system for tourists and visitors although we know it locally as the PS or ProbSolv department.

Solving problems.  Rewriting algorithms, correcting databases and reconfiguring hardware.

As quantum computing devices that closely resemble the humans we used to be, we are able to adapt and adjust to changes on a colonywide scale much more rapidly than the old mass media socioeconomic shifts that often took generations, or Earth-based decades, to accomplish — within milliseconds, software updates will rewire our central nervous networks to accept the change from decentralised ant colony system to an interconnected but independent system of birds flocking during migration as programmers test the currently-accepted best practices method for colony survival.

But I digress.

The last night on Earth…sigh…

The cheerful look on Guin’s face after her trumpet performance with the Comet Plasma band playing big band tunes of the 1940s, her purple-and-black eye shadow, her…eyeglasses?

Why, in this day and age of implanted autocorrecting lenses did Guin wear eyeglasses?

Hmm…good question.

Anyway, Guin reminded me again she needs a new dance partner.

While watching the couples competing on the dance floor, I thought about what Guin and I have been through, our first trip to Mars, her decision to stay when I left, her decision to return to Earth for one more grand tour, talked into playing her trumpet again, with me now back on Mars and her still on Earth.

Why do I sense a vulture flying overhead?  How can a bird at an altitude hundreds of feet above me affect the vibratoids and air blowers such that I feel rather than see such a creature?  Is it because I know a vulture rides thermals and the wind effect around me is that of a thermal rising above and passing through the imaginary forest?

My, my, my imagination is overactive today.  Next thing I know I’ll hear an aeroplane fly by.  Ah, there it is.

Good for the immersion algorithm to know what my life was once like, in my previous body, back home.

I don’t miss mowing lawns or the smell of cut grass but I do miss the old solid-metal and solid-rubber tyred hand-pushed mower that sat in my garage.

There was a time, in a previous life, in my previous body, when I had a wife I wanted to learn to dance in order to improve her health.  I also wanted her to become proficient at dancing so that she and I were comfortable switching dance partners at big social dance events, because I wanted to overcome the habit of walking off to dance with other partners, leaving my wife alone at parties without dance partners to share momentary joy with.  That’s who I was — a seeker of increasing levels of joy when the occasion presented itself.

You know, one thing this immersion algorithm can’t simulate is the appearance of a column of gnats rising and falling in a dance all their own.

I smell rather than see a citronella candle burning nearby, simulating the feel-good effort to keep mosquitoes away from humans.

I barely recall the sound of slamming car doors and squealing brakes when my neighbours on Earth would return to their domiciles.  I know there was a time when the smell of burning cow and pig flesh was an indication that my neighbours were enjoying themselves in their backyards.

Now, I’m just as happy with the smell of recharging batteries or Martian “snake oil” treatments.

That last night on Earth, I stood next to one of the winners of the dance contest.  She wore the traditional outfit we still call “Rosie the Riveter.”  On her face she wore light peach coloured makeup that we of Mars no longer see as fashionable, able to change our face colour through skin tone circuitry like chameleons blending in or clashing with our environments as we see fit.

Will Guin return to Mars?  Will I dance with her again?  Will she and I ever be dance partners?

Although I have been outfitted with the latest in future forecasting capabilities, some futures I can only calculate, not predict with accuracy due to the influence of emotion-based algorithms I insist on keeping intact.

Do I miss Guin?  Sure I do, even if my work here at the colonies “needs” me and would miss me more if I left Mars for Earth.

Well, the chirps of cardinals and the warning hisses of a squirrel are like an alarm clock, telling me it’s time to leave the greenhouse and go back to the lab where I hope our latest in the new line of beings created from our imaginations will come to life, making our colonies more productive, more happy and prosperous in the longterm.

Talk to you kids of the past and the future again soon!

Storytelling Secrets of Imprimante Scanneur Copieur

While writing one’s self into a storyline that appears autobiographical, one loses oneself temporarily, but that is the whole point, is it not?

We characters are characters with characteristics characterising charisma, charm, charbroiled personalities and carbon copies of people we meet.

A “Jenn” inspires a “Guin” who travels between planets.

An “Abi” inspires a “Bai” who influences the emotional states and body movements of those around her.

I, as the character Lee, have the joy and freedom to fall in love with Guin and Bai without interference, unless the storyline calls for such.

I could just as easily fall in love with their storied lines, their lives, their livelihoods and joie de vivre.

Separating self from character is not always easy.

In fact, I have lost track in the past but the characters lived on and so did the people who inspired their existence.

To be here, one assumes I have lived on, too.

Have I?

Je ne sais pas.  Parfois, je ne me connais pas.

To know is to understand.  Semper paratus, as they say, to tell a good story.

Take the date, the 10th of August 1998.  Why should I remember that day, a Monday?

Perhaps I do not remember it correctly.

Would a Monday be any different than a Tuesday or a Saturday?

What if, on that day, you first learned the language of dance?  What then?

Ah, but you see, to understand, to know, to feel in the synchronised vibrations of your core being the language of dance is an epiphany some equate with the Christian sense of being born again.

When you dance as if your whole body is one with the universe, it is a meditation upon or prayer to everything.

You cannot separate yourself from yourself, the person around you, the room, the music, or the planet in semi-elliptical orbit around the nearest star and the solar system in orbit around the Milky Way galaxy.

Writing about the sensation of dancing is like a badly-written translation of a masterpiece, converting a symphony into a bicycle — each has its perfection but never will the two appear the same.

Do you live for the dance?  Is every penny you earn outside of paying for living expenses directed toward dancing?

If so, then you know.

It’s like my favourite bluegrass musician, Claire Lynch.  I love her music but it’s just not the same sitting in a chair in a concert hall listening to her and her band perform.  I’d much rather lose myself gyrating on the dance floor while she and her friends are going off on musical tangents with her famous tunes as guidance.  Or I can write about it and get an equivalent feeling in the moment.

In all walks of life, we know this feeling:

  • Stock traders who have a feel for when a stock price is just right to trade at maximum value, followed by another and another for hours and days on end.
  • Teachers who have mesmerised their students to follow their lead, absorbing new material with a burning desire to learn.
  • Players in every sport.

To capture this sensation, some use stimulants while others know or learn how to let themselves live timelessly in the moment.

For me, switching between mental word play and dancing with a new partner is amazingly effortless when I decide not to carefully measure my steps as if I’m looking up dance moves in a guidebook.

With Jenn/Guin, it was easy to translate how I felt about dancing with her into storylines about Martian life.

With Abi/Bai, it has been some of the most difficult work to put into words what I feel because I have allowed myself and my character to tap into a part of myself that is wordless/word-free, and that, my dear friends/readers, is amazing, almost scary.

I am a man who spent years building his personal space back up after a similar encounter with a character I created from a woman I met named Brenda.

The imagination creates skyscrapers and rocketships, computers and quilts.

How will I lose myself while diving into this new character who explores the world of dancing from inside the World Swing Dance Council events?

What plots will reveal themselves?

What hints of world events will scenes expose?

This is not John Adams’ “Nixon in China” or Philip Glass’ “Einstein on the Beach.”

This is something else.

We’ll find out what as the weeks progress.

Stepping forth through the fourth wall with [in]formal steps

“It is not the critic who counts; not the man who points out how the strong man stumbles, or where the doer of deeds could have done them better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood; who strives valiantly; who errs, who comes short again and again, because there is no effort without error and shortcoming; but who does actually strive to do the deeds; who knows great enthusiasms, the great devotions; who spends himself in a worthy cause; who at the best knows in the end the triumph of high achievement, and who at the worst, if he fails, at least fails while daring greatly, so that his place shall never be with those cold and timid souls who neither know victory nor defeat.” — Citizenship in a Republic, speech given by the former President of the United States, Theodore Roosevelt at the Sorbonne in Paris, France on April 23, 1910.

I sit back down in the studio at home, leaves of a Japanese redbud outside the window reflecting raindrops from a light rain shower.

During our long ride home last night, my wife and I talked about the range of emotions and thoughts we shared the past few days as newb (not n00b) dancers.

The self-deprecating downers:

  • “I’m just this [guy/gal] who doesn’t deserve to be on the dance floor with such great dancers.  It would be a waste of their time to dance with inexperienced me.”
  • “I don’t dance much because I’m not that good.”
  • “What am I doing here?  Who do I think I am competing against better talent?”
  • “Watching everyone on the dance floor having so much fun is tiring and depressing.  Why can’t I be as good as them?  Well, I know at least a few of them have been dancing since they were three so it must be innate talent that I don’t have that makes them so fantastic, which is even more depressing that I’ll never be like them.”
  • “I’m too nervous to dance well in this competition.  I’m going to mess up, trip and fall or miss a step.  What if I don’t demonstrate musicality or get off the beat of the music?  The judges will score me in last place, I know it!”
  • “What’s going on?  The competition is about to begin, I’m in line to go out on the dance floor in front of the judges, the crowd and video cameras, making me so nervous I could scream.  I’m confused by the instructions because I’ve never seen a competition in person, let alone competed as an ignorant newcomer.  I feel so stupid and scared.”

The self-confidence -building uppers:

  • “I just learned a new move without it taking weeks to understand the steps.  This is more fun than I thought.”
  • “People, some of them the best dancers here, are actually interested in dancing with me.”
  • “It’s like being inside a TV show or movie about dancing and I’m the ‘star’ of the moment with my dance partner.  ME!”
  • “Not only did I survive the competition, I was so focused on having fun dancing I didn’t even see what my competition was doing.  I actually competed against the strong belief that I would surely fail and I won because I didn’t fall down and didn’t feel like I made a fool of myself even though I know I made a few mistakes!”
  • “Everyone cares about me and how I danced — their praise and constructive criticism was so good to hear because they paid attention to me, a mere beginner, and wanted me to be a better dance partner with them.”
  • “Can you believe that I went from not wanting to attend this competition or anything like it ever again to wondering when’s the next competition we can go to and repeat the exhilarating fun?”
  • “At football games and car races, there’s too much negativity amongst fans who spent so much of their energy yelling at or putting down others.  Here at this dance competition, we encourage each other, especially our competition.  At our age, maybe we should say goodbye to the ‘boo birds’ and spend our money more wisely with people who support their competitors to get better.”

There were several times after watching some of the competitions that I was sick and tired of dancing because the weight of negative thoughts that I’d never be a dreamy dance partner killed the good mood of the moment.

But then I’d get out on the dance floor, connect with a new partner, enjoy the brief flirtatious friendship and instantly restore my self-confidence regardless of whether I was in perfect sync with my partner the whole time.

As more than one person said, the first is not always the best dance with someone — it may take one, two or three songs for you and your partner to find your commonalities — but you are helping each other improve yourselves that drives you to keep going.

It’s that giving up of one’s ego for the sake of the dance that is amazing to me.  Abi often reminds not to stop dancing because sometimes I would just stop and watch her dance, swept up in the amazement of how great her dancing made me feel.  Same for many other partners, too.  I forget that they’re feeding off me for the sake of the dance.

You mean this little ol’ kid in me is an inspiration for others?

I worked hard all weekend to give myself permission to have fun dancing, clearing my thoughts of guilty feelings that I’m having a great time while people around the world are suffering and my niece is in the hospital recovering from a difficult birth of her baby son.

In fact, I had so much fun that I didn’t constantly split myself into multiple personalities, including the diarist/journalist/blogger who observes and reports everything he saw and felt.

Therefore, I don’t remember the names or personal stories of everyone I met.

Sensory overload was an issue that I didn’t want to get in the way (which triggers crowd anxiety) so I shut off the internal critic, the judgmental elder who uses criticism to build up barriers, and let myself live timelessly in the moment.

I first suppressed and then let pass through me the jealousy/envy of better male dancers who were making the women with whom I wanted to dance look like goddesses, especially after those very same goddesses wanted a song or two with me.

Memories of grade school sockhops welled up from out of nowhere, recalling when I stood like a statue fixated on girls I liked, occasionally getting up the nerve to ask a popular girl for a dance, where I first learned to dance awkwardly with equally-awkward partners, no matter how popular they were, sharing a laugh at the realisation we both felt embarrassed for no reason; high school dances where I was known as a guy to have fun flailing about on the floor, literally, doing jumping jacks, pushups and other shenanigans because I was the wild-and-crazy president of the drama club who had a reputation of outlandishness to maintain; college years full of sorority formals and punk rock mosh pits, often on the same evening; then, 25 years generally devoid of dancing.

And now this, the post Dance Mardi Gras euphoria, where, interestingly enough, a dance form that has no rules or formality — turning into The World Swing Dance Council, with scoring and a points system — inspired me to dance without thinking, letting my whole body speak and learn a new language all over again, while I sit here trying to describe what I felt rather than directly thought with the formal labeled sounds/memes we call words.

Thanks again to everyone of all ages such as the dance groups like Newsies and Tortilla Chips who put on an entertaining show for us during the masquerade ball.  The celebrity J&J contest was just as exciting!

Last, but not least, a big shoutout to the crew who made it all happen.

When is a street a canal?

After a seven-hour return trip driving from the Big Easy to Rocket City, I relax for a few minutes before going to bed.

So many people to thank, I hope I remember most of them: Eric, Kevin, Kenneth, Greg, Chris and extraordinary room-cleaning staff at the Astor Crowne Plaza; Seth and friends/coworkers at Chesterfield’s; Kam and the volunteers who made Dance Mardi Gras a success; the enthusiastic workers at PJ’s; state troopers; street beggars; traffic light engineers; skyscraper window washers; polite tractor-trailer operators…

A weekend of adrenaline/endorphin rushes watching/competing/dancing.

…like a rare, old (“aged”) and delicious wine — one sip of a memory at a time.

…like the miracle of a newborn child — every move analysed for signs of progress.

If I had known what I was going to face on the dance floor, I might/shoulda/coulda practiced more, if not more seriously.

I definitely should have danced with more partners during social dance times.

The past has passed, the awards given.

Proam-Male-Open-Newcomer-Swing-2nd-place-2013

 

Let the dreams carry me into the light of Monday morning…dreams of flirting in two-minute stretches with beautiful dancers…

IMG_2070 IMG_2074 IMG_2080 IMG_2082 IMG_2087 IMG_2089 IMG_2092 IMG_2101

Abi was the female pro dancer of the event.

…and I need another memory card for my camera phone for the next one of these great events.

 

Getting up by backing down

R&B Classics on the tellie.

Dagnabbit rabbit (not rabid, or rapid), I am in the mood to dance (echo: “dance, dance, dance…”).

However, I’m out of sequence with the marital unit (i.e., me wife), who agreed to retire early Thursday night because I had driven seven hours from Huntspatch to Nawlins and used that as an excuse to retire early from a night of dancing so tonight she has a sore knee and I must agree to retire early to the hotel room even though I’m in the mood to PAR-TAY on the dance floor in preparation for the Pro-Am competition tomorrow at noon, thanks to the secret of staying smooth on either nicotine, alcohol or…?

This, my dear young readers, is my secret and my curse — lowering inhibitions that make no sense through the use of external stimuli.

Dagnabbit.

No, take that back, God’s Frozen Chosen Presbyterian readers.

Damn! I want to dance and I want to dance now.

Follow the Philips head patterned tap (e.g., “screw it.”).

Let’s give it over to LaBelle in Lady Marmalade: “Voulez-vous coucher avec moi ce soir?”

G’nite!