Frankly, my dear: Chapter doesn’t build a dam

Are you lucky enough not to be a one-hit wonder?

Were you lucky enough to become a one-hit wonder?

We see people ahead of our time and behind our time all the time.

Some we brush off because of spelling or social blunders.

All I want is a tiny paradise on another planetoid.

Ever since we first contemplated a set of thoughts existing separately from our bodies we have desired more than what’s before us.

We have farmed, planted, hunted, mined, fished and thought up terms like alchemy.

We invented a language to describe mathematical “laws” to which physical behaviour sets belong.

We created a destructive force capable of vaporising thousands of lives in seconds and powering thousands of homes for decades.

For what?

This moment or moments we haven’t observed yet but may have predicted?

For whom?

The compassionate medical doctor or the cold-blooded killer?

I didn’t invent this species to which I belong.

I, this decaying mass of states of energy, merely observe and report the moment from my viewpoint, as myopic or universal it may appear to me and my desire to write.

I don’t write for the cats on the sofa or crickets in the backyard.

I write because I can.

I meditate upon previous thoughts that created my version of the language rules, vocabularies and concepts given to me by my peers, including you and the organisms that occupy my pores.

I don’t know more than I know although I synergise, regroup or intuit energy states within and around me into something new I didn’t have or know before.

A guitarist reinterprets Bach for the 1374th time, throwing in pop tune melodic snippets from a life of sensitivity to audible frequencies.

I, I, I…

At the end of this day, when labels swim in my thoughts like musical chords, seeking harmony and discord at the precise moment when this verbal symphony requires proper placement, I ask myself what kind of lifeforms I want to occupy that imaginary planetoid, assuming I had the choice.

My species?

Don’t be presumptuous.

As wonderful as we are – adaptive, inventive, destructive – we’re energy hogs in many environments.

Putting aside our natural desire to live, overcoming the tendency to rest in order to reproduce and spread out – our biological egos – we are part of the universe, which is neither for nor against us, assuming the conservation of matter and energy holds true.

For whom would we tax the hyper-rich?

If one-hundredth of one-hundredth of a percent of a hyper-rich’s taxes went toward propelling a lifeform to another planet, what would the lifeform be and where should it go?

Would a bacteria culture, with an embedded message from our species, in DNA, perhaps, suffice?

And if it already hitchhiked a ride without intelligent coding by us, surviving the rigours of space, would we happily say we gave the lifeform a ride on a lifeless exploratory machine after we discovered it thrived in its new surroundings?

We can’t escape history, no matter how we choose to rewrite what we did on macro scales in previous moments.

We are part of the universe, now and forever, even when we discover the environment we long called the universe is an observable set of laws in opposition to other regions with different natural laws that local states of energy “obey.”

We’ll keep having babies and killing each other.

It’s in our nature.

And today, I’m okay with that.

And, but without further ado, starting incomplete sentences with conjunctions as frequently as I want to.

Making fun of us along the way.

It’s in my nature.

For instance, is the Committee a figment of your imagination or mine?

Can I read your mind or does predicting the future make it easier to manipulate your thoughts so I know what you’re going to predominantly think next?

The joke’s on us.

The punchline is what will represent our planet somewhere else years from now.

C’est la vie.

War and peace.

Super Trooper: Chapter is revealing, unveiling the ceiling hiding plates of veal

“This is Niles Arrogant with BBC News.  Today we are sitting down with ‘America’s Supercop’ to learn what he plans to bring to the UK…sorry, I mean to Great Britain, in order to restore order.  Good morning.”

“Good morning to you, Niles.”

“Tell me.  How does one become a ‘supercop’?”

“Well, it’s not easy.  I worked for the sheriff for years before I earned the respect of my fellow citizens.”

“I see.  And this sheriff, was he also a ‘supercop?'”

“I’m not exactly sure he’d call himself that.  Everyone just called him Andy.”

“Andy?”

“Yes.”

“That doesn’t have quite the same ring to it as ‘Rocky’ or ‘Arnold,’ does it?”

“I don’t know why it should.  His name’s Andy, not ‘Rocky'”.

“We were told not to inquire about your name, in order to protect your privacy and allow you to operate ‘incognito,’ as you say in the States.”

“Shoot.  There’s no need for formality.  Just call me Barney, Barney Fife.”

‘”Barney Fife?’  That names rings a bell.  In any case, Mr. Fife, what skills shall you be teaching our elite British riot suppression squads?”

“Seriously, just call me Barney.”

“Yes, Barney.  But can you answer the question?  Or is evasiveness part of the job?”

“Aw, shucks, Niles.  I ain’t being evasive.”

“Call me Mr. Arrogant.”

“Sure thing.  See, over in Mayberry, we know who everyone is.  Of course, Andy and I…the sheriff and I, I mean, we keep our policing skills up.  But mainly, we depend on the honesty and integrity of the townspeople to tell us who done it.”

“So life is a simple matter of waiting for someone else to solve the ‘whodunit,’ as you call it?”

“Yes, sir.  We ain’t never had one unsolved crime in all the years the sheriff and I worked at Mayberry.”

“I see.  And how large is this metropolis of Mayberry that I don’t seem to recall hearing about in BBC world news?”

“Well…what, with Aunt Bea having passed on, Opie growing up and moving into the picture making business, the sheriff going off to make a TV show about lawyering, and… well, now that I think about it, Mayberry might’ve just plumb fallen off the map, altogether.”

“‘Mayberry might’ve just plumb fallen off the map’, you say?”

“I believe so.”

“Hmm… are you aware we have the 2012 Olympics coming up in London very soon?”

“Olympics?  Yeah, I read about it in the newspaper.  See, back in Mayberry, we don’t get many TV channels, so I know they show the Olympics on TV but I’m too busy studying.”

“Barney, are you familiar with the international gang activity in this part of the world?”

“Gang activity has gone international?  Well, I’ll be. The little boys with their gang clubhouse in the woods at the outskirts of town will be thrilled to know they ain’t the only gang around.”

“Are drugs, gunrunning and prostitution problems in Mayberry.  Or were they, before Mayberry disappeared?”

“They talked about that at the deputy sheriffs’ convention last summer.  But only in big, scary towns like New York City.  We don’t tolerate any mischievous behaviour in Mayberry.”

“I bet.  Barney, I appreciate you taking time out of your busy schedule here in London to clearly explain to us your extensive experiences that qualify you as ‘America’s Supercop.’  We look forward to Scotland Yard quickly cracking down on crime with your advice and assistance.”

“No problem, Mr. Arrogant.  I’m just glad to be here.”

“I bet you are.  Good day.”

“See ya.”

“This is Niles Arrogant reporting.  In our next segment, we’ll examine the upsurge of joy and elation that preceded a sudden surge of crime following the announcement of Cameron’s announcement that only ‘America’s Supercop’ could bring sense and sensibility back to the law abiding citizens of Great Britain.”

Large load of fun: Chapter happy hour

Buffalo Rock ginger ale + Celtic Crossing liqueur = “a wee bit o’ craic”

= = = = =

More Bennett Cerf:

The six-year old son of a Protestant lady in Bronxville had for a steadfast playmate the little Catholic girl who lived at the end of the block.  One afternoon the two children were soaked to the skin by a flash thundershower, and the boy’s mother, without further ado, stripped them and propelled them into a hot tub to prevent sniffles.  An hour after the little Catholic girl had been packed off to her home, the boy came to his mother and announced with vast satisfaction, “Well, at last I understand the difference between Protestants and Catholics!”

There was a young girl from St. Paul
Wore a newspaper dress to a ball.
But the dress caught on fire
And burned her entire
Front page – sporting section – and all.

Most reassuring to timid souls who believe that the literary life of America is about to be snuffed out by television, is the revelation of what book publishers were fretting about back in the 1890s.  Trolley cars, believe it or not, were what these shortsighted fellows foresaw as the ruination of the book business – trolley cars and tandem bicycles!  “When young people,” groaned one agitated publisher in 1894, “prefer bouncing down to Coney Island and back on a dangerously speeding trolley, to curling up in the library with a good novel, what in the world are we coming to?”

After the trolley and bicycle scares, or course, it was cheap automobiles, then movies, then radio that were going to sound the death knell of the book business.  Television is only the latest of an endless series of bugaboos.  But, as I repeat every time I get the chance, nothing – absolutely nothing – will ever take the place – or give the infinite satisfaction – of a really good book.

There was the devil to pay when Pat Knopf’s singing canary fell into the meat grinder.  All week the family ate nothing but shredded tweet.

= = = = =

Next up: Excerpts from “The Grass Is Always Greener Over The Septic Tank” by Erma Bombeck.  Remember, “Seize the moment. Think of all those women on the ‘Titanic’ who waved off the dessert cart.”

= = = = =

And then back to the future of now, including entrepreneurs over 40.

60 Hz Hum: Chapter was the son of a schoolmaster

Seventy percent of U.S. economy is consumer spending?

Majority of wealth held in small percentage of Americans’ hands.

Subjectively, how does that feel?

Objectively, what does that mean?

The disconnect is disconcerting.

Around here, we go out to eat and waste food during the growing, harvesting, distribution, preparation, consumption and discarding phases.

While millions starve “somewhere else,” “not in my backyard,” etc.

All the same, different, it does not matter.

Wise guru/advisor/self, what do you suggest?

Meditate and consider the possibilities.

Check statistics.

Read the supercomputer of an ant farm called a bug-filled house.

Then respond.

Colloquial or “perfect” English, it does not matter.

Results, results, results.

Hut, hut…bacon, bacon: Chapter calls a foul

As the SEC potentially builds into a super-superconference, becoming stronger than the NCAA and eventually declaring the schools’ football programs official minor league teams not subject to the false good intentions of NCAA rules and not subject to the laws of an illegal entity called the USA, thus able to control college football as a true monopoly, we drop you into today’s story currently in progress.

Lee looked at the address.

A typical middle-class home.

Two parents.

Two point five kids.

A dog.

A cat.

An SUV and an ATV.

Lee wondered which one he’d pick this time.

The local bank that he contacted gave him free rein for his little holiday diversion.

On most of his business trips, Lee found museums and out-of-the-way eateries, sports venues and mountain hikes to distract him, keep him sane.

But on other trips, when he wanted something more, he’d work his network for a bigger thrill.

Loan sharks or pawn shops that had outstanding accounts to settle.

Banks that wanted to scare homeowners out of foreclosing or declaring bankruptcy.

Sometimes, all Lee wanted to do was rough up a person.

Appear out of nowhere, dressed in casual business attire, pretend to be whatever person made the target most comfortable….

And then attack!

Very often, his targets would show up in the news the next day as a victim of suicide, a result of too much pressure at work, the family knowing there were financial problems rarely discussed out loud, etc.

And Lee walked away a happy man.

An anti-hero doing his job.

Helping banks to keep neighbourhoods from turning into foreclosure nightmares.

Helping “personal loan consultants” get the message across.

“Mind control,” some would call it.

In the old days, he would’ve been labeled a hit man.

Not anymore.

These days, Lee could attack with a brush against a shoulder, a handshake, a hypnotising stare, or any number of subtle moves that turned the target into a marionette.

Which one this time?

Lee looked at the preteen boy.

Picked on at school.

Overweight.

A perfect target.

Lee walked past the boy as he stepped off the school bus.

They nodded at one another.

The next day the boy killed the phys ed teacher with a jumprope.

The bank president, offering her condolences, set up an appointment with the parents a few days later to discuss their mortgage delinquency and look over a few options to keep them in their home – maintaining the potential value of the house on the open market in the process – and sign a secret document guaranteeing that they would inform the bank if they heard any of their neighbours talk about foreclosure or bankruptcy.

In return, the bank would help finance the boy’s legal fees.

In a few years, Lee would stop traveling, having “graduated” past personal contact methods for influencing the actions of others.

Eventually, the planet would get too small for him and he’d move on to a bigger playground.

In the meantime, Lee laughed at the easiness with which he manipulated the UK prime minister into falling for the trap of creating folk heroes by evicting teenage children and their families from subsidised housing units.

With these folk heroes in place and evil geniuses spread around, including the Norwegian mass murderer and previous ones like Pol Pot, floating in people’s memories, Lee’s miniempire called Earth was the 3D chess set he always wanted as a kid.

Lee reported to the group that reported to the group that controlled the Committee.  He asked permission to change the codeword for the local planet from Earth to Rosebud.

When asked why, he said it was his private joke.

After replacing thuggery with subtlety, what was next for Lee’s source of fun entertainment?

Apparitions: Chapter Disappears Before Your Eyes

The Ghosts of Colonial Heights

The Spike Collector

 

Some say that Old Man Powell is a little crazy.  But he wasn’t always like that.  You see, when Marcus Powell was young, he used to like to walk with his father every Saturday afternoon out the back yard and follow the trail from the woods to Kendrick’s Creek until they got to the railroad tracks.  Then, they would sit and watch the dragonflies until the evening train passed through.  Marcus would count the engine cars and his father would count the coal cars and then they would yell the number at each other as the caboose went by.

 

“Five,” Marcus would shout.

 

“Forty seven,” his father would shout back.

 

Then the two of them would walk the tracks looking for spikes that had popped up as the railroad cars bounced heavily up and down on the tracks.  Sometimes, weeks would go by and they wouldn’t find a single spike.  Instead, they’d pick out the flattest rocks they could find and skip them across the creek.  If one of them found a spike, they would show it to the other like it was a piece of gold or a rare jewel, turning it in the moon to see how much the head of the spike would shine or reciting the numbers stamped on the side.

 

“J-4-3-2-L,” Marcus would say with pride.

 

When Marcus turned 10, his father decided to throw him a special birthday party.  Mr. Powell took all the spikes that they had collected and had the local blacksmith bronze the spikes.  Then Mr. Powell snuck down to the railroad tracks and started placing them carefully spaced apart near the creek.  He planned to have Marcus and all his friends go down to the railroad tracks the next day and pick up the special spikes.  Along the stretch of the tracks where it bent around the corner of the hill above the creek, Mr. Powell caught his foot on a broken railroad tie and hit his head on a rock.  He rolled down the side of the hill, fell into the creek and floated out of sight.

 

The next morning, Marcus woke up all excited about his birthday.  He ran into his parents’ bedroom but no one was there.  He ran downstairs and found his mother in the kitchen talking to the police.

 

“It’s not like him to disappear in the night,” his mother told the police officer.  “He’s never done this before.”

 

Weeks went by and no one had seen Marcus’ father.  Marcus was very sad and his mother worried about him because he wouldn’t play with his friends.  He would just sit on his father’s rocking chair on the back porch and stare at the path leading into the woods.  All summer long, his mother wouldn’t let him out of her sight.  School started in the fall and soon Marcus was too busy with school and new playmates to sit on the back porch.  However, he still thought a lot about his father and wanted to go on walks with him again.

 

Late one Saturday evening, after Marcus’ mother had gone to bed, Marcus snuck out of the house and walked along the creek.  Eventually, he got to the railroad tracks.  In the light of the half moon, Marcus could see the glint of a spike.  He picked it up and put it in his pocket.  A few feet more, he found another shiny spike.  Then he found another one.  He walked several hundred yards and altogether found more than twenty spikes, too many to fit in his pocket.

 

Tired from picking up so many spikes, Marcus walked back to the house and went to bed.

 

The next morning, Marcus looked at the spikes and thought they looked familiar, like the ones he and his father used to find, except these had a shiny brown color like a new penny.

 

He held one up close and saw it had a number, J432L.  Marcus couldn’t believe his eyes.  He ran downstairs and told his mother what he had done.  She scolded him for sneaking out of the house and told him that he would have to turn the spikes back over to the railroad company on Monday.  Quietly, Marcus walked back upstairs and sat in his room, turning the spikes over and over in his hands.

 

On Monday, Marcus went to school and told his teacher that he was going to take the morning off to run an errand.  He ran back home and got the spikes from the bedroom.  His mother drove him to the railroad office in town and Marcus turned in the spikes.  The office manager told Marcus that he had never seen such shiny spikes and commended Marcus for taking such care of them.  Marcus nodded his head and rode with his mother back to school.

 

The next Saturday night, Marcus snuck out of the house again and ran to the railroad tracks hoping to find another railroad spike.  Sure enough, he found more than twenty railroad spikes.

 

He looked at the spikes the next morning and they looked exactly like the ones he had seen the week before, including the one numbered J432L.  He couldn’t believe his eyes.  He found an old notebook where he had written down the numbers of other spikes he had found and sure enough, they matched the spikes he found the night before.  He didn’t tell his mother about the spikes but instead hid them in a drawer before he went to church.

 

Marcus couldn’t wait to go back to the railroad tracks but knew he wouldn’t be able to get out of the house until the next Saturday.  Like any time that you want to go by fast, the week seemed to take forever.  Saturday finally came and Marcus snuck out of the house after his mother went to sleep.  He walked all along the railroad track but couldn’t find a single spike.  He thought maybe the moon wasn’t bright enough so the next day, he told his mother he was too sick to go to church.  After his mother drove away, Marcus ran out the back of the house to the railroad tracks but could not find a spike.  He didn’t understand.  When his mother got back from church, Marcus explained what had happened.  His mother told him that “besides trespassing it was unsafe to walk along the tracks” and that he would have to return the spikes to the railroad office on Monday.

 

Marcus dutifully turned the spikes back over to the railroad office on Monday morning.  That night, he couldn’t sleep.  He tossed and turned.  In his dreams, he saw his father walking along the railroad tracks laying down railroad spikes.  He woke up the next morning tired and upset so his mother let him stay home.  While she was taking a nap, Marcus snuck out of the house again and ran to the spot on the railroad tracks where he found the spikes.  There they were, all 22 of them, the same color and same set of numbers as before.  Instead of going back home, Marcus crossed the creek and thumbed a ride into town where he turned the spikes into the railroad office.  He thumbed a ride back to his road and was able to get back into the yard just as his mother was waking up.

 

“I’m glad to see you’re feeling better,” she said, opening the front door just as Marcus climbed onto the rope swing.

 

“Yes, ma’am,” he replied, smiling, knowing that his father was still alive.

 

That night, Marcus was too tired to go back out to the railroad tracks.  He decided to wait until the weekend when he had more time.

 

When Saturday came, Marcus told his mother he was going over to his friend’s house to play.  His mother told him that she was going into town and probably wouldn’t be back until after dark.  She put a cold plate of chicken in the refrigerator and told Marcus to eat it for dinner after he got through playing.  Marcus walked a few blocks over to his friend’s house where they played tag all afternoon.  As it started to get dark, Marcus walked home.  He ate his dinner and sat on the back porch to watch the fireflies.  After catching a few and letting them go, Marcus was bored.  He remembered the railroad spikes and decided to go back to the tracks.

 

As Marcus rounded the bend of the hill, he saw a figure in the dark walking on the tracks.  Marcus could see something sparkling where the man had bent down.  Excited, Marcus ran up the tracks and could see the person was a man.  Marcus got within a few feet and stopped.  The man turned to look at him.  It was his father!

 

“Hello, son,” his father said.

 

Marcus ran to hug his father but when he reached out, there was nothing there.  He was scared and stepped back.

 

“Son, I’m sorry but you can’t touch me.”

 

Marcus couldn’t believe his ears.  “Dad?”

 

“Yes, Marcus.”

 

“What’s going on?”

 

“Well, son, every time you pick up these spikes, I’m with you, but when you turn them in to the railroad company, I have to come out here and put them back.”  Marcus’ father turned back to the tracks and started laying out the spikes again.

 

Marcus slowly followed his father until his father laid down the last spike and disappeared.  When his father disappeared, Marcus screamed with fright and raced back to the house.  He ran straight to bed and immediately fell asleep.

 

When she went to his room the next morning to wake him up, Marcus’ mother couldn’t believe her eyes for her son’s hair was all white and his skin was cold to the touch.  She shook her son to wake him up.  Marcus opened his eyes up and his mother pulled back in shock because Marcus had the look of a wild man.

 

From that day on, Marcus never spoke.  His mother tried to get him to go back to school but it didn’t work because all he would do was stare out the window.  Eventually, she left him at home where he would sit on the rocking chair on the back porch staring at the path leading into the woods.  Sometimes, she would come home and find him gone but he would return within a few hours.

 

The years passed by and Marcus’ mother turned into an old woman.  When she died, Marcus inherited the house and enough money for Marcus to keep the house going.  Occasionally, he would go to the grocery store or the hardware store and pick up a few items, never saying a word.

 

No one knows what made Marcus’ hair turn white or turn him speechless but sometimes when the moon is just right, not far from Fort Henry Dam you can look at the railroad tracks across Kendrick’s Creek from Fort Henry Drive and see Old Man Powell picking up railroad spikes.  Some say that always the next night, the shadow of a man is seen laying spikes on the track.

÷  ÷  ÷  ÷  ÷  ÷  ÷  ÷  ÷  ÷

 


Warriors’ Path

 

Eagle Eye picked up a small rock beside the stream.  He stood quietly for a few minutes, watching a small bird perched on an oak limb overhanging the other side of the stream.  Just as the kingfisher swooped down to catch a large minnow, Eagle Eye threw the rock, hitting the bird squarely in the back.  Two feathers fell from the bird as the fish fell back into the water and the kingfisher struggled to maintain a course over the top of the water.

Eagle Eye waded into the stream and retrieved the feathers as they floated between the rocks of a small rapid.

He carefully placed the feathers in his belt and continued wading across the stream. Eagle Eye had proven himself many times before and did not have to participate in the bison kill today.  Instead, he wanted to gather a few more items with which to make a present for his young bride to be.  On the other side, he picked his way up the rock face, hoping to find another kingfisher feather and to surprise his father and the rest of the hunting party on the other side of the hill.

 

In the village, Silver Moon worked with her mother and grandmother to select the right herbs to mix with the yams and maize.  Everyone looked forward to a good meal tonight, if the bison were caught and killed early enough.

 

Eagle Eye pulled himself over the top of the hill to see his father, brother and cousins walking two bison his way.  He did not want to ruin the hunt by scaring the bison so he crouched down in the small trees of a small ravine.  He hoped his scent would not carry far so he bent down low and concentrated on the ground between his feet.

Within minutes, Eagle Eye had fallen into a meditative trance.  He saw himself walking with a young boy years from now, walking along this same cliff above the stream.  The boy was explaining the meaning of the treaty that had been recently signed by the Council.  In the treaty, trappers would be allowed to pass through this area without fear of being harassed.  In return, the trappers would give the members of the local villages any extra furs the trappers had carried with them on the way back to their own villages.  Eagle Eye saw that the trappers had no intention of carrying extra furs with them but he understood it was better to keep the trappers on the main road then let them wander all over the countryside and ruin the hunting grounds.

“Eagle Eye, over here,” yelled Deer Tracker, Eagle Eye’s brother.  Eagle Eye woke from his trance to see his brethren leaning over a bison.  Eagle Eye stood up and waved.

 

Silver Moon served Eagle Eye first, as was the custom, making sure she gave him extra portions of food, for he was credited with getting the bison to lay down and die with very little fight.  Eagle Eye’s father stood up to speak.

“Tonight, I give this bison to Silver Moon’s family in honor of her union with my son, Eagle Eye.  I wish that the ease with which we brought down the bison is a sign that Eagle Eye and Silver Moon will share many happy years together.”  All the families of the village gave a hearty nod of agreement.  “With my son’s ability to bring food to the table and Silver Moon’s ability to prepare bountiful meals, they shall be able to provide a big and joyous family to make our ancestors proud.”

 

A few weeks later, while Eagle Eye and Deer Tracker were showing their young cousin, Tecumsah, how to prepare the tools to make arrowheads, Silver Moon set out to gather the flowers of starry chickweed in order to make a paste to put on the dried bison meat.

Silver Moon knew that the only place where the chickweed grew was not far from where the bison was killed.  For her, this was a good sign for it showed the bison’s spirit approved.

Although Silver Moon seemingly walked out of her way for nearly two hours to get to the main path, she knew it would be easier to take the path around the base of the hills and then take the gentle slope up to the top of the hill where the chickweed bloomed in the shade of the trees overlooking the stream.

When Silver Moon got to the top of the hill, she was very happy.  Where the stream flowed toward the north, Silver Moon could the next large hill nearly a mile away.  To the east and south, she could see the mountains.  All about her feet were the wondrous white blooms of the starry chickweed.  Silver Moon sat down in a small bare spot and closed her eyes.  She fell into a deep sleep.  In a dream she saw a small boy talking to her telling her that he was now inside her but would soon be out on his own, able to take care of himself despite her difficulties.  Silver Moon woke up a few minutes later with a smile on her face, knowing that she was pregnant with the next great heir of the lineage of Eagle Eye and Silver Moon.  She gathered the flowers she wanted and headed back down the hill.

 

About an hour along the path, Silver Moon noticed yellow flowers growing in a clearing a few hundred yards into the woods.  When she got to the clearing she was pleased to see a small bed of trout lilies.  Silver Moon dug into the earth and pulled out a few dozen bulbs.  She decided she could use the bulbs for a meal later in the week.  Just as she was walking back into the woods, Silver Moon stepped on a branch that made a slight metal click before the trap snapped close on her ankle.

Silver Moon screamed with pain but no one could hear her because she was too far from her village and the next nearest village was several miles away toward the mountains.  She fell back on the ground, aggravating the injury to her ankle.  Several hours later, Silver Moon became conscious again and realized what had happened.  She looked down at her ankle and saw the red gash and bones twisted out of place.  Through the searing, blinding pain, she reached down and pulled the jaws of the trap apart.  She passed out again from sheer exhaustion.  In her delirium, Silver Moon saw the small boy again.  He told her that he knew this would happen and that he had directed the ignorant trapper to place the trap near the trout lily rather than a bed of ferns further on.  He showed her how to make a healing medicine by chewing the trout lily and chickweed in her mouth.  She would get nourishment from chewing on the plants and could use the paste to cover the wound.  She awoke when the sun had nearly passed behind the hills and put the plants in her mouth.  She chewed them for a few minutes, wanting desperately to swallow them but followed the advice of her unborn son and rubbed the paste on the torn flesh of her ankle.  She passed out again.

 

Eagle Eye was too busy with Tecumsah to notice that Silver Moon had not prepared a noontime meal.  However, when the sun was low in the sky, Eagle Eye began to wonder why Silver Moon had not returned to put together one of her delicious evening meals.  He walked with Deer Tracker to visit Silver Moon’s mother.  Silver Moon’s mother had not seen Silver Moon since morning and explained that she did not expect to see her until late in the day because Silver Moon had gone to gather starry chickweed where the bison had died.  With Deer Tracker, Eagle Eye grabbed Tecumsah and headed toward the stream.  They would take the direct route and avoid the long journey to the path.

 

“You will call me Black Bear,” the young boy told Silver Moon, “for my skin will be covered with dark black hair when I am born.  For me to be born, you must follow everything I tell you because I have been sent by our ancestors to protect your lineage and the lineage of my grandchildren who will live to see the valley of the stream fill with water.  Although wise in the ways of the hunter, Eagle Eye is not wise in the ways of love.  He has set out along the stream to reach the hill where the bison lay a few moons ago.  You must rest now and dream no more.  I will wake you in the morning when Eagle Eye approaches.”

 

Eagle Eye, Deer Tracker and Tecumsah reached the base of the cliff within a hour.  However, in the dark, it was difficult for them to find good footing and what should have taken fifteen minutes to reach the top took them nearly an hour.  At the top, Eagle Eye called out to Silver Moon but got no reply.  In the silence that followed, Eagle Eye heard a voice call to him but he could not hear the words nor could Deer Tracker or Tecumsah hear the voice.  Eagle Eye bent down in a spot not far from where he had hidden from the bison and closed his eyes.

 

“I am Black Bear, son of Eagle Eye and Silver Moon,” the young boy told his father.  “I have been taking care of mother, whose ankle has been bitten by the jaws of a trap foolishly set by an untrained man from the villages of the Far East.  It is useless for you go further tonight.  Set camp here for I want you to see the view from this hilltop and describe to me and my siblings as we grow up.”

Eagle Eye stood up and told Deer Tracker and Tecumsah that they would be setting down on the hillside for the night.

 

Just before dawn, Black Bear walked into one of Eagle Eye’s dreams.  “You will walk to the path from here.  About an hour down the path, you will see a clearing to the left with a patch of yellow flowers shining in the sunlight.  Hidden in the underbrush, you will find my mother, Silver Moon.  When you find her, you will not remember what I’ve told you.”

 

Within an hour of waking up, Eagle Eye had rushed down the hill and over the well-worn floor of the path to the clearing.  There, he found Silver Moon with her mangled foot.  With the aid of Deer Tracker and Tecumsah, Eagle Eye was able to get Silver Moon to the village healer.  Eight moons later, Silver Moon bore Eagle Eye a son.  At first concerned of the meaning of it, they chose Black Bear as the name of their son with the dark black hair on his arms and legs.

÷  ÷  ÷  ÷  ÷  ÷  ÷  ÷  ÷  ÷

Musical Diversion: Chapter Sings

Stalking the Knoxville Nightlife

20 Nov 1991, 21:53

Just passed “Ace of Clubs” bar on E. Jackson Ave.  I stand at the corner of Willow Ave. and Central St. within the area known as Old City in Knoxville, TN.  A few people walk through the area – some jazz music bangs into the street from “Lucille’s.”  I head toward a place called “Club Taboo” where a group called Barbedwire Shelia is performing.

I now sit watching an unidentified group that I presume is Barbedwire Shelia.  The group mesmerizes me with the college alternative band/singer-songwriter sound I’ve enjoyed over the years.  “You won’t hear this on the radio,” says one band that (which?) performs locally.

This group, The 13th Generation, consists of a drummer, two guitarists and one lead singer.  They look like college-age people.  Hell, they look like kids.  Quite frankly, 10 years separate me from this musical assemblage/appendage of a generation.  If this 13th Generation gives a glimpse of the 23rd century, perhaps we’d give tribute to their insight.  Instead, we sit here in this basement bar watching each other – patrons, performers and purveyors – letting the ticking of seconds and clicking of synaptic messages hold us in our present future.

The singer, a woman, looks at members of the audience.  She picks me out for a brief moment; the words reach me – “It must be hard trying to imagine these words coming from me,” or I image these worlds for the sake of making this scene work.  This woman, you see, reminds me of a friend named Melissa who worked with me at Morrill Hall cafeteria on the UT campus back in 1983.

Michelle and Greg are band members.  The 13th Generation comes from Maryville, TN (my mother comes from Maryville; she graduated from Everett High School in 1952 – these kids have heard of it, in the same way my parents recall World War II).  The group now sings, “In the Summer.”  The guitarists have fun slipping in licks from bubble gum pop songs like from the Beach Boys and the Police.

(22:30) The 13th Generation (minus the singer) put away their equipment (while the singer cool-ly chats with chicks in the crowd).  The crowd, about 15-20 people, wear an assortment of clothes that I cannot briefly put into words.  The usual T-shirts and blue jeans, some black leather jacket/dyed black hair folk, some intellectual round glasses and multicolor-shirt people (including me) and a few loners sitting at the various dark tables around the room.

This bar…how do I provide the background w/o making the people here look artificial?  The brick walls of a former factory/warehouse basement bear the typical chipped stucco of the lived-in/ancient history look that new bars often seek.  The round tables seat anywhere from 2 to 8 people in the center of the room, with a raised floor that holds the width and height of barstool tables that seat 4 people who enjoy leaning against brick and stucco.  The ceiling lights evoke images of suburban split foyer houses with children’s rec room downstairs.  Bands perform on a stage or rather, the 75-degree corner of the non-square room, with light maroon curtains covering 20 feet of wall in both directions from the corner of the room.  Sixteen stage lights provide the mood for listening to loud bands (~120 dB) in a low-ceilinged, smoke-filled room.

I sit in anticipation.  I beat my pen on the table.  Now the drummer beats not a rhythm but a sound check to tune up with a guitarist.

I sit here alone, telling the person serving drinks to get me a second white Russian (Kahlua, cream and vodka).  Give me a strange bar, a white Russian, a table for eight and I’ll give you a story or two.  Tonight, I want to record what I see.  No one sits near enough for me to record conversations.

To these people, I exist in the background, a two-dimensional character that looks like he may belong here but not necessarily belong to someone.  The atmosphere here encourages me to express my artistry.

# # #  # # Ladies and gentlemen, BARBEDWIRE SHELIA! # # # # # # #

[Dec. 4: Halfass and the Semicolons]

You definitely won’t hear them in church.  WHAT A FUCKING RELIEF!  “Trigger Finger,” a tribute to the guy who killed all the people in Killeen, Texas.  Semicivilized punk rock…

I want to dance but I use the excuse of journalism to prevent my open expression of joy hearing music that reminds me of a cross between the B-52s and the Clash (with a smattering of Black Flag).

One guitarist looks like an ROTC reject, the other guitarist (a male, too) has long, wavy, brown hair.  The female lead singer’s hair is platinum blond with about two inches of [natural?] black roots.  The female drummer has half her hair halfway down her back (shorter than the guitarist) with the other half plastered to her soaking wet face.

In their last song, the long-haired guitarist just threw his guitar.

The singer, in response to a scream for more, says, “It’s just like potato chips.”

(23:50) Time to head home.

Before I leave, I…in this brain from which these words sprang, a rhythm ( not wholly associated with a particular language) seeks an outlet in places like this.

By the way, tonight’s concert was sponsored by New Rock 90 (WUTK 90.3), the alternative music station.

4 Dec 1991

Again at Club Taboo, listening to Halfass and the Semicolons, “America’s answer to Kraftwerk.”  They play synthesizers, of course, and are performing their last song, called (appropriately), “New Age Music,” which they suggest the listener enjoy after smoking a lot of pot.  Three performers – one wearing a Jewish beanie and playing co-lead; the percussion performer wears a black cap (reminiscent of radical punk youth) with a Jason hockey mask on the back of his head; the other co-lead wears a pair of glasses with one dark lens (actually a pair of reflective sunglasses with one lens missing).  He looks familiar.

I wish B.C. were here – someone with whom to share good alternative music and alternating good conversation.

Next up, The Swamis.

Funny, how being here brings out ghosts of my Knoxville past.  A woman across the room looks like Amy Ness, a college girlfriend.  I don’t doubt the possible existence of the same background-noise people here now who were here then doing more of the same alternative fad stuff.  You know the ones – college dropouts, philosophy majors or burned-out corporate types.  Hell, look at me sitting here, avoiding the potential human contact around me.  Always the Wondering Wanderer or am I the Wandering Wonderer?  I never can remember.
 

3 Mar 1992, 20:00

UT MUSIC HALL – A change of pace from the crowded, smoky crowds of Club Taboo.  People here fit the post-hippie mold.  Reminds me of the Fosters who loved on the hill where I grew up – they were Unitarians and the father would often run through the house laughing hysterically, which led us kids to wonder what kind of engineers/scientists worked at Eastman Kodak.

As usual, I sit here as if in a vacuum, a chamber where I can watch others interact but now with me.  The average age here probably hangs around the upper limit of the baby boomers.  They probably listen to reruns of Prairie Home Companion on their local public radio station and subscribe to Mother Earth News.  Realizing that this performance takes place in what I remember from my days at UT has a chamber music hall, where I have seen the likes of small brass ensembles, Leon Redbone, Doc Severinson and performed here myself with my high school band for a band contest…

Lights out – The Chieftains have arrived on stage.  Let the traditional Irish music begin.  They look like, “Ho hum, another night of music for a quiet crowd.”  Six gentlemen in all, looking to be in their fifties.

I sit here wondering what to make of this.  Am I watching the performance for my sake or because I feel attracted to the necessity of continuing my heritage by supporting these folk from Dublin.  [Now a young “lassie” appears on stage to dance a jig – a world champion traditional Irish dancer (from Long Island, NY)]  What do I care about traditional Irish music?  I like it for my Muzak, my easy listening music at home.

Just like the alternative music I give my attention to these days, Irish (in fact, all Celtic music) sounds the same to me in its genre.  While alternative music seeks to keep people from becoming mainstream sheep, Irish music tends to keep people in a frame of mind of true WASPy stuff and away from the American perversion of it (just look at the American perversion of Chinese and Mexican food).

I must admit this music strikes a chord deep within me.  The beat of Irish music flows within me like my heartbeat (unlike the usual sounds that blast my ears daily – namely rock ‘n’ roll).

I give the lead guy credit – he tries to get the crowd going but they (we) sit here like folks watching TV or listening to the radio or stereo.

[About 30 minutes into the show] I feel soothed, no worries, almost peace.

[Intermission] The music hall seats about 700 people and the place seems pretty much full.  I noticed no one had tickets for sale out front, even though people were asking.  As people wander back in, I wonder why I spent $80 ($20 on a videotape, $18 on a CD, $10 on a program, and $32 on two T-shirts).

Well, the bell has rung for the crowd to return.  I certainly see a good many redheads around me.  Good to know we aren’t dying out.  If I knew my kids’d have red hair, I’d have ’em.

11 Mar 1992, 20:45

Back to Club Taboo waiting for the Cheeksters to perform.  My wife and I saw the Cheeksters open for the JudyBatts a few weeks back.  [Scott Miller performed between the two acts.]

The Cheeksters…well, before I talk about them, I’ll reminisce about the last show.

Janeil and I came to see the JudyBatts kick off their new tour to promote their new CD, “Down in the Shacks Where the Satellite Dishes Grow,” the 2nd CD by the first group (alternative music-wise) to sign with a major label – Warner Bros.  They definitely have a polished sound but in this day of the return of alternative music to the mainstream, “polished” is not necessarily necessary.  Well, my pizza is here – time to eat.

Mmmm, good crusty pizza washed down with a Budweiser draft beer in a small plastic cup.

21:15 – Maybe 10 people here.  Not exactly jam-packed.  A few people from Denmark sit behind me, with some other locals, presumably all associated with UT.  Another couple sits behind me that don’t look like they fit – the guy wears a light gray business suit and he, not the suit, looks to be in his late forties.  The woman with him has dyed blonde hair teased up (or chemically fluffed up by a “permanent”) to give her the appearance of a dumb blonde – she’s probably in her late 30s.  A long college-age male sits across the way.  Wait, I see another one.  The blonde has a definite hick accent although not a harsh one.

Nicolette Larson will be performing here on 21 March.

The Danish group has grown to 10 or 12 people.  Maybe 20-25 people here now (21:30).

Is now the time to open up and say I cannot stand the thought of leaving Knoxville to return to Huntsville?  Ich weicht nicht…je ne sais pas.

The stage holds up two chairs, two microphones and a music stand from which hangs a picture that looks something like a mummified man with I BELIEVE written in on dark eyehole, YOUR written in one dark eyehole and WORDS written in the mouthhole.  Could make a nice CD/album cover.

(21:40) Crowd up to 30 people.  Still no live music, just a tape of Dire Straits.

Okay, everybody knows I enjoy Knoxville.  At work, I’m my own boss and show up when I feel like it, putting in my 80 hours every two weeks.  I can’t get enough of the music scene.  Not only does it remind me of when I was here as a UT student and druggies but I feel free.  Can I stress the importance of my need for anarchistic freedom?  No, I don’t plan to overthrow the government.  I just don’t like feeling controlled by others (excluding the obvious controlling influences of commercial advertisements; after all, I do live in a market economy).  My job is great – I work for ADS Environmental Services, a company that analyzes the condition of sewer systems – my fellow employees represent the cross-section of the world with most folks being laid back.

(21:54) More people, perhaps 50 (if you throw in a few from the bar staff).

When I saw the Cheeksters the last time, she work purple hose, a hat with flowers and a crushed velvet jacket.  He wore old boots, blue jeans and a long-sleeved shirt.  His hair was unkempt.

He sits with friends at a table next to me.  This time he wears Hush Puppies (suede shoes), white jeans with holes in the knees, a brown pin-striped jacket, button-down shirt and brown hat kinda like a fedora.  He has the look of the late ’40s / early ’50s.  She wears the same flowery hat.  The bar’s too dark for me to see the color of her jacket.  He also has a vest and tie on.

The opening act is Sohail Luka, a Middle Eastern looking guy who plays the lute.  The music sounds like he looks. Although I attribute the lute, not the melody, to the effect.  His playing resembles that of a Spanish guitarist, with a classic twist (say, like Segovia).  He wears a traditional scarf around his neck.  He’s not all that good but I admire his courage anyway.  He just said that he wanted to give the appearance of a “serious mystical guy who seems unpleasant all the time.”

His next song is an Egyptian fake love song written during the British occupation in the 1900s.  The song is actually a patriotic Egyptian song written to fool the British.  He sings the song (and most songs to come, he says) in Arabic.  His jeans have a picture of Marilyn Monroe on them.

He’s playing a drum now shaped like a megaphone with the large end up.

He likes what he does and knows the stereotypes that we Americans see.  He speaks American English.

How appropriate for me to have seen the move, “Mississippi Masala,” last night about the love relationship between an African American (does that make me a European American?) and an Asian Indian in Greenwood, Mississippi.  The movie explored the stereotypes all races see of each other and the inherit racism within all cultures.

Now, he plays a song he wrote in honor of the anniversary of the Persian Gulf war.

He just asked, “How many people have fallen asleep in a night club?” which he compared to a high school student giving a presentation on the Holocaust and asking, “How many of you have spent time in a concentration camp?”

He now sings a lullaby about a mother who wants her daughter to sleep.  The song originates from Lebanon.

Now for the Cheeksters.  She wears kneehigh gray suede boots and a black velvet short dress, purple hose and a string of faux pearls.

[He has an English accent and she a local one]

1st song, “Cut Loose” – he stares at the microphone and looks to his wife occasionally.  How many groups are there like this in the world?  Her hair is blonde but I can’t tell if it’s dyed [yes, I have a fascination with dyed hair, hair pieces, etc.].

2nd song, “Let It Go” – he promised he won’t sing any songs in Egyptian and apologized for “the British colonization of Egypt.  I had nothing to do with it,” he said and the audience laughed.

3rd song, “Bonnie and Clyde” – has been played on New Rock 90 a few times and gave the DJ the chance to call the male singer the Whistler (cause he whistles a lot in the song, dummy!).

4th song, “The Woodcutter” – a mellow song; I envy these people whho hhave enough talent to put their words before others.

5th song, “She’s Alive” – probably my favorite, I can say from the last time I saw them.  This time, Shannon (the female) sings backup as well as plays her usual bass guitar.  This song has a pop feel to it – could be David Bowie material, oh, like that one about “ground control to Major Tom.”

6th song, “Ivy” – Shannon takes the lead vocals on this one.  She sings with her eyes closed.  Her voice is nasally yet soft.  He picks up a verse.  They both sing a note or two out of key.  She does not like to talk to the audience.

7th song, “Nice and Forty White Swans” – the picture on the music stand is hung in honor of the artist’s birthday.  He’s going from acoustic to electric guitar.

8th song, “Jesus” – in honor of the Velvet Underground.

I smell an unusual brand of cigarette, not tobacco, not clove, not pot; could be a real hand-rolled tobacco cigarette.

9th song, “Sufferin'” – Shannon plays tambourine and shaker.  This is another pop-sounding song that I like.  Somehow, although it has an uplifting beat, it makes me depressed.

10th song, “Uptown” – she’s back on bass and he still plays his Fender electric.

He says this is their longest live performance yet.

Cigarette smoke drifts past the stage lights, a nice mixture of blue and gray.

By the way, my waitress’ name is Angel (server #0009).

11th song, “Saddam” – about the infamous Iraqi leader’s military buildup in the desert.  “He wants to see his people’s blood run red.”

12th song, “Katarina Sound” – another mellow song with a strong guitar-strumming rhythm:

“Put your penny loafers aside
Be whatever you want to,
It’s a Katarina sound
That’s coming for you tomorrow.”

He’s back on acoustic guitar for this one.

13th song, “Tumbledown Hair” – this song deals with the end of the war and “All you ever see is tumbledown hair.”  I like this sound.  So does Janeil.  And so, too, do the people in this bar, the most people I’ve seen show up for New Rock 90 night.

14th song, “Pandemonium” – this song has gotten playtime on New Rock 90.

15th song, “After Hours” – another Velvet Underground song.  She sings this one:

“If you close the door
The night will last forever…
If you close the door
I’d never have to see the lite again.”

Well, that ends their regular set.  Now for the encore.

“Delta Dawn.”  Ugh!  Need I say more…a country song with an English accent.  Okay, so they’re allowed to have some fun.

This next song is Mexican/Spanish in nature, “Machico”(?) – more fun with the crowd.  “Aribaa, ttequila, margarita…”

÷  ÷  ÷  ÷  ÷  ÷  ÷  ÷  ÷  ÷

 

Music Review in Ternary Form

–  — — —  –
A Woman in Red
Andante or Al Dente?
The Man in Black
–  — — —  –

A Woman in Red
A piano recital by Dr. Margery Whatley on Friday, 2 February 2001 at 7:30 p.m.

Drove to UAH campus around 6:45 p.m.  Walked into building closely followed by an older couple of Eastern Asian descent.  Went to use the restroom.  By the time I walked up the stairs and got in line to pay for the performance, a few people were ahead of me, giving me a moment to observe the surroundings.  On the stairs was a flower arrangement probably sent to the Music Department in honor of the department chair, Dr. David Graves, who had died late last month.  I bought a copy of Dr. Whatley’s CD before I entered the recital hall.

The Roberts Recital Hall is walled with sound-absorbing material that is a series of four-foot by four-foot tiles colored yellowish, almost manila in the light.  The hall contains 13 rows of seats (and one row of folding chairs at the front) with each row patterned with 4 seats on each side and 10 seats down the middle (4-10-4).  The room slowly fills with people of all ages — presumably the older people are here for the cultural event while most of the younger people appear to be college students.

A Steinway piano sits (perhaps, rests) on rollers on the middle of the wooden stage.  The piano shares the stage with two floral arrangements, two peace lilies (all probably more memorials to Dr. Graves) in addition to the piano bench.

Two young men sit in the row below me, one of whom is a piano student and wants a clear view of Dr. Whatley’s hands.

The program lists pieces by J.S. Bach, Joseph Haydn, Felix Mendelssohn, Johannes Brahms, Maurice Ravel and Franz Liszt.

What does a pianist do before a performance?  I assume the playing I heard in the hall when I went to the bathroom was that of Dr. Whatley practicing.

At 7:15, the lights above the stage were turned on.  At 7:21, the recital hall is fairly full, approaching about 2/3 of capacity.  A couple of women sit down beside me, quickly glancing through the program.  Some people behind me comment about the apparent lack of a reception afterward (because the program does not mention one).  It appears that the recital hall will be filled close to capacity by the time of the performance.  Some people are even taking seats in the front row.

Again, I wonder what the pianist goes through before the performance.  My experience harks back to the middle school recitals where students performed their three- to twenty-minute pieces for their parents.  Those of us waiting our turns spent our time counting the mistakes of others.  In class, Dr. Whatley said when she makes a mistake she keeps playing as if the piece required the mistake, hoping no one notices.  Now a woman of her later middle age sits to my left.

A person steps on stage to announce that “everyone please crowd in because it will be quite crowded.”  The women on both sides of me take off their coats.  They seem to know many people in the crowd around me.  One has the accent of this region.  The other seems to have the accent of say, Connecticut (she talks about renovating her home while the Southern one talks about the clothes she has on).

At 7:34, the recital hall is essentially filled.  I forgot how much I detest a crowd.  Well, the lights dim –  must be time.  The crowd quietens.  The lights dim more.  A door opens on stage and the pianist steps out, nodding gently to the crowd as she makes her way to the piano.  She wears a red, sleeveless dress that probably complements an orchestra full of people dressed in black.

Toccata in D major, BWV 912, J.S. Bach

Lively beginning, then cadence followed by walking pace with two voices that play with each other.  The performer sits slightly bent over the keys, spending the time looking down at the keys.  The music would sound good on harpsichord.

The next section of music is very emotional…dramatic, as if a man was telling his wife, in a silent movie, that he had to go off to war.  Then the piece picks up at a lively pace, like the wind playing off a field of poppies and then across the tops of trees, across the deep blue of a Canadian lake, ascending the heights of the Rockies and then down to the ocean.

The next section is so mesmerizing that I can hardly take my eyes from the maddening pace of the piano player.

Sonata in E-flat major, Hob. XVI:52, Joseph Haydn

The pianist adds commentary before playing this piece.  Turns out that Haydn was a pretty good friend with Mozart.  While waiting for the lights to be turned up (too many shadows on the keys), Margery continues to recount a tale of a piece of music written for Haydn by Mozart.

ALLEGRO.  A playful movement, like a mini-carnival, with every performance in the three-ring getting its turn on the ivorys.  One can sometimes hear “3 Blind Mice.”

Margery likes to wear a headband.  Is she feeling the emotion of the work like a stage actress reciting her lines?

ADAGIO.   Very steadfast, deliberate like a group of lions walking through the savanna, every animal aware of their presence but surprised nonetheless when the lions raise their heads above the grass.

FINALE.  The pace picks up double-time as the gazelles seek flight.  How can those fingers, which from halfway up the hall, look too short for a keyboard expert, be trained to be so steady?  Margery definitely has fun playing this piece, stopping on notes and lifting her hands off with flair.  At the end of the piece, she steps out of the room (is this as designed?) and quickly returns.

Rondo capriccioso, Op. 14, Felix Mendelssohn

Commentary: Schumann called Mendelssohn the “Mozart of the 19th Century.”  Also called “Bach reborn.”  Composed this piece at age 15.

What does a normal 15-year old boy think about?  His first love, of course.  After 10 years of composing music, the prodigy puts this on paper.  What did boys do to play their hearts out in 1824?  Today, they’d shoot hoops, no doubt, the best practicing for hours.  Here, a boy practices a short rondo.  At the end, Dr Whatley bows three times (including two steps back out on stage) after chasing the notes across the keyboard for this rondo.

INTERMISSION [at 20:10]

It’s funny watching people looking for their friends (like my wife and I looking for people we know at UT football games – says something right there, doesn’t it?).  What lovely social creatures we are.

Back to wondering what goes through the minds of a pianist.  The first half of this program is over, forever stamped in the minds of this audience.  The second half has yet to occur, only a possibility, an opportunity for one person to share her talent for memorization and hand-eye coordination with others on a cold February evening in the year 2001.  Well, before this degrades into an essay on the purpose of humans, I’ll take a cue from the dimming lights and pause from rubbing ink on paper.

From the exuberant comments of people around me about the performance so far, we will no doubt give a standing ovation when the second half is over.

6 Pieces, Op. 118, Johannes Brahms

Commentary:  Liszt invited by Brahms to bring music to a party.  Liszt was given an opportunity to play – he couldn’t and Brahms sight-read the piece while giving criticism.  After all, Brahms was known as being brusque.

This piece is strong at the beginning – hard to believe the sound waves don’t knock the finish off the piano.  Music like this must callus a pianist’s fingertips.  I could hear this being played as the score for a movie about a couple in their later years.  They have strong arguments followed by moments of tenderness that only years of tight budgets, late nights with sick children and dying parents can evoke.

Not sure which movement this is but it’s like the Attack of the Killer Fingers.

Obviously, the pianist spends time warming up before the performance but consider this: most audiences of a performance need time to warm up.  It was not until this piece that I have warmed up to the understanding of the pianist’s link to the piano.  All the other pieces felt technical.  This one begs my heart to listen!  If only I knew my major and minor scales to distinguish and understand the meaning of the changes.

How fortunate I am to go from place to place – football stadium, VBC Playhouse, Roberts Recital Hall –  and enjoy the hard labor of others.

What a cool [there has to be a better adjective] beginning to this movement – the soft right hand followed by the glissando of the left hand.  The applause for this piece is livelier than the others.

Jeux d’eau, Maurice Ravel

Commentary: River god laughing, which tickling here.  Written for Faure.

One cannot help thinking of “Fountains of Rome.”  I hear echoes of another piece but cannot place it.  Mon Dieu!  How can one acquire the mastery of the keyboard like this?  When did this pianist begin playing?

Hungarian Rhapsody No. 6, Franz Liszt

Commentary:  Considered the Elvis of the 19th C.  Everyone wanted to be a student of Liszt.

What is Hungary?  Well, it is not Hungry, which is what Margery is after playing the last piece, and looking forward to the reception.  Hungary, in rhapsodic form, is a lively country, with bustling cities, stately country lanes, with delivery people hurrying about, street vendors shouting their sales pitches, heavyset matrons waddling in front of shop windows displaying the latest in French fashion.  Meanwhile, the Army prances into town, on their way to the small campaign.

The audience claps for Dr. Whatley to play more.  An encore.  Sounds like…hmm…Copeland?  Yes!  Beef.  It’s what’s for dinner.  Another couple of bows.  The applause ends at 21:05.

People slowly line up for the reception.  The Connecticut woman puts her layers of clothes on while chatting with me.

“Are you a music student?” she asks.

“No, I’m just taking a class by Dr. Whatley and I’m required to attend a concert and provide my feedback.”

“Well, it looks like you’ve written a novel.  Do you think she’ll have time to read it?”

“Ah, but no matter,” I respond smiling, “the enjoyment was in the writing of it.  Drive safely.”

“What?” she replied deafly.  “Oh, you, too.  And good luck on your paper.”

–  — — —  –

 

Andante or Al Dente?
A Night at the Huntsville Museum of Art, Saturday, 10 March 2001

I. Prelude To A Tune

What better way to spend a Saturday evening than to attend a chamber music event with my wife?  What better way to top off the music than to see the exhibit of “The Mystical Arts of Tibet”, an exhibition of Tibetan artifacts at the art museum (free with the concert tickets)?

In one of my previous incarnations as a college student, I spent almost three years in the early 1980s at the University of Tennessee, changing my collegiate major from chemical engineering to economics to accounting to computer science to religious studies.  In my religious studies phase, I took courses on “Death and Dying”, “The Social Aspects of Christianity”, “The Early Christian Church”, and “Comparative Religions”.  In the comparative religions class, we studied the major religions of the world, including Christianity, Islam, Taoism, Hinduism and Buddhism (as well as the various sects of these religions).  Because there were so many religions to cover in so little time, we did not get the opportunity to feel the mystical/religious sides of the religions, only to study their historical significance and important doctrines.

Stepping into the world of the mystical arts of Tibet, I thought back to my religious studies’ days, pondering the wisdom I have gained in nearly 20 years, and marveling at the wisdom of the Tibetan people gathered over the last 1500 or so years.  The first major work I saw was the “Sacred Text of the Prajna Paramita Sutra”, Buddha’s 42 Discourses on the Reflection of Wisdom, as well as other personal sacred objects of “HH the Dalai Lama”.  My wife and I watched a film where we learned that Buddhists are always preparing for their death.

Through other Buddhist artifacts, I learned about:

•  the doctrine of emptiness and two levels of reality (ultimate and conventional) and how these simultaneously exist,
•  the Buddhist belief in working toward elimination of the individual ego,
•  the names of the Buddha, including the buddhas of the three times – past, present and future
•  the various Buddhisattvas, Manjushri (the Buddhisattva of Wisdom) who represents the meditative insight that penetrates to final nature of being, Avalokiteshvara (the Buddhisattva of Compassion) who represents compassion as the foremost quality to be cultivated on the path to enlightenment, Arya Tara (the Buddhisattva of Enlightenment Activity) who represents the female symbol of enlightenment energy of all previous buddhas and Vajrasattva (the Buddhisattva of Purification) who represents the power to purify the mind of the instincts of negative karma and delusions
•  The two great masters – Nagarjuna, the principal Indian elucidator of Buddha’s teaching on voidness, and Asanga, the principal elucidator of Buddha’s teaching on general bodhisattva trainings – both were revered just below the great Buddha himself.

II. The Victorian Age

After an enlightening hour spent with the Tibetan artifacts, we found our way up the front stairs to the Great Hall, a rectangular room with pale olive walls maybe 30 feet tall and 25 feet wide, ending with three-foot tall windows on top of each wall.  The floor of the room was covered with chairs, with the audience’s chairs arranged traditionally, with seven straight rows of 20 seats per row.  The chamber orchestra’s seats were arranged in the traditional clamshell with the conductor’s podium at the center of the shell.

The musicians appeared from a set of double doors at the back of the room, walking to and sitting in their seats (the double bass player used a barstool), with applause eventually picking up enough so that as the conductor walked up to the podium, he asked the musicians to stand in recognition.

Sonata for String Orchestra, William Walton

Have you ever felt tempted to eat your dessert before the meal?  Then you know how I feel about this delicious piece of music.  Unlike the music we have studied in class so far, this piece has no regular duple or triple beat – the beats of the music are offbeat – this music is contemporary, starting with a quiet beginning of the allegro movement (say, three or four instruments) before the whole chamber orchestra joins in.  The melody, if one can call it such, jumps from instrument to instrument like the first drops of rain before a great thunderstorm begins, the wind blowing through a stand of trees, then a brief calm enveloping the room before the storm builds back up (with the sound of the thundering cellos).

[I enjoy watching the facial expressions of the musicians]  During this storm, I hear large drops of water fall off of a rooftop into a pool below with the pluck of strings.  To this untrained ear, I would say that the violins are holding the continuo at this point.

Wow!  This movement has quite a lovely pickup.  The violins say, “Rush, rush rush…hurry, I must hurry”.  What distinguishes this music, presumably written as a standalone piece, from studio pieces written as soundtracks?  [Watching these string players, I see 13 crickets, dressed in black, brushing their legs against their wings.  One player clicks the bow against the violin when plucking — is then intentional?  It doesn’t sound like it should be intentional.  Or am I just so close to these performers that I am hearing the natural, non-sanitized playing of a string instrument?]  Here we are, caught in a “High Anxiety” moment.  Where do we go to relieve the tension?  Ahh, a sweet moment as long bowing of the strings lets us breathe out.

Back to the rain storm…  The rain has tapered off and the sun rises, wisps of small clouds blow by.  The sky gets brighter.  Flocks of birds go past, but nothing small, the notes are too heavy, some Mallards, some Canada geese…ah, there go the country geese waddling across the yard as the swallows flutter in and out of the barn.  [Funny how some musicians play with a pained look on their faces, like the bearded cello player who looks like he’ll burst, while others, like the bald player of the violin (viola?  I can’t tell from here) who sits to the right toward the back and plays like a man getting his only sweet nourishment for the day.]

The day goes by and the sun reaches the horizon, loudly proclaiming, “Here I go! Here I go!” and the sky says, “Sweet dreams, dear sun, go quietly into the night, while I raise my blanket of stars.”  The moon says, “Not so quietly as to forget me…” [“meeeeeeee, me,” retorts the viola chorus].  And the sky shakes the star blanket for each star to pop out, the sound sweeping back and forth between instruments.  Finally, the sky sings a little two-word lullaby, “Good night”.

“Wake Up!  Wake Up!  Hey, all, it’s time to Wake Up!  Wake Up!” the sky yells, pulling in the star blanket and nudging the sun.  “Hey, can’t you see what time it is?  You’ve got to wake up!”  Hurriedly, the sun jumps to the sky.  Farm animals scurry about.  “What is this?” they ask.  A wise cow, speaking through a violin, says, “Haven’t you seen this time and time again?”  The crowd responds, “So what?  We don’t like being disturbed, turbed, turbed, turbed.”  Their voices rise in general anger, chaos everywhere.  “Quiet!” yells the cow.  “Quiet.”  The Canada geese pick up in flight.  The swallows swirl around.  The country geese flutter all around the yard, saying, “My, my, my, my, my, my.”

At the end of the piece, Taavo has the 1st string (soloist?) players stand first, followed by the rest of the orchestra.  “This is our most difficult piece so now we can rest.  The harp and flute will now join us.”

Fantasia on “Greensleeves”, Ralph Vaughan Williams

Who has not heard Greensleeves (or What Child Is This?)?  In this Fantasia, we first hear a flute solo, joined by strumming of the harp and then the rest of the orchestra picks up the classic strains of “Greensleeves”.  [The faces of the musicians are indeed more relaxed for this one.]  Unlike Walton’s sonata, the double bass and the harp are definitely more involved as the percussive bass beat here.
Finally, I hear a variation of the “Greensleeves” theme, the first part of the variation in the viola section, and the second part of the variation in the flute, with the rest of the orchestra joining in to repeat the variation.

Once again, the flute plays a solo with harp accompaniment and then back to “Greensleeves”.

INTERMISSION

During the intermission, the harpist retunes the harp while the other musicians and conductor walk around, mingling with the “crowd” (I use the word crowd loosely because it is more like a small gathering, much as one sees in movies about 18th and 19th Century Europe, where performances were given in large drawing rooms for one’s friends).

The musicians gather in the back and formally re-enter from the double doors, once again with applause driving the musicians to stand after they’ve sat down.

Elegy, Op. 58, Edward Elgar

A solemn processional beginning.  Almost hear wailing in a violin [a fire truck siren from a nearby street adds to the immediacy of the setting].  The theme is stated very slowly.  This is the music style that drove my sister from classical music.

After the performance of this piece, Taavo jokingly tells the audience, “Welcome to an evening of Elgar”.  He continues, telling us that this is Elgar’s unwritten opera about a Spanish lady.  This is Elgar’s Handelish Baroque music, with three of five movements.

“Spanish Lady” Suite, Edward Elgar

With this piece, there is a very discernable continuo in the cellos and double bass.  I can definitely hear a waltz at the beginning.  It comes to a stop with a pluck, pluck, pluck, and then the dance picks back up.

This section sounds very legato.  For those of you who don’t know her, this is a very English (i.e., proper) Spanish lady.  One can easily hear the Baroque-en chords and phrases  – no Carmen here.  The rhythm goes something like da-di-da-di-di-da-dum.

Oh boy, here’s a Bach-like moment if I ever heard one although my wife definitely hears Handel.  I can only think of the Brandenburg concerti.  It feels like someone took the Mona Lisa and repainted her in the style of the impressionists, smudging the beautiful clear lines.

At the end of this piece, Taavo shakes the hand of the chief violinist (as he has done earlier tonight).

Sospiri, Op. 70, Edward Elgar

“Stroke of the hours” by the harp to start this piece, somber without being solemn (because of the light touches by the cellos).  How can one such as I pick out the theme – it all seems to be one long phrase?
[I noticed this earlier and wonder why some players move the bow back and forth and others bounce their fingers on the strings – are they trying to achieve the same vibrato/tremolo effect?]

Introduction and Allegro, Op. 47, Edward Elgar

Taavo tells us that this is written for solo quartet (and lots of strings, hahaha).  This is the first time for Taavo to conduct music in this hall and hopes to do so again.

This piece starts out, “Blee!  Da-dum-da-dum-da-dum-da-dum-dum.”  Which ones are the string quartet and the rest the “lots of strings”?  I must admit that Elgar does not move me.  Taavo probably gives this music more life than it deserves (this reaction comes after I listened to four hours of bluegrass last night (with fiddles, not violins) and three hours of Philip Glass (Glassworks and Songs From Liquid Days)).  The players are no less devoted to this than to the other pieces and yet I am no more moved than to sit and observe the funny sounds coming out of the scraped strings of one of the violas (like the rattle of bass speakers when turned up too loud).  I am driven inside myself, from which these questions emerge:

•  Why do we insist on the violin family maintaining the Baroque shape?
•  What do contributors (patrons of the arts) expect?  The sign on the back of the wall reads, “BOARD ROOM GIVEN BY BELLSOUTH”.
•  Who chooses the music for the program?

In class, Taavo discussed the so-called Mozart effect and said that is not enough for one such as him to be.  “We must love music and it must be important” were his expected reasons for us to be in music literature class.  How many people sit here and think these thoughts now?  How many are here just to be here?  How many are here to learn?  How many are here because it makes for a great place to bring/meet a date?  I have learned that being here, at least for this piece, is no more enlightening than having listened to this on a record or CD.  It is this music that is full of dry emotion.  But then is that not what the English are accused of?  I hesitate to use the word “bland” but one must share one’s thoughts.

The torture is over.  As the applause picks up and the musicians stand (first the principals, then the whole orchestra), Taavo shakes hands with the principals of this piece, apparently two violins, a viola (or is it a violin?  I can’t tell from here) and one cello.  Give me minimalism any day.  Supposedly, audiences come for the old-fashioned favorites but I crave the newer music, at least a John Adams or Philip Glass.  When was the last time the HSO played a Cage or Adams work?

–  — — —  –

 

The Man in Black
Robert McDuffie and Margery McDuffie Whatley at the Madison-Morgan Cultural Center,
24 March 2001, 8:00 p.m.

I. Overture

While we wait for the doors to open at the Madison-Morgan Cultural Center – according to a brochure, an “1895 Romanesque Revival building, one of the first brick graded school buildings in the South,” with its 395-seat apse-shaped auditorium – we listen to the former 10th district campaign manager for Jimmy Carter’s gubernatorial campaign.  This 71-year old man, whose doctor said has the vital signs of a 16-year old stands next to me on the portico, talking with another “young” woman, both of them trying to figure out how they know each other.  She regales him with her vocational past, telling all of us that she is one of the attorneys familiar with the former Circuit Court Justice and U.S. Attorney General, Griffin Bell.  She goes on to tell us about tonight’s performers, sharing her delight over the program given by the McDuffies, when they played the Violin Concerto by Philip Glass, along with works by Bach and Mendelssohn at the Cherry Blossom Festival last year.

My wife and I ate at a weekend-getaway-town kind of restaurant, O’Hara’s, earlier in the evening, and the wine we drank make both of us too tired for much conversation so we listen to our concert ticket companions.  The campaign manager enjoys religious music and is not so sure about this modern music.  He converses with another woman whose husband is a data processing manager who is at home with their small children, a seven-year old and three children age four.  The campaign manager asked if she had been taking fertility pills before having the triplets and she said that no, it was simply that her husband is a large man.  The conversation quickly changes.

The campaign manager was a school bus driver for a while, worked a dairy farm and had been a county commissioner.  As far as he’s concerned, anyone running for office should have to had driven a school bus and do something like county commission work so that they know about school politics and local issues.

A couple that stands on the steps below us happen to stay at the same B&B as us, the Brady Inn.  We saw the wife sitting on the front porch this afternoon, her gray outfit matching the gray-and-white alley cat rubbing against the rocking chair.  The cottage that we’re staying in is directly across the street from the Morgan County Health Department, with a sign at the end of the drive that reads, “MORGAN AREA MENTAL HEALTH, MENTAL RETARDATION, SUBSTANCE ABUSE CENTER STRAIGHT AHEAD”.

The majority of the folks are of the blue hair crowd, the “culture hogs,” someone said a moment ago, “moving from one culture trough to another.”

Folks who sat at a table behind us at O’Hara’s and now stand at the other end of the portico continue their debate about Bill Monroe, the deceased bluegrass player, and whether someone had actually given him a $1 million Stradivarius violin.

As it turns out, the campaign manager had met the attorney at a fund-raising event years ago.  “You haven’t changed a bit,” he tells the attorney.  “You still know how to be political,” she says, and we all laugh.

My wife comments that she hears a mixture of Yankee and Old South accents around us.

II. Master of Ceremonies

The person introducing the music – the MC – has been involved with the Madison-Morgan Cultural Center from the beginning.  During the first season, the MC who knew that many were opposed to bringing an opera company to Madison said that one of the opera singers was sick and he would have to substitute.  He swore that many people got up to leave rather than endure his singing.  He told us that we would not have to worry about that tonight.  Tonight’s performers need no introduction because their pedigree is too long.

III.  Like Listening to a One-man Quartet

I sit and watch the multiple facial expressions of the actor-violinist Robert McDuffie play this contemporary of Vivaldi’s The Four Seasons, J.S. Bach’s Preludia from Partita No. 3 in E Major, BWV 1006.  How can a humble person such as I begin to put a single word on paper to describe this?  I cannot.

After Robert completes his warm-up exercise, he steps off stage to be joined by his sister, Margery McDuffie Whatley, and a page turner.

Sicilienne, Lev Zhurbin

Okay, I’m cheating here a bit but for the second encore of tonight’s performance, Robert explains this piece to us.  A 20-year old viola student at Julliard wrote it.  When Robert was visiting Julliard, the student gave a tape of the music to Robert along with a note that read, “Tell me tomorrow what you think of this work.”  Robert was impressed so he played it for his wife and daughter, who loved it.  So it will be the second encore.  In the meantime…

Here before us are the two offspring of a middle-aged couple of the species, Homo sapiens.  The children grew up learning how to eat, drink and talk and yet within them was the drive, the capability, the…gift that two siblings rarely get to carry beyond baby talk, a language of their own that is also understood universally – music.  This piece is very romantic (my wife calls it “sweet”).

Violin concerto, Philip Glass

Robert said that he was not going to say anything tonight but his sister wanted him to say something about this work.  Philip Glass writes music that is very repetitive.  Most people either like it or they don’t like it.  The joke goes, “Knock, knock.  Who’s there?  Philip Glass.  Philip Glass.  Knock, knock.  Who’s there?  Philip Glass.  Philip Glass.”, etc.  This work is a reduction of the orchestra piece, which contains some good brass and percussion.

As Margery opens the first movement, Robert stands with his eyes closed, feeling the music coming from the piano.

AT LAST!  I have lived my life this long with CD recordings of Glass but only now understand what it is all about.  Watching Robert’s fingering, I see the simplicity, the difficulty of playing Glass’ repeated phrases.  Interesting, watching Robert play without sheet music while Margery has a page-turner.
The audience warmly claps after the first movement.  Robert wipes his brow and seemingly disappointed about the untrained audience, says something to his sister.

And so, once again Margery picks up the beginning of the next movement while Roberts gets his emotions back in order.  Some animals are endoskeletons; that is, their structural forms, their skeletons, are inside their bodies.  Robert, like an exoskeleton, his structural form, his emotional feel for the sounds around him, are worn on the outside.

At once, I hear the “om mani padme hum” of the Buddhists while dance music from a faraway Victrola echoes in the room.  Glass seems to be saying that the music is at once here in the now yet in the past and ready for the future – there is no end.

Dr. Whatley talked about her brother being sent to Julliard because his parents didn’t think he would last through one year but they wanted to give him the opportunity.  Although he flew home many times, he lasted the first year and they thought maybe he really had the staying power.  Thank goodness for his staying power.

I am too mesmerized by the third movement to get all the observations about Glass returning to the original theme but who cares at this point?  That can be saved for a CD session.  Now is the time for becoming one with the LIVE music.

I understand the Baroque shape of the violin, watching Robert fly across the strings with his bow.  Look!  It’s Paganini’s ghost.  Does Robert feel the music of the Guarneri through his neck?

INTERMISSION

My wife explains to me the intricacies of the Violin Concerto, with the repeating phrases moving slowly up the scales.  She, too, appreciates the difficulty of having to play the same phrase over and over at the same tempo.

During the intermission, my wife chats with the woman sitting next to her who is a fan of the same university sports program for which we cheer, UT.  The woman also happened to have been a student teacher in east Tennessee not far from Knoxville (Kingston).  The woman has just moved here and tells us about a problem she’s having with a big tree on the property line.  As luck would have it, her neighbor walks up and they discuss what to do with the tree.  After the neighbor walks away from us, the woman is relieved that her neighbor agrees to do something about the tree.  The search for camaraderie continues – my wife tells the woman about the accents she hears in the audience; the woman says her mother is from Kentucky and has lived in New York for 53 years but still pronounces the word why “whoo-eye”.

So here we are, dressed up in our Saturday finest, bipeds with the tendency to stand up straight, not seeking food or shelter.  Perhaps some of us are seeking a betterment of our lives that goes beyond external factors.  Many before me have sought to explain the want of humans to ignore our basic physical needs in order to satisfy an internal need.  Like my lack of musical knowledge, my lack of biochemical processes limits my human understanding.  I feel like I’m observing the human race through a window.  I can describe what I see but what do I feel?  How do I go beyond a simple description of emotional states to get to the root cause of the human problem?  Well, it won’t happen tonight despite my desire to know more.

Violin concerto in E Minor, Op. 64, Felix Mendelssohn

During the tuning, Robert made a funny plucking sound on a string and commented, “Well, that just took a half million dollars off this violin.”

First movement – Funny how the piano part sounds much like the Glass violin concerto.

So these gypsies have come into town.  They say to one another, “How are we going to get the townspeople to come to our camp?”  One turns to the other, “I will stand on the hill over the town and play a passionate lullaby on the violin.  As they fall asleep, you sing a wondrous plea for them to see our great performance tomorrow.”  Years later, while they’re in a bar recounting the time they made off with the whole town’s money, a young composer named Mendelssohn listens in.  “How do I retell this greatest of all tales?” he asks himself.  He begins taking notes, building phrase upon phrase with each round of drinks because as new patrons come in, the gypsies relive their tale over and over again.

Isn’t it a shame that most people cannot pick up the violin after the age of 10 or 12?  No one said life is fair but wouldn’t we all be richer could we play but a measure or two of Mendelssohn’s solo part in the first movement?

As a joke, Mendelssohn writes the bar scene into the second movement, phrasing, “Hey, look what we’ve done, look what we’ve done.”  In real life, the gypsies are thrown out of the bar for not paying but Mendelssohn writes them in as heroes of the bar, the barmaid weeping with joy and the patrons patting the gypsies on the back for a job well done.  The oldest gypsy, overtaken with appreciation, collapses on the floor.  Everyone exclaims, “Oh my God, no.  Oh my God, no.”  Then the gypsy takes a deep breath and stands up.  “No, I will not die today.”

In the third movement, Mendelssohn wonders what happened to the townspeople.  “Oh, where is my brooch?  Where is my babushka?” the people ask.  The mayor, sensing a prime moment, jumps into the town square and dances a little jig, rather wanting to look like a fool than let his people know they’ve been fooled.  Soon, the people realize their folly and join him, the noise echoing so loud that windows pop in nearby shop windows.

They jump and reel round and round to the point of madness.  The sounds are so loud that nearby towns join in the fracas because they realized that they have been duped, too.

Standing ovation.

Magyar abrand (“Hungarian Fantasy”), Franz Lehar

“Well, now that we’ve warmed up…”  A Hungarian, who of course liked gypsy music, taught the young Robert to play violin.  Robert went to Brevard one summer and returned with a report card with comments by every instructor that read, “Plays like a gypsy.”  [Funny how that is reflected in my understanding of the last piece.]  That’s how he learned to be so emotional.

Well, Central Europe possesses us now.

Imagine being able to open the music box on your dresser and out pops a little violin player spinning around while the Hungarian Fantasy played!  You would never leave your dresser, winding up the music box to play over and over again.

More standing ovation.  One, two bows.  And then the obligatory encore.  But first, another retuning with accompanying commentary.

Robert was forced to see Itzhak Perlman because Robert at age 14 and eight years of playing violin was tired of playing violin and he had recently been promoted to first string on the basketball team because he had practiced so hard that week.  After Perlman began to play, Robert forgot about basketball.  Years later, Robert got to tell Perlman this story and Perlman said, “You would have made a lot more money playing basketball.”

Theme from “Schindler’s List.”  The crowd oohs at the mention of the title which Robert dedicates to the performance he heard by Perlman (and the chance that he can be a direct influence on someone).
We avoid and isolate that which is alien to us and thus the Nazi party, under the leadership of an alienated person, eliminated a group of people genetically related who are commonly called Jews.  By eliminating them, the Nazis reduced one part of humanity while inspiring the remainder.  Where does that put us now?

Another round of applause.  Another encore.  Repeat of Sicilienne.  The music says, “Oh, how I love you?  How can I love you?  How can I breathe?  How can I know?  I’ll never know that I love you.”

IV.  Epilogue

Back at the inn, my wife and I enjoyed a late-night snack with the couple from Macon who had also attended the performance.  The man, a former Los Alamos scientist, teaches chemistry at a college in Macon and the woman teaches post-GED classes for adults.  Of all the faculty members at the man’s college, he was the only one who accepted an invitation.  My wife commented that you’re never famous in your own hometown and the woman responded that Macon was quite receptive to Robert McDuffie, especially considering that Macon is not really a town with a “college” atmosphere, that Robert sold out performances in Macon.  I responded that Huntsville treats Dr. Whatley with equal enthusiasm but as an example of the uneven attendance, a recent piano recital by an out-of-towner attracted only 18 people.  The woman concurred about the same problem in Macon.

Where does a happy medium exist between mainstream culture and haute couture?  Are we condemned to the occasional disco treatment of Beethoven?  After all, how many concert violinists attend stock car races or race drivers attend orchestral performances?  They’re all dedicated to their art/craft and in the end, focusing on one thing and doing it well is the ultimate satisfaction.

÷  ÷  ÷  ÷  ÷  ÷  ÷  ÷  ÷  ÷

Healed: Chapter Leads To New Blog

Nebulous

16 October 1989, 8:57 p.m.

And so begins my sojourn into the world of writing stories on the Apple Macintosh computer.  The first stories will be classically composed, with the stereotypical climax, conflict, and other elements mentioned by Aristotle several thousand years ago.

Story ideas 1

A heartbeat.  A simple heartbeat.  Thuthump, thuthump.  The rhythm and mystery mesmerizes us all in the quiet moments when we’re alone like a metronome or the hypnotist’s watch swinging back and forth.  I remember my life not by the sweet memories and hard lessons but by how fast my heart pumped and the adrenaline flowed.  Occasionally, the heart beats faster and faster until the rhythm changes.  Thuthuthump, thump.  Then silence, like death, creeps in.  As if connected to some internal clock, however, the heart starts back up again.  Thuthump, thuthump.  The rates slows and all is quiet once more.

They say crack, a form of cocaine, is a killer, but like using a loaded gun, the killer is the person who takes the crack.  So what does this say?  The bumper sticker says, “Hugs are betters than drugs.”  The need for more communication, for a clear direction – in that lies the answer to our drug problem.  Why do they call it a drug problem?  They should call it the drug symptom.  Plants dying along a river filled with dead fish is not a problem, it is a symptom of something poisoning the water.  Whoever poisoned the river is the problem.  In our society, whoever poisoned the mind of the crack user is the problem.  We do not want to see this, though.  We want to pretend that our society, although not perfect, is not fully to blame for the drug abuse prevalent in our lives.  Woe be it to us when all our rivers, lakes, streams and oceans are polluted beyond usability.  Whom shall we blame?  The water?

Just thinking about the sickness already spread across the land makes my heart race.  Are we humans so absorbed with the comforts we’ve grown accustomed to (through exposure to mass media and the diversity of human condition in the world that we become numb to starving children and stare blank-faced and awestruck at shows like “Lifestyles of the Rich and Famous”) that we choose to ignore the obvious signs of how short-lived our comforts have become?  Today’s clean, strong plastic trash bag becomes tomorrow’s useless waste dump.

Look at me, all talk and no action.  Instead of writing this on a piece of paper with a graphite pencil I choose to express my thoughts on a piece of equipment that absorbs/wastes more energy than is necessary to record these words.  Oh well, I have already resigned myself to an early death, whether by my own hands or the hands of this destructive society.  To add to this morbid view, my wife and I are facing the death of our three cats by feline leukemia, not a pretty sight to say the least.

[An aside:  I must overcome the fear that someone will read the words I have yet to put on paper.  No matter what happens, the truth must be recorded.  Past actions make better stories than fantastic tales.]

the other one

7 November 1989, 8:31 p.m.

I remember one scene every time I file my fingernails.  Back when I was first seeing MJ, she introduced me to one of her friends, someone she said I would feel was one of us.  This woman, named Frances Miller, was “a product of the 60s.”  She believed there is more to life than what we see but she did not delve into philosophy like I did.  She was more interested in what-ifs ? possibilities beyond the present but assuming that what we see exists. Well, when MJ did not meet me for lunch I would meet Frances at the college cafeteria.  We had pleasant conversations about age, dating older women, children, and other subjects that I’m trying to remember through a fog over three years old.

Anyway, one day MJ, Frances, and I decided to go out for lunch and ate at a Chinese restaurant in Morristown.  At this time, Frances was unaware of my relationship with MJ.  MJ nor I were ready to go public with our extramarital affair.  Too many of her friends lived, worked, and shopped in the area in which we cavorted.  Besides, the secrecy added to the romance.  I remember Frances wore either a neat shirt/blouse or earrings at the restaurant that day because MJ was upset that I complimented Frances on her taste in clothing accessories.  After we had ordered and while I was pouring hot tea for the women, Frances looked down at my hands and said, “It looks like you chew your nails and then file them.”  I laughed and said yeah in the way I had learned to brush people off when I was a youth (and very self-conscious about people seeing inside me.  Even now I come to grips with sharing my inner self.  I’ve learned, however, that sharing helps one survive.).  I knew after laughing off my short nails that MJ and Frances did not believe that I chewed and filed my nails.  I didn’t lie but I didn’t tell the truth, a fact that would weigh heavily against me later on.  The funny thing was it wasn’t until months later that MJ realized that I did chew my nails and filed them afterward.  Her discovery was like looking at a beautiful house only to find the owners sweep their crumbs under their Persian rug.

18 December 1989, 8:30 p.m.

She laughed without guilt.  Her smile, her homely glasses, her shoulder-length hair – vestiges of an earthly life though now she rests in heaven – all she did and said spoke of her childhood innocence.  How could we know what effect one life would have on the rest of us?  We were just children, still malleable, ready to face whatever came along.

Perhaps I should start at the beginning, before the pain and the tears, the weeks of crying oneself to sleep, of blaming one’s parents for the torture of losing love (for we did love her).

When young, we see the world around us without the bias of experience.  Everything is new and exciting, not coated with sarcasm or doubt, and we go on to the next adventure with enthusiasm, rarely stopping to question what we see.  Some of us, though, wonder.  Why is 2+2 important when we see the bee at the flower?  What good is a vocabulary when we don’t know what we’re saying?  Who cares about history when you’re in love?

Psychologists often like to find the answer to our problems by categorizing our reactions (our “behavior,” since no one can read our thoughts) with words like schizophrenia, oedipal complex, Type A, and utopian.  Before psychologists came along we trusted our inner selves to others, perhaps a priest, a doctor, even God.  To be sure, we still trust ourselves to others but mainstream America leads us to believe that psychologists can help us out of troublesome times.

My first few years of life were influenced by the fact that my father changed jobs many times thus necessitating our moving to another town.  I got used to the act of my parents coming to school to pick me up and tell the teacher we were ready to move.  By the time I reached third grade I had lived in four different places.  I was used to making new friends and losing them quickly (some people had it rougher but this is my story after all).  Kids are adaptable – they heal quickly.

When we moved to Kingsport, I was ready for third grade.  Though my marks had suffered because of my tendency to stare out the window, I knew I would do better at the new school.  The school was like most public schools with red brick walls, large classroom windows, slick concrete hallways, and a big playground to send kids so the teachers could take turns resting.  Like most kids, I enjoyed playing on the swings, monkey bars and merry-go-rounds.  In fact, everything about me was as normal as an 8-year old could be.  As the months progressed, I made new school friends, going to their birthday parties and playing at their houses as my parents saw fit to let me.

Growing up, I knew my parents were my friends and not just the ones who spanked me and sent me to my room without supper.  I trusted to tell them about all my daily activities, telling them about what I’d done, who I’d seen and played with.  I still enjoy telling them these things though I don’t talk to them as often as I used to.  My parents were my psychologists, listening when appropriate and interjecting when an authoritative opinion was required.

As my third year of school passed, I met dozens of schoolmates.  To this day, I try to keep up with those elementary school friends who came and went through the years.  Some are doctors, school teachers, spouses, and parents.  One I know is an excellent artist.  If we knew then what we are now, would we be the same?  The luxury of foresight we don’t have and little did we know what we’d be doing the next day, let alone 20 or more years from then.  Of all those schoolmates, one of them stands out, my girlfriend of three years, Renee Dobbs.

I owe much of what I am today to that little girl.  My gift for writing began with the love notes she and I passed in class.  The women I like remind me of her.  My underlying melancholy comes from the last part of our relationship, but I’m getting ahead of myself.  Renee was my first true love.  “How can you know love at that age,” I have heard many times.  I cannot explain what we had with words.  Even our 4th grade teacher recognized that our relationship was years ahead of our age.  We shared everything with each other but unlike our other schoolmates we never saw each other outside of school.  Somehow, we knew not to tell our parents too much about the other.  They knew we had a special friend at school but not why or how much.  Ours was a once-in-a-lifetime friendship, a bond between a boy and a girl that married couples have never known.

I remember our standing in line after lunch, waiting to go back to class (“Quiet, children.  Walk in single file.”  Our teacher was a misplaced drill sergeant.).  I had been talking to another boy about his lunchbox and turned to comment to Renee about how long we had been waiting when she mouthed some words to me.  I didn’t know what she’d said because I didn’t recognize the words.  They weren’t words a third grade boy expects to hear from a third grade girl.  I asked her to repeat herself and again she mouthed these strange words.  We had known each other for several months and had begun to pass notes in class.  Nothing we had said to each other had prepared me for what she was about to say.  I asked her to repeat herself one more time and she whispered the words in my ear, “I love you.”  No more honestly, sincerely, and graceful have those words been spoken.  Like an angel from heaven, my angel on earth had blessed me in the best way she knew – “I love you.”  Yes, armies have fallen and palaces built in the name of those three words.  Of course, I answered her, “I love you, too,” like a peasant answers his lord, or a pilgrim to God.  The moment shone with purity.

Well, fourth grade passed and fifth grade came along and Renee, Rita (another close friend of Renee), and I played together at school as much as we could.  Recess period and lunch were never too soon or long enough.

Fall passed into winter and Renee began to miss school because she was sick.  We still played together but she couldn’t run around like she used to do.  She was thinner than before but still as bright and cheerful as ever. As spring approached, we planned to go to the annual sock hop on April 15th, the “Spring Fling,” where all kids from grades 5 to 9 could dance together in the gymnasium.  March came and Renee only came for a few days of school.  She said she had some sort of disease that the doctors said they could cure.  Toward the end of March Renee entered the hospital.  Our class took up money to send her flowers.  I prayed at night for her to get better.

Then came April.  The grass started growing and we could play outside at home after school.  There was talk at school of Renee getting out of the hospital.  Rita and I were excited about seeing Renee again.  The days seemed like years.  On April 8th, my homeroom teacher announced that Renee had gotten worse.  A cruel classmate of mine who knew how close I was to her told me his mother, a nurse at the hospital, told him Renee only had a 40 percent chance to live.  I was devastated and cried myself to sleep that night, not wanting to tell my parents whom I loved and trusted, that I was letting them down by feeling so wretched, that my head ached and my stomach was tied into an excruciating knot.  The next day the cruel boy told me Renee only had a 25 percent chance to live.  That night was worse.  I never went to sleep.  I had to hold a pillow over my face to drown out my sobbing.

Renee held at 25 percent for three more days.  On the next day she dropped to a 10 percent chance.  Rita and I still talked of the hope of Renee making it back to school and I still told everyone Renee and I were going to the sock hop together.

By the time I got to school on the 14th, the news had already spread.  Renee had died early that morning.  I don’t remember the rest of the day.  My parents had to come pick me up, literally, because I had fallen on the floor crying and would not let anyone touch me.  I cried nonstop for the next two days as Mom and Dad tended to me and helped me go to the wake.  At the funeral home, Renee’s mother mentioned how Renee had talked about me but she never knew how close Renee and I were.  Mom and Dad agreed.

For the next two weeks, I barely slept.  I did my best to keep a straight face during the day but could not hang on at night.  I cried and cried and cried.  It was at that time that I starting blaming my parents.  Couldn’t they see how I suffered?  Didn’t they know I needed their love despite my telling them that yes, I was doing all right?

From sheer exhaustion I began to sleep at night.  I still cried throughout the night for the pain and anguish were still there but I was beginning to learn how to channel that pain.  I started to pray at night that I could join Rene_.  I asked God to do whatever it took to take me to her.  I continued to pray this way for several months until one of my parents heard me say this out loud.  Then Mom and Dad sat down with me and explained that we all suffer the loss of loved ones, that life can still be wonderful with the loved ones we have left.

I vowed that from that day forward I would devote my life to the name of Renee Dobbs.  I told myself that one day someone would suffer like I had and would need the comfort and understanding of a like sufferer.  Through the years I have helped other people through painful crises in their life.  Now, I believe I have found someone who suffered like I have.  I want you to know that for two years I cried over the loss of Renee but through prayer and talking to my parents I was able to overcome the pain and turn it toward good.  Occasionally I get melancholy and wonder what it would be like to be with Renee again but know that the people here on Earth need me more.

16 January, 1990, 11:05 p.m.

Who am I to argue with the authorities when our democratic society has no authorities, only those who hold authoritative positions, experts in their fields of specialty?  They know what they’re talking about.  They may not make sense or come to logical conclusions but they get the job done.      – RLH, words of my time

Tonight, I establish this goal:

RUN!  BEAT DEATH TO THE DOOR OF MORTALITY AND SHUT IT FAST.

While many of you out there have invested in the species-preservation goal of children, my wife and I have opted not to have children.  The genetic pool has turned to froth for me.  The immortality option to children I have chosen transformed itself into recycling; that is, I weighed the possibilities for myself and those around me.  [I’m tired and somewhat incoherent]  The first possibility raised its ugly head when I was a child.  I dreamed of being a hermit, living a resource-wise life, taking from the land only what I needed and returning what I could.  Even as a child of six, I did not sing out loud.  Instead, I mouthed the words to preserve what I thought was the limited number of breaths with which a person had to live.  The second possibility hit me like a brick while I was in my early 20s.  I realized that life is an exercise in futility.  As the saying goes, “Don’t take life seriously ’cause you can’t get out alive.”  I contemplated suicide, made a few halfhearted attempts to test my theory that a body is a group of cells with a collective will to live, and finally succumbed to the fact that death is the challenge to life.  Death is the devil incarnate.  No god or image of hell is more startling than the bare image of the transformation of a living human being into bacterial fodder.  Then it came to me like a thousand warmed-over cliches – immortality is not just a glamorous word for species-preservation but also represents the latest in democratic trends: recycling.  What we did not or cannot use today can be recycled for tomorrow’s use (or loosely translated as what we did not or cannot do can be attempted tomorrow in our children).

Glory, glory!  Life is mine once more!  No one can stop me but me on the path toward more vigorous recycling efforts.  Janeil and I have already had our first “child” – the Huntsville Christmas Tree Recycling Project.  The child lives and breathes and looks like it will live for years to come.  The next child will be a doozy – the coalition called Huntsville Volunteers for Recycling Program composed of volunteer, non-profit, service, etc. organizations that coordinate their recycling programs with the Solid Waste Disposal Authority of the City of Huntsville; thus, waste is eliminated in the effort to clean up waste.

21 February, 1990, 7:45 p.m.

I have read of those who had a vision, a dream, that lived as much as those who had the vision.  Religious people like Jesus of Nazareth and Buddha left their families to pursue their visions.  I understand the reasons for their leaving.  As anyone knows who has had a vision or quest, only you can see what your vision entails.  Others may believe the validity of your vision but don’t have the insight to the strength, vitality, or scope of this wonderful thing you carry inside your head.  Depending on your personality, you may wish to control the implementation of your vision or let everyone know what you see and let them carry out their version of your vision.  In my case, I am a controller.  Oh, there are the psychological symptoms for this controlling desire – insecurity, paranoia et al – but this person known as Rick Hill is composed of these psychological elements and has learned to operate upon the strengths of these elements rather than their weaknesses.

Therefore, I want to encourage people to follow my lead, not slow me down with tedious suggestions or interpretations.  Of course, when necessity/courtesy dictate that I stop to listen, I do so with patience to let each person know I have time to listen except in times of boring repetition.  Then, I muster up as much consideration as I can and let that person know I see the point but must go on.  Life is too short to smell dead roses.

Recently, I have let my wife represent me and my vision of the recycling efforts of the Huntsville-Madison County Botanical Garden.  She doesn’t yet have the authority and respect I garnered because of my instant thrust of the importance of a Christmas tree recycling program in mid-December of last year.  She so wants to be a part of this that I have given her the task of putting together the folding “billboard” to be used for several exhibitions this spring.  I do not doubt her ability to organize (why else would I trust her to arrange our finances) but I don’t believe she has a full grasp on what I envision for the Botanical Garden.  Yes, I know, life can be described in three words – compromise, compromise, compromise.  I only hope she has that burning desire critical to fulfill one’s dream.

As I stood outside the house in which my wife and I reside, I pondered the humor in what we humans have done to the so-called natural order of things.  For instance, we took what initially was intended to be a place of shelter and created a vast network of hardware stores, drapery shops, interior decorator centers, and a housing industry to support the necessity for a roof over our heads.  Hmmph…aren’t we a sight for sore eyes?

Ah well, life goes on with or without our meager existence.  Somewhere in between the mysteries of birth and death we try to realize something concrete.  I just want to preserve some wilderness (definition: not man-made) in my life.  How about you?

28 February, 1990, 8:48 p.m.

The cycle that I once wrote about in my youth, GETBORNGOTOSCHOOLMARRYHAVECHILDRENTHENDIE, plagues me still.  Will I never learn to take it easy and enjoy life rather than fight with myself each day just for the right to live?  After all, were we not born with the right to live?  Life, they say, is a precious thing, and we should cherish each day as our last.  I just want to know which day is my last day so I can sit back, relax, and wait for it to come.  Life in the ‘burbs is no life at all, simply a definition of homogenous humans hugging half-baked ideas of home life.

I still feel I cannot put down on “paper” my true thoughts and feelings.  For one thing, I know I get real depressed after reading my former writings.  For another, I fear someone will label me in a derogatory manner for the words I have arranged.  Also, I don’t want to offend anyone ( the ol’ Thumper syndrome).  Quite frankly, I don’t expect anyone to deliberately read what I have written, not in my lifetime.  I am too protective of my writings.  I did not have the initiative early on to share my writings with those who would reward my creative . . . yes, I question the use of that word, too . . . my ability to arrange words in groupings intelligible to an average person.  I scoff at the ready acceptance of those who have read my writing the drivel which pours forth from this depraved mind.  If they only knew the ridiculous thoughts of lust, prejudice, hatred, and laziness that course through my daily stream of consciousness . . . of course, there is the flip side – what if I knew of theirs?

Does any of this really matter?

No, I suppose it doesn’t but what am I really but an observer?  I dislike being the observed.  Besides, how else am I going to convince my wife that I am studying for an exam.

27 March, 1990, 9:14 p.m.

The following story will consist of chapters to be composed over the next three months . . .

I.
I didn’t want to write a story in the first person — writing in this manner always gives me the impression that the writer has a self-love problem.  I have found, however, that we all tend to think more about ourselves than we’re taught to accept personally.  Then again, writing in the third person makes me feel aloof, as if the person in the story is me and yet not me.  To be sure, some part of me becomes a story but I . . . well, I’m not here to tell you my feelings about writing . . . I just find beginnings so hard to write.

Oh gosh, I don’t know how to tell you this.  Let’s see, I remember when I first realized she was different.  We were young then, much too young for real love but too mature for puppy love.  We had been acquaintances for a few years and had always enjoyed each other’s company but in each other’s eyes we were just another friend.  Funny how some things don’t change.  Reflecting on my thoughts of her, she is still just another friend.  Even so, I can think of no other person with whom I can instantly bond mentally.

We did just about everything together in those days.  We rode the bus together, ate lunch together, shared band class (in which we passed notes), and sang in a group called Sing Out Kingsport.  In fact, I could think of no other existence but spending my pleasure hours with Helen.  I would have had classes with her but we were one school grade apart with I being the senior student.  Such was our fate and probably a good one, too, for we were like two peas from the same pod — everyone expected to see Lee and Helen together — had we had the same classes we wouldn’t have had the opportunity to expand our horizons.

Throughout my friendship with Helen, I noticed one thing:  she was female and I was male.  Ah, you say, what is the big deal about that?  Well, I agree with you that two people, regardless of gender, can be good friends but somehow, be it peer pressure or hormones I found myself attracted to Helen.  Publicly and privately, I spoke of my desire for her, that one day I would kiss her to prove once and for all the minute characteristic of our sexual relationship.  In any case, that story will wait.

Helen, sweet Helen.  How can I describe a woman that to me is the most understanding person in the world but to everyone else except her husband she is the wicked witch of East Tennessee?  I don’t know how to explain this curiosity.  She and I don’t talk to each other very much.  Oh, I send her letters occasionally and we exchange the usual birthday and Christmas cards but we don’t communicate (in the normal social channels) like we used to do before we found our spouses.  Helen defies all description by me.  I see her as I see myself – I can insult myself and hurt myself but I could never really kill myself – thus, I could never give up my friendship with Helen.  Despite the hurt and lies we have shared, we are the only ones who really understand each other’s mental paths.

Helen and I, we have seen more together than we could ever tell our spouses with any clarity or sanity.  I have tried to tell my wife about my relationship with Helen but my wife had been hurt by Helen and has little patience to hear how close I am or have been with her.

We still keep in touch.  A few days ago, I called Helen to congratulate her on her husband’s new job and their move from Kosciusko, MS to Jacksonville, FL.  We talked about the usual stories – her pregnancy in the eighth month, family, and local gossip – but at the end of the conversation, as we decided to bid farewell, Helen said, “Well, have a good day,” and we laughed because we both knew without saying a word that we always wonder what to say at the end of a phone conversation because we are not family or lovers.  At this moment, I can’t describe this ability to carry on a conversation without speaking.  Actually, I could recite events where this has occurred but I cannot hand you a physical object and say, “Here is what our relationship looks like.”  In this way only have I found life to be a mystery.

08 April, 1990, 1:22 a.m.

And so I must be honest with myself.  I am a married man, a happily married man with a wife who provides all that I could ask of her.  Karen cleans the house and washes the clothes most of the time; that is, I chip in one-tenth of one percent of the housework.  We have a wonderful sex life and participate in several mind games a week, have our usual emotionally-packed arguments and help each other as best we can through depressive slumps yet . . . Helen lingers in my mind like the guest that will not leave.

Helen, well, we know that Helen is not the name she goes by but we must protect the characters we writers create.  After all, one does not go around destroying the few friendships available without destroying the material for the next story.

Helen . . . when my mind slows down and stops to rest I hear the echoes of Helen in the same way that others describe God.  When I am under stress or feel the need to be loved I call out Karen’s name which in the work environment I presently occupy is quite often.

How do I describe this sharing of my soul with two different women?  Do I use the metaphor of wife and mistress?  Since I am married to Karen then Helen would be the mistress but what is a mistress but “a woman with whom a man frequently fornicates?”  By no means have Helen and I fornicated.  We hesitate to hug as it is.  Do I attest to the plausibility of two “wives?”  I am only married to one woman according to social rules.  Excluding the issue of Helen being another woman then I simply have a relationship with Helen that is based on close mental contact.  My relationship with Karen entails emotional and physical trust and respect.

A college literature teacher once told me that the three basic conflicts in stories are only a reflection of the conflicts in life – man vs. God, man vs. nature, and man vs. man – all other conflicts are variations on a theme including man vs. self which represents a form of man vs. man.  I disagreed then and I disagree now.  Man vs. self combines the three basic forms because God/nature/man is only what we see through our senses.  Therefore, because our senses are part of our selves then all conflicts boil down to man vs. self.  We must determine what senses we use to resolve our conflicts.

At this moment in my life, I see my relationships with Helen and Karen through my rationale and my heart, in that order.  Helen exists in that part of me that reasons out all that matters in my universe.  Karen owns that part of me that belongs to family and Earth.

In the midst of my constant battle between Karen and Helen lies the problem of religion.  I was raised in a Christian household.  Although my parents did not attend church on a regular basis they still insisted that we learn the basics of the Bible and practice the teachings of the New Testament.
Now, as an adult, I have the ability to choose for myself the resting place of my soul.  At first I denied the existence of an omniscient God.  Now I have found myself leaning toward the existence of ancestral influence not just through our genetic makeup but through the ephemeral influence of past souls, especially from those of our nearest dead relatives.  I understand that this really stems from my simplistic remembrance of ideal relatives but we all must establish a system of beliefs and I now rest my beliefs on this system of ancestral worship.  I have to understand the social implications of allowing others to follow the worship practices of their cultures before I can fully accept the cultural practices of my WASP (white Anglo-Saxon Protestant) upbringing.

On an aside, I find that I write best when I can prevent my brain from occupying itself with common daily interruptions by flooding my body with substances like alcohol that impair my physical abilities.  At one point in time I relied on the means of illegal drugs to record my writings but find those practices too expensive monetarily and physically to justify the ends.

17 April, 1990, 7:52 a.m.

On the verge of a nervous breakdown I sit to write the following words in hopes of preventing the mental disruption of my life as a member of the corporate world as well as a friend and lover to my wife.
Last night I lay in bed as I did most of the day yesterday battling with myself over the worth of spending the daytime hours in an environment which drains my energy and life of the creativity and talents/gifts with which I was born and have been nurtured throughout my life.  Battle:  “Do I use my physical looks and middle?class upbringing to live in the corporate world?” versus “Do I devote myself to the development of the inner self which flows with stories and insights to provide others in exchange for labor credits (i.e., money)?”

On the way home Sunday from our parents’ homes in East Tennessee, I told my wife that I have finally come to the realization that I have to let my inner self have some breathing space or else I see my choices in life as death vs. the corporate world (and we know that the “vs.” can easily be substituted with “=”).

So last night I decided to consult with my ancestors/God/Allah/personal gods to discover how they might help me with this predicament.  I told them that I wished to die because my life, other than that with my wife, offered me no other alternative than death of self.  They told me I have the choice to make, that if I choose death I must be willing to face the circumstances.  They then revealed to me that in the end, we all choose to die, although there are extreme circumstances in which we are asked to let go (such as gruesome car accidents where our bodies are mangled beyond present day medical care).  I was given the opportunity to see the barrier placed between life here on Earth as living flesh and the life with physical bodies.  This barrier I saw as a semipermeable membrane that allows those who have completed their lives and do not carry excess baggage to pass through freely.  The barrier looked thick, felt soft, and gave way or flexed quite easily because its composition, though pleasant to the touch, consisted of closely packed, fibrous material.  I was told that if I chose to leave now that I will not have completed my journey on Earth and will still have baggage to get rid of – suicide carries with it the emotional heartaches of those whom I love.  I was not told how I would get rid of this emotional baggage if I chose suicide but I believe I would have to return to Earth with no guarantees of the difficulty or ease with which I would have to rid myself of the baggage nor whether I would be burdened with more baggage.

I can but imagine what life without an earthly physical body would be like.  I would no longer have the worries and concerns associated with this body that I occupy;  that is not to say that I would not have new problems to resolve but who of us human beings is ready to learn of new worlds when we have sufficient problems on Earth to last a lifetime?  The religion with which I was raised promises a heaven, a place of utmost happiness, to those who accept the divine rule of Jesus Christ/God/the Holy Spirit in their lives, even if the acceptance occurs at the last moment of life on Earth.  To many, the promise of heaven provides a cushion of comfort in rough times and a light at the end of the tunnel in dark times.  I believe this heaven to be the same type of existence that I saw last night.  The new existence does not require one to be intelligent or gifted in any way only that you understand, have faith in, if you will, the permanence of the universe and your place in it.

21 April, 1990, 3:25 p.m.

Now I know that faith is not something that happens gradually.  One moment you are a nonbeliever and the next moment you believe – thus those who believe see what the well-phrased “leap of faith” means.  Those in the Christian religion in which I was raised come to believe in Christ as the Savior and God as the Creator whereas I believe in the immortality of a living universe where life begets life and acts of kindness – that is, acts of helping another living thing – are acts of life.

Tuesday, 24 April, 1990, 8:36 p.m.

Some people say that if we could travel through time then we could not travel into the future because it does not exist.  Well, a couple of days ago, while watching a movie called “Bill & Ted’s Excellent Adventure,” I realized we can travel into the future because our future is someone else’s past.

I often wonder about my sanity.  After reading the past couple of entries and remembering much of the writing I threw away several years ago, I know that I am not normal (“Normality is only a statistical mean to which none of us wholly belongs.” – John Weightman).  On the other hand, my lifestyle reveals that I am essentially an individual who likes to think what he will but succumbs to the peer pressure that puts him in a statistically safe place in society – in other words, a normal, middle-class American.

Tuesday, 22 May, 1990, 12:44 a.m.

A month has passed since my last entry, a month that holds few events worth making the history books but worthy of a journalist’s/diarist’s recordkeeping.

First, I have been toying with the idea that the antidepressants I am taking may be killing the creative person within me by smoothing out the peaks and valleys of the personality called Rick Hill.  I had no way to prove this theory except through intuitive knowledge of my present (extrapolated into the future) lack of desire to write.  I reached into the well of my self and pulled out the definition of me that I understand – “the person who sees and records that which others live” – some call such a person a writer but I am not “one who writes” but one “who sees and records.”  There is a difference, you know.
Second, I have been fighting the yin/yang argument of city versus suburban living, wondering why I feel drawn to the city life with its inherent contradictions and superfluous/ubiquitous crime yet I know that my roots and the ultimate purpose of the human species belongs to the relative calm and serenity of a suburban lifestyle for families to have children who grow up in an environment of strong, consistent social values that allow the children to discover themselves without inhibitions or ultraviolent pressures.  Perhaps we don’t realize the utopia we have in suburban living?

In any case, I have my destiny.  I must have chaos to write or why write?  I want to know why my grandfather, Horace Capps, abandoned my grandmother and her son (my father).

Monica had her baby on May 19.  The baby’s name is Christina Helen Prewitt, weighed 7 lbs, 12 ounces at birth and was 20-1/2 long.  She has blond and brown hair and favors her mother’s (the Guinn) family.

Joey is in France, has been for over three months and his boyfriend/husband will be glad to have him home in a few weeks.

I offered to have a baby with Janeil and she has initially resisted.

Wednesday, 4 September, 1990, 6:50 p.m.

I have been to the psychiatric unit of a local hospital for two periods of two weeks each.  The first began 3 July and lasted until 16 July; the second lasted from 20 August until 4 September.  I entered the unit because of depression and suicidal ideation.  Now I am cured.  I no longer have to think about death to justify my life.  However much I want to deny it, the only reason I have to live is my wife.  I have no other raison d’etre (sp?).  Comprendez vous?  Je ne sais pas mais oui, life is tres ennui.  What am I to do?  I fancy myself a bit crazy although everyone wonders why a “together” guy like me has any problems.  I suppose that is my problem, n’est pas?  I have lost my lust for life.  Instead, I wallow in the mud of mundane living.  I want excitement but all I get is potatoes with gravy and cranberry sauce to go with my turkey.

I do not return to work until Friday so tomorrow leaves me a chance to be myself although I have an appointment with a psychiatrist to determine if I should attend group therapy.  What shall I do?  I don’t want to do anything that would upset my wife but I want to do something for myself.  [Just between me and you, I think I would not be as concerned about my wife if I knew I didn’t have to see her everyday.  However, I can’t see a way out of this predicament so I continue to hold on to my love for her since she’s the only human left that I love.]

Sunday, 9 September, 1990, 12:45 p.m.

I know what bothers me most, as has been seen throughout my references to wanting to be a nonentity, hermit, etc.  I see too much the injustices of the world, how humans treat other humans as machines to be wound up and sent to march in step with the beat of the Official Drum.  I do not want to call myself human.  I want to wash off the dirt and filth of ten thousand years of human progress.  We humans strive to be better, that is, to put ourselves in a better position for survival, but all we end up doing is building a bigger machine that one day will consume not only the earth but even us humans, the Creators.  If I am to be responsible for my life, then I want all humans to be responsible for this tiny planet on which we live and not concern ourselves with trying to support the useless device we call society.  Instead, I too support the United States frame of reference (i.e., society) because I am too weak to get others to see the reality of our situation;  I have been supported by this society for 28 years and fear what would happen if I let go.  I have no God to support me in this, only the realization that if I am to live on this planet then I want to live life my way and not the way that is offered by any given society.  I am not an anarchist but I cannot find a way of life currently in existence that meets my criteria for ultimate human survival.  Yes, I am looking for Utopia but I will settle for much less before I die.

Also, I need not dislike other humans for belonging to the U.S. society.  As one famous person in history once was quoted as saying, “They know not what they are doing.”

Monday, 15 July, 1991, 9:00 p.m.

I have allowed myself the luxury of joining the throngs of male humans who desire and purchase a motorized transportation vehicle which has been designed for the pleasure and not the utility of driving.  In other words, I bought a car for the sport of driving.  In other words, I bought a sports car.  In fact, I bought a red 1984 Alfa Romeo Spider Veloce with leather seats and polished wood steering wheel.

Why an Alfa Romeo?  Why, indeed?  Let me take you back a moment to the turn of the century.  The horse and the train were no longer the sole means of transportation so men had the opportunity to design transportation vehicles that took advantage of the comfort of trains and the transportability of horses.  In 1909, a group of Italian industrialists bought an auto factory on the old Portello road near Milan “to build automobiles of sporting performance.”  They named their new company Anomina Lombarda Fabbrica Automobili – ALFA.  Several years later, Nicola Romeo brought the company into the forefront of auto racing history.  Thus, Alfa Romeo was born.

Although I was not born until 1962, decades after the automobile was born, I grew up hearing about the early days of Model As, Model Ts but most importantly about the joy of driving any car along a country road with the wind whistling, the engine puttering, and the smell of musty leather and gearbox oil in the air.  When I was four years old, my father bought a 1959 Triumph TR3.  He loved that car more than his family, just about.  I remember the car and its shape like an ocean wave that started at the front bumper, smoothly crested midway across the hood and reached bottom near the back of the front seats, then rose again toward the rear tires and crashed into the rear bumper.  To me, the curves of that car pointed toward heaven like a cross in a Christian church.  I knew when I was a grownup I was going to have a car just like Dad’s.

As I have grown up, I have watched the years pass by without my owning a piece of heaven.  Many times, I have struggled with the thought that perhaps I didn’t deserve a fine sports car.  I would look at the car I was driving and say I was unworthy.  In the early 1980s, I set my sights on a Karmann Ghia convertible, knowing I wanted more but settling for less.  A few years passed during which my life was spent struggling with ideas and philosophies not founded in the reality of sports cars or normal, everyday living.

About five years ago, I found my path to heaven.  I don’t remember the exact day but hope sprang eternal when I saw an Alfa Romeo Spider gliding effortlessly along the road like an angel.  At that moment, I knew my materialistic mission in life:  to buy, own, and thoroughly enjoy an Alfa Romeo Spider.  I checked the classified ads in the local newspaper for several months but no one seemed to be selling Alfa Romeos, Spiders or otherwise.  I told several people about my goal and most people told me how impractical I was since there was no Alfa dealership in Huntsville, Alabama, Alfas were known for their mechanical problems, the nearest dealerships were in Birmingham and Nashville and how could I possibly expect to take care of a car when I hardly knew where the air filter was.  I think I heard every negative comment possible about owning an Alfa except no one could deny that owning an Alfa is a dream attained only by the truly inspired.

A year passed and finally my dream seemed about to come true.  My wife and I found a Spider for sale in a sell-your-own lot.  The owner was a man in his early 60s who had bought the car because his doctor told him he was going blind and he wanted to own a sports car before he could no longer drive – not quite the “little ol’ lady who onllyy drives the car to church on Sunday” story but close enough. The man wanted to sell the car to an Alfa enthusiast like me but my money was tied up for a down payment on a house.  Rationally, I knew I should wait but emotionally I was torn up.  Realizing I was not getting the car felt like someone had just nailed one of my feet into a coffin.

My wife and I bought a house and settled in, spending money on wallpapering the bathrooms, landscaping the yard, a computer, a china cabinet, two Toyotas . . . everyday passed and I seemed destined to follow a road that led away from an Alfa.  A few months ago we discussed replacing the little yellow Nissan Sentra I had been driving for three or four years.  We decided we needed a truck to haul the landscaping mulch we seemed to use so much of in the yard.  My father started looking for a truck in East Tennessee.  I emphasized that I wanted a cheap truck, less than $2000, if possible, all along feeling that the truck was going to nail my other foot in the coffin.

A few weeks ago, I went with my wife to see her brother and his family for dinner.  We ate a satisfying meal and I sat down in the living room to read the classified ads.  I thumbed over to the truck section, marking the prospects with a pencil.  I found a promising Isuzu truck for $1850 but only got an answering machine when I called.  I called about another truck and got no answer at all.

I decided to scan the column marked “Other/Foreign” in hopes of finding some more trucks (though I was secretly wishing for something else).  Suddenly, my heart stopped and I couldn’t breathe.  There, in front of me, – or was it really there, I wasn’t sure – was an ad for a late model Alfa Romeo Spider Veloce.  I called the number and asked for Phil like the ad said.

“This is Phil,” he responded cheerfully.

“I was wondering . . .” I hesitated, “do you still have that Alfa Romeo Spider?”

“Yes, it’s red and has leather interior.  It’s in pretty good shape.”

“How much do you want for it?” I asked as I froze, waiting to hear his answer.

“Well, I’m asking sixty-five hundred but I’ll take six-thousand and I’ll bargain if you have cash.”

I smiled.

I quizzed him about other details of the car but I could tell by the conversation that he was the kind of person who took good care of his car.  By the time I hung up the phone, I had pulled both my feet out of my imaginary coffin and was ready to find my way back to heaven.

My wife and I discussed the price of the car and decided we would make an offer after I had seen the car.  I drove out to Phil’s place the next day, looked the car over and took it for a spin with Phil giving commentary from the passenger’s seat.  The following day, I took Janeil to see the car.  We spent several hours at Phil’s house looking at the car and talking with Phil and his wife.  We worked our way to the living room and I fumbled through a conversation trying to postpone the inevitable.  I felt like a guy about to kiss a girl for the first time.  A rejection could be a serious blow to my wellbeing.  Finally, I could hardly look Phil in the eye because of what I was about to say.

“I can, can offer you $5000,” I stuttered, managing to look him in the eye with a strained smile.

How do I describe the look in Phil’s eyes as the sound waves that left my mouth hit Phil’s ears?  He looked like he had taken to heart the worst insult he had ever heard.  As a fellow male human, I felt like I had betrayed him but my wife and I had agreed we needed to offer him a low price to leave us some bargaining room.

He cleared his throat.  “I don’t believe I can take that low a price.  I’ve invested $2100 in the car and would be taking a loss.”

I felt like walking out of the room but I wanted to save both our egos as much as possible before I left.  “Well, the credit union says the loan value is  $5375.  In fact,” I looked at my watch and saw it was 8:15 p.m., “I can call the credit union to check and make sure.”

“Yeah,” he said in a more uplifting voice, “I’d like to do that cause I was told the loan value was more like $5800.  I believe the girl’s name was Leslie.”

Our wives interrupted us to say the credit union closed at 8:00 pm. but Phil and I were determined to see this quest to the end.  Of course, Phil called and no one answered.

“Why don’t you guys go home and think this over.  You can drive the car all you want while you’re trying to make up your mind.  I don’t believe that other family is going to buy the car real soon but I’ll let you know if they make an offer.”  [Phil had informed me the day before that one other family had made serious inquiries about the car but they had to sell one of their cars before they could buy this one.  From the conversation, I had gathered that the person in that family that would be driving the car was not a connoisseur of fine automobiles like Phil had gotten the impression I was.]  As we left the house, Phil and his wife said they wanted to put some trees in brand-new bare yard.  My wife and I offered them some trees from our yard whenever they wanted them.

On the way home, my wife commented that she felt I had never clearly made my offer of $5375.
I talked to Phil on the phone a few days later and he said that after “going over the figures,” he could offer me the car for $5750.  I thanked him.  Meanwhile, he had expressed an interest in working for ADS where I worked because he was fluent in French and ADS was beginning to expand into France.  He brought his resume by work a day or so later and I gave it to one of the company founders who was handling the French project.

A week or so passed and Phil called me one morning at work.  He asked if I was still interested because the other family was.  I told him my wife and I had decided we couldn’t afford the car.  I repeated the conversation to my wife later in the day and she reminded me that I had never officially offered him $5375.  I called Phil’s office and left a message that if the other family lost interest, I could offer $5375.

By chance, the Nissan died on the way home.  Driving back and forth to work during the past two weeks, I had had problems with the Nissan sputtering, dying, and starting back up while at highway speeds.  I got my wife to pick me up.  As we drove home, I told her I made an offer of $5375.  She shocked me by stating that she thought we had discussed going up to $5500.  As soon as we got home I called Phil’s house and left a message on his answering machine offering him the $5500.
They say you know the moment when the light from heaven shines down on you and blesses your life for eternity.  Well, the light came on after I anxiously grabbed up the phone after only one ring.
“Hello?”

“Rick, this is Phil.  I accept your offer.”

Millions of slot machines in my head hit jackpot at the same time.  Giant boulders fell off my shoulder.  I looked over at my wife and excitedly whispered, “It’s Phil.  He accepts the offer.”
Needless to say, I have my piece of heaven now.  If tomorrow someone took the car away from me, it wouldn’t matter.  I have physically been able to get my hands on my dream and make it 100% reality.

Wednesday, 24 July, 1991, 10:00 p.m.

It always starts out innocently – at least, that’s what they say.  You begin with a simple “Hello, my name is Bob,” then shake hands or nod, as local customs allow.  Perhaps later you bump into each other coming around a corner or you recognize one another at the grocery store.  The first meeting is awkward because you sense the unusual tension between you and that woman who was only a stranger a little while ago.  You meet again, only this time getting up the courage to strike up a light conversation before you part.

The hours and days stack up like firewood, ready for you to stoke the embers from previous loves forlorn and lost.  In the meantime, you forget her name although you occasionally see her face in a dream.

One day, you get to work early and see her kissing a guy goodbye.  You stare in amazement as you realize the guy she’s kissing is a coworker with an office not far from yours.  You watch her step off the curb, walk three or four steps to her car, and step in.  As she drives past you, she takes a double look and then waves.  All you can remember is the look of recognition beaming from her face.

Wednesday, 4 September, 1991, 1:06 a.m.

Many interesting events have occurred worth recording — if only I wasn’t tired I would go into more detail.  My family put together a surprise 35th anniversary reception for my parents on Sunday, 1 September, 1991.  Somewhere between 70 to 100 people attended, including members of the wedding party:  the maid of honor, Audrey Ferguson Blevins, the best man, Philip Bradfute, a groomsman, Ralph Teffeteller, the minister, Gordon Teffeteller, a flower girl, Cindy Teffeteller Davidson, and at least two women who served at the reception, Polly Pollard Teffeteller and Jo Malone(?).

On Tuesday, 3 September, 1991, my father, Richard Lee Hill, formerly Richard Horace Capps, was diagnosed with cancer in the prostate gland.  He must decide whether to have the cancerous growth removed surgically or reduced with radiation.  He will have a bone scan performed later this week to determine if the cancer has spread beyond the prostate gland.  My grandmother, Thelma Eldridge Capps Hill Hirth (she has been married three times), who has been visiting with me since Thursday, cried intensely for approximately 30 minutes after she got off the phone with my father.  I called my sister afterward and learned she had done the same.  I received the news with a sickening feeling of dread in my stomach and after a moment of imagining that my father will die one day which may be sooner than I think, I decided not to dwell on the negative aspect of death and dying and concentrate instead on positive, realistic thoughts that I accept the cycle of life/death despite my reservations of the possibilities of an afterlife.

On a similar note, I have been pondering the afterlife to better understand my mortality and my place in this world.  I may have mentioned that I have had two experiences which I attribute to a contact with the afterworld, if I accept the afterworld being an existence that extends beyond the physical plane (that is, my being a living example of Homo sapiens)  in which I place myself at this time.  If I have not, the first experience occurred in the fall of 1981 while I was an employee of Montgomery Ward.  I was stacking notebooks on a shelf when a voice that sounded like my grandmother (my mother’s mother) said, “Don’t do anything that you would regret or would upset me.”  The second experience occurred in the summer of 1990 when I was thinking about trying to kill myself by not breathing.  Suddenly, I was shown that the wall between life on Earth and the next life (or death, as we call it on Earth) is like a two?foot thick pillow.  Those who have lived a good life, a life that has perpetuated life, will pass through the pillow as if through air.  Those who carry a burden or who have lived a bad life, a life that has caused unnecessary pain, suffering and death, will pass through the pillow with difficulty or not at all.  The ones who were showing me this image told me that I could choose to give up living at any time but I must be willing to face the consequences of carrying the burden of the emotions of those who I have hurt by killing myself.  I was given hints or cloudy images of the other side of the wall but did not completely understand them at that time.

Ever since those two experiences occurred, I have given much thought to the way I act in life.  I have wondered what the next stage of my existence, if any, will be.  After watching my grandmother (my father’s mother), I have understood.  Now I will try to explain.

In the Christian religion under which I was raised, followers learn to accept by faith the existence of two places people’s souls go after death according to their sins (sins being the desire for earthly things), heaven (where sinners are forgiven) and hell (where sinners are punished).  In Hinduism, followers learn to accept life as a series of incarnations to prepare the soul for the passage to nirvana, where souls go that have no earthly desires.  In my understanding of the afterlife, we all pass into the afterlife where our souls are bared for all to see.  Some of us cannot stand for others to see what our souls are made of and are tormented by our lack of ability to completely share our previous lives’ experiences that make up our souls ? this is the Christian hell and perhaps these people are given the ability to bare their souls by occupying or overseeing a body on Earth.  For those who can open their souls for all to see, the transition from life on Earth to the next life is accepted with open arms and souls.  My understanding comes not from original thought but through the influence of my experiences which include readings of the Christian Bible, the Islamic Koran, the Bhagavad Gita of Hinduism, “Jonathan Livingston Seagull” by Richard Bach and my afterlife experiences.  I accept my understanding of an afterlife with the leap of faith that my knowledge of scientific study cannot explain.

Friday, 6 September, 1991, 8:07 p.m.

I shall remember to record the life of my grandmother’s third husband, Clarence Hirth.  Ah, what the hell, I might as well do it now.

My grandmother and her husband Clarence came to visit my wife and me.  During their visit, I got to sit down and learn more about Clarence.  I had previously only thought he liked to watch major league baseball and was a Notre Dame fan.

Clarence Hirth was born in 1912 and grew up in Connecticut, not too far from Hartford.  He was the fourth of eleven children in the Hirth household;  therefore, his father made him quit school when he was 14 years old like the three children before him and go to work at the post office for 44 hours per week, having to work half a day on Saturday.  He made about $11 per week, not bad considering his father made $25 per week.  Clarence worked in the main office selling stamps at the window.  He was considered quite good and was sent to a branch office located in the building of a company that distributed advertising pamphlets and mailers nationwide.  Clarence’s job was to price the “piece mail” by weighing 50 representative copies of the mailings and determining a bulk rate.  The company had its own idea of what the bulk rate should be and would often ask Clarence to reweigh the mailings.  He could not bring the price down if the weight was the same because, “of course, the post office cannot change its bulk rate prices.”  Instead, the company would try to find another printer in the city that could print on thinner paper.  “Sometimes,” Clarence stated with pride in the retelling of this history, “these companies would even hafta go outside of the city to find a printer who would print on thin enough paper,” dropping the “r” in many of the words he spoke.

Clarence was drafted into the U.S. Army in 1941.  He spent 13 weeks in basic training and another 6 weeks in clerk school.  He was sent to the Pacific Theater during World War II and spent 28 months overseas.  He fought on Guadalcanal, the Solomon Islands, and several other islands I can’t recall at this time.  The soldiers were not allowed to fire their guns at night because the jungle was too thick – often, U.S. soldiers could see the Japanese soldiers walking within 20 feet of their position but could do nothing.

Being in the infantry, Clarence saw front line action.  For this, he earned the Bronze Star.  On the not so gutsy side, Clarence’s infantry troop was forced to march 30 miles through the jungle.  “We could drop out at any time.  But if the medic came up and found you were still able to march, they just left you there.”  He emphasized, “And we were carrying our full gear, packs and everything.”  Clarence made the full trek.  During the march his boots would expand and contract by getting soaking wet in the mud and then drying out in the sun.  By the time he finished the march, his right foot looked four times its normal size.  “It was all black and blue.  The doctor said I had jungle rot and because the humidity and all was so bad I could lose my foot.”  Clarence was sent to New Caledonia to recover.
Clarence left the Army in 1945 and went to work at a typewriter factory.  He spent the next couple of years taking a nighttime correspondence course to prepare for three exams to qualify him to work for the post office.  The first two exams had to be passed before the third one could be taken.  The first time Clarence took the two tests, he figures he failed one because they would not let him take the third.  On the second try, he passed the two tests and got a 75 on the third.  His brother, who was head of the local post office, told him the score was too low.  Clarence took the tests one last time and got an 89.  He was hired and worked for the U.S. Postal Service until his retirement in 1977.
Clarence married his first wife in 1947.  They had four children.

In 1971, Clarence bought two piece of property in a subdivision in Florida, a corner lot and an adjacent lot, for $2500 and $2800, respectively.  He paid off the property in 1979.  During this time, his wife began working for Pratt and Whitney as a factory worker.  She told Clarence she had to start working on Saturdays.  “‘Look,’ I told her, ‘why are you working on Saturdays.  It ain’t like you’re that important.  You just work on the assembly line.’  I knew she wasn’t workin’ but I didn’t know she was seein’ a guy, either.”

A few months after he and wife moved to Florida, Clarence got a summons in the mail.  He looked at it.  “Go and ahead and open it,” his wife plodded.  Clarence opened the paper and stared in amazement.

“What is this?”

“I’m filing for divorce.”

Both lawyers told Clarence to go ahead with everything his wife demanded.  Clarence decided instead to let the judge decide and by doing so he got $4000 more than he expected.  And just in the nick of time – his doctor told him he needed cataract surgery with a $2500 payment up front.

Although he knew it was coming, one day he came home and found the house empty.  “They had taken everything.”  His ex-wife took the last of her belongings and then some.  “I didn’t care,” Clarence said waving his arm as if throwing something to the ground, “I didn’t want to see any more of that stuff.”  Clarence took the remaining $1500 and went bargain hunting for furniture.  He found a bed at one place and strapped it to the top of his car.

“Do you think it’s secure?” he asked one of the salesmen.

“If it falls off, you’ll be the first one it happened to.”

“Do you think the police’ll cause me any trouble?”

“Just stay to the right side of the road, take it slow and they’ll leave you alone.”

Clarence told an amusing story about another find.  He often scanned the newspaper for good buys.  Checking out one of these ads, he came to a house where a lady had a “chester drawers” painted an ugly green.  “The lady told me she wanted $40.  I said that was too much and offered her $20.  ‘Where’s your car,’ she said.”  We both laughed as he finished the story.

Clarence told me more details about the financial dealings surrounding the divorce and some problems with one of his sons which I may record one day.  Unfortunately, I didn’t take notes and can’t remember the details accurately.

He married my grandmother in 1983 and seems to maintain a joyful marriage.

An active bowler since his teens, Clarence was senior state champion of Connecticut for the year 1979-80.  He continues to bowl to this day and also keeps in shape by getting up at 6:00 a.m. each day and walking three miles.

Healing Old Wounds: Chapter Scarred Yet Unscathed

The Unveiling

Brother Lee checked his morning email.  He had founded the Virtual Church of the Undecided web page on a whim but found that many people sent him email in which they sought his advice and asked for sources of information as if he were a minister or priest.  He was never sure how to respond. He did not want to give anyone the impression that he was a channel for the voice of ancestors, animals or gods.  However, he discovered that many people wanted one person to be their guide.  From this, he understood the popularity of psychic phone lines but he did not want to take advantage of others so he decided to accept everyone as his adopted family.

“Sweetheart, can you take out the trash before you go?” Karen called from the garage.  “I don’t have time this morning.”

“Sure dear,” Lee yelled back.  “Love you!”

“Love you, too.  Seeya at lunch,” his wife responded, closing the garage door.

Lee looked back at the computer screen.

Brother Lee,
I have enjoyed looking at your web site.  I, too, have wondered what I am doing on this planet and thought your web site had many helpful insights.  I thought I knew a lot about you until I looked at your web site.

Since you’re quite the guru these days, maybe you can help me with a problem.  You see, I’m uncertain what to do.  As you know, I have many varied interests such as cooking, photography, reading (I am particularly enjoying Charles Portis’ books these days), running, believe it or not, sewing – as a means to an end (I made a parsons chair slipcover over the weekend), antique rose gardening, and watching independent/foreign films.

My marriage with Phillip is great.  I am always coming up with design ideas and asking Phillip to implement them.  He has a pottery wheel and an industrial-sized kiln and I am always requesting items for him to make and what color glaze I would like for him to concoct.  Also he will be taking a drawing course at the local museum next month and I have quite a list of items that I would like for him to sketch for me!!! I am glad that Paul is artistic, as well as an engineer!

Phillip is a great guy but how can I tell if a marriage with Phillip will work?  Any ideas would help.  By the way, I look forward to reading your new book and hope that I’m in it!  You know if there’s anything help you need to finish the book, feel free to call me or come by.

Thanks,
Fredirique

Lee reread the email.  What was Fredirique really asking about?  She knew that she was a more secure person than he.  Had he been missing the message all along?  Hadn’t she once told him that she missed him, despite his being married and she having a boyfriend at the time?  But now she is married so she couldn’t be asking Lee about him and her.

Something touched Lee’s left shoulder.  He jumped out of the chair and turned around.  “Oh, it’s you,” he said.

“Honey, are you all right?” Karen asked, puzzled.  “Is something the matter?”

“What? No, no problem.  Just didn’t expect you to be here, that’s all.”

“Oh, okay.  Hey, have you seen my sunglasses?  I can’t find them.”

“No.”

“Well, could you help me find them?”

“Sure,” Lee responded, heading toward the door.

Karen glanced at the computer screen, skimming down the email, and wondered what had made Lee so jumpy.

After Karen left, Lee went back to the computer.  He hesitated, hovering his fingers over the keyboard like the tendrils of a vine searching for the trunk of a tree to grab onto.

Fredirique,
I apologize for blasting your emailbox with my journal entries lately and I’m about to do the same again.  Sending these to you and then copying them to myself is the only way I can ensure that I don’t destroy my computer writing.  I suppose I could start writing these in Microsoft Word and then saving them to disk instead.  Oh well, you’ll have to suffer through one more email today.  Then, I won’t keep bothering you with my mental meanderings.  In the long run, you will be better off not associating with me — my need for a personal space makes me become vicious and cruel when I feel others are getting close.  I guess mainly that’s why I’ve enjoyed talking to you via email.  This way, I have no direct contact with another human.  So what am I saying?  Well, I’m feeling depressed right now, so I’m stoking the internal fires of self-doubt to make me feel better (what a joke!).  If I snap (as I sometimes do when I’m in a mood like this — I believe it’s called the Napoleon complex) and I tell/ask you to fuck off, you’ve been warned, you had the opportunity to say it first!

By the way, I read the first few pages of Fred Exley’s “A Fan’s Notes.”  Right now, it’s not safe for me to gone on any further.  Knowing what I do about our relationship and having just finished Hawthorne’s “The Minister’s Black Veil,” I can hardly go on.  I know that sounds foolish but I can’t read that book, study for final exams, deal with Karen, work on my current book and keep my head straight all at the same time. I have my limits.

Talk to you in the future,
Brother Lee

There are times when being by myself is my pain and my cure.  Then again, I can be sitting in the woods crying for help and no one knows it.  In the end, it doesn’t matter because we alone make our own decisions.  There will not be a “deus ex machina” showing up in Act III of my life.  Besides, why should I wait until the end of my life to save me from my past?
This has not been a good week.  Final exams are next week and my wife returned home after being gone so long that I got used to living by myself.  I will not make any rash decisions until after I complete my final exams.  Then some mental pressure will be off me and I can clearly decide what I plan to do with myself.  I don’t see MIS (management information science) in my future but that is the kind of degree that is popular now.

I wonder if I can find a simple existence that will keep me occupied and give me stimulus.  Sometimes you’ve got to jump into the fire before you see it’s just a mirage…the leap of faith stuff and all that.  I am sorry for myself that I am such an indecisive, wishy-washy, scared-of-his-own-shadow person (don’t kid yourself, Lee, you’re just lazy); where could I be now if I were otherwise?  Why do I think that the mirage (a psychedelic image composed of “you’ll never make it” and “you’re not worthy”) hides other existences that are actually worse than the one I have?  Fuck it.  The pain I feel now is imaginary to be sure but I can’t sit here for the umpteenth time telling myself that I am better off than children starving in India.  I am not Indian, after all.

I’ve got to stop asking, “What else is there?” — just make up some answer, test it out and go on!  How long can I keep sitting here in a pile of self-pity shit?  Do I fear not being able to stand on my own two feet (another cliché, oh boy)?  So what if I fall down — it’s not like I haven’t ended up on the floor puking all over myself a few times before (but there was always someone there to clean up after me).  It’s just…well, it’s that part about ending up by myself that I haven’t resolved (kinda like it’s not the fear of death that bothers me, it’s ending up maimed that would freak me out) — I can always seek out new friends, can’t I?  At the rate I keep pushing people away from me it won’t matter.  Is there a safe place for the strange to live by themselves (and why do I keep thinking I’m strange? Aaaagggghh – I’ve got to stop struggling over wanting to be unique versus seeking out kindred spirits)?  Oh well, enough self-flagellating for one day.

I have an innate distrust of professionals — people who consistently work for money — probably because I’m such an amateur.  Why did I give up seeking professional advice?  Hell, I was paying for a secular minister, wasn’t I?  When was the last visit?  Um, late fall 1990, maybe.  The last thing the psychiatrist told me was I’ve got to decide that I want to live.  Why am I killing my creative self?  What am I afraid of?  Am I afraid of anything?  Why do I feel like I’m an imposter?  Why do I care what other people think?  Who are they, anyway?  I am who I am.  There’s no getting around it.  If…well, didn’t a friend of mine ask me if I’m not trying to exorcise something from me? Just one more week to find out.  If only…what was that?…oh nothing, I say to myself with a smirk, it was just a thought.  I’m safer keeping things to myself.  Am I tired of playing the game, the game that starts with interaction between two people and then grows into a society.  I’ve got to be careful.  I’ve painted myself into a corner before.  What’s the difference between the corner of a cliff and the corner of a room?  You can find many people who will drive you up a wall but you’ll only find one person who will drive you off a cliff.

Okay, so what I’ve got to consider is the following.  I know where I want to be.  Now I’ve got to be strong and stick to the plan.  What’s the plan?  Well, this is going over the Internet, isn’t it?  Yes, but to only one intended person. Let’s say I found someone who might keep her distance, has her own life, yet would spend the time to encourage me to break the bonds of mediocrity to devote my time to my writing (oh, quit it, you’re not kidding anyone, you’re still playing it safe because one, you already have a friend like that and two, that’s not what you’re thinking (and what am I thinking?  Hahaha, like there aren’t a million thoughts on this subject to choose from so no matter how much I write on the topic of having a friend external to myself, I will never get on paper exactly who or what I’m talking about but let’s just say…no, let’s not.  I prefer mystery, like the kind of mystery of what’s in the bottom of a bowl of gumbo, doesn’t matter because it smells good and you know it’s going to taste good so why bother analyzing the ingredients, just consume it)).  If there is no emotional bond (giving myself (or do I mean someone else?) another out on this one), then she wouldn’t care if I felt the need to tell her to fuck off sometimes.  At the same time, what would she be getting in return (at last, a chance for…should I dare say it…yes, I could be rejected here but officially, I’m the only one reading this)?  Hell, if I knew that, I wouldn’t pretend to be talking to myself, would I?  But then, when have I ever known what another person thinks?  Oh well, my other option is creating within my self the strength to break the bonds of mediocrity to devote time to my writing and in the end — let’s be serious here — that’s what I’ll be doing.  Hasn’t happened before so why think I can do it in the future? Everything goes in a circle, I’m back to beating myself with self-doubt again.  Okay, stop that.  Back to the plan.  Four more days to study for my final exams – tonight (Friday) (study for the business law exam as well as plan the darn trip to San Fran), Saturday, Sunday, Monday, test on Tuesday, test on Wednesday (my birthday!), Thursday to recover, go to east Tennessee on Friday night to see my folks, return on Sunday, Karen goes to Albuquerque on Monday.  Monday evening I’m free to do what I want again.  I will wait until 11 May to decide my fate.  Wow, I feel energized already and I haven’t even decided what to do yet.  Ah, but the decision to take a step is a step in the right direction!  You know what sucks (and I’m only saying this because I know I tend to push this out of my mind at convenient times) is that one thread of thought throughout my life has been the desire to make others happy, including my family, my wife and her family, and other people around me.  Finding the strength to break free of mediocrity is letting people deal with who I am.  I can’t carry the world on my shoulders.  That’s going to be a hard one to get over (how do I be myself without the crutch of drugs to lean on?).  Well, I’ve got to have a few personal struggles to look forward to, don’t I?  Time to call it a night on this one.

At lunch, Karen asked Lee how things were going.  He smiled his “I love you” smile, shook his head, and said, “Oh, it’s just that work and school are stressing me out right now.”
Karen stretched her arm across the table and grasped Lee’s hand.  “I worry about you, sweetheart.”
“As you should,” Lee thought.  “Oh, don’t worry about it,” he responded, “I’ll be fine in a few days.”

On Monday morning, Lee checked his email at work.

Leeeeeeee,

I look forward to your completion of your exams, your book, et al.

F

Lee thought for a moment.  “I do not rely on just a few words from Fredirique.”  He repeated for good measure, “I do not rely on just a few words from Fredirique.”  Feeling better, Lee started a new email.

F,
This weekend, against my better judgment, assuming that I have something within me that sees a pure source of life from which to judge my actions, I picked up the hardback copy of “A Fan’s Notes” that I had purchased on Friday.  I hoped that reading the book would bring me out of my latest funk. To say that I have been in a funk lately would mean very little to you, perhaps, because I don’t know much about the emotional states you have experienced.  I only know the so-called intellectual pursuits of yours.  But we who pursue the intellectual do so out of a desire for more, a desire that drives us, either toward or away, I cannot say, but a desire that grows from a feux d’artifice.  My funk is self-induced, as usual, and I can refer to the psychiatrist’s classification of me as a “situational depressive” to surmise that the funk I’m in derives its strength from my fear of taking tests, which is really a symbol of my fear of failure that I never experienced until I dismally flunked calculus at Georgia Tech during my second quarter there, confirming my suspicions in high school that when it comes to the love of engineering and science, I am just a fake.  My true love of learning is literature and the arts, where my capitalistic upbringing has led me to believe salaries are typically low and thus would be unrewarding.  Well, I fear that the tests I am about to take only confirm that I am still banging my head against the wall of Lee the science fraud, meaning that I should get A’s in both classes, if I don’t royally fuck the finals, but will get no personal satisfaction (oh, do I see out of the corner of my eye that ugly thought of instant gratification creeping into the picture?).  I know, instead, that what bothers me is the Lee who hates the society he lives in (or perhaps, any society at all; I don’t know because I have lived in only one society).

When I picked up Exley’s epoch struggle for the lost soul, I wondered if, in time for my final exams (or perhaps, at all), I would return from that literary journey of the mind of a football fan on the fringes of life.  I wondered if his hell would be my hell, if when I found out that he succumbed to the torments of life and did not return, whether I would find the courage to lift my hooded eyes and look to the horizon.  His journey is not mine, after all, and I may find a fork in the road never seen before (the superfluous (ubiquitous?) “road less traveled”).  Well, I need wonder no more.

I finished “A Fan’s Life” about thirty minutes ago.  I am surprised at the ease with which I flew through the book, the images of the town drunk – ex-P.R. man, teacher, etc. – rushing by like scenes from a Doris Day and Rock Hudson movie of the ’50s.  Of course, his writing is not bogged down with philosophical treatises.  He doesn’t so much explain his philosophy as he shows us how he lived it.  I thank you for suggesting the book to me.  At the same time, I want to choke you for putting a mirror up to my face, for showing me the lies I plaster all over my body with the words that come out of my mouth (pen, keyboard, whatever) that one day I will be a man of letters.  Mirrors are reflections of the outside of a person only.  When this week is over, I will have the time to pitch out the words that sit within this shrinking frame.  I would rather starve and write than sit in the life I have where I’m fat, dumb and…scared.

Now the time for studying is upon me,
L

P.S. Got to remember to talk about: positive intent of TVs, Muzak, news; literary tools on hand – dictionary, thesaurus, classics (or are they modern-day weapons?), writing tools (pen vs. keyboard), creative sources, creative outlets; new futures (breaking/building on the past), financial planning (simple lifestyle), emotional issues (personal – building, breaking, holding, using; professional – arbitrary success/failure); safety versus adventure, numbness in vs. learning through pain; current projects (Diary of a Suicide, New World Order, Tireone, Jim’s family); the silence of the audience, the squawking of official critics.

Lee sent the email on to Fredirique.  He then answered a few emails inquiring about various topics including the teachings of Joseph Campbell, a web page promoting the religion of a horizontal god based on Jesus not Buddha, the writings of L. Ron Hubbard and a cure for toenail fungus.

The next day Lee took a long lunch.  When he got back he heard a familiar Siren on his voice mailbox, “Lee-e-e-e, it’s me.  I wanted justa…um…chit-chat for a little bit.  I have been so busy I’ve been able to just very quickly read your emails but not really spend much time because it’s been such a busy, busy time at work and,” Fredirique said, her voice dropping to a whisper, “I’ve been looking for a new job and I’ve got some new leads so I’m ver-r-y excited.  Anyway, I just wanted to talk to you for a few minutes.  Um…but you can just listen to the sound of my voice and then hit erase.  Talk to you later.  See you.  Bye.”

Lee let several days pass before he listened to the voicemail again.  He waited a few more days before he replied.

Lee sat down in front of the computer.  He turned back to the phone and replayed the message.  “My, how Fredirique likes to tease,” he tried to tell himself but the tiny sandbags of words he threw out were not enough to hold the floodgates of his ravaged mind.

“I have spoken to you for so long that I’ve forgotten if I am talking to you, the person I know who will read this, or you, the person for whom this is intended, my long lost love.  Will I never love another like my intended?  Perhaps that is the personal problem from which I will never recover.  Can a personality be a problem, though?  No, because I live in a fantasy world that contains enough of the world around me to help me maintain an appearance of sanity, my personality is only a problem in comparison to those around me, those with whom I must carry on the activity called work.” — Z. T. Henderson

——–
F,
You need not worry about answering these emails.  Take them for what they are, the musings of a semi-madman.  You have been fortunate to perform well in our society, despite your saying that you are more mad than wise.  What does that say about our society?  Is the secret to life that we are all mad?  If that is so, then I am madder still.

When I stop entertaining you with these words, let me know and I will return to entertaining myself.  If I write solely for my pleasure, then I’m never sure if that is pure madness.  I am sometimes embarrassed that I get enjoyment from reading my writing, what a teacher character in the movie, “Fame,” referred to as masturbating, when a young student complained that he need not play violin in an orchestra because he could create a one-man orchestra with synthesizers.  The teacher said something like, “That is not music.  That is masturbating.”  Could it not also be said that person is a seeker and giver at the same time and thus whole?  Depends on your definition of life I suppose.

Well, my friend, you have given me the impetus to complete my journey through the minds of those who’ve gone before me, those who blazed a trail that I have unknowingly followed.  In other words, I completed the novels, “The Fan’s Notes,” “Portrait of The Artist as a Young Man,” and “The Tin Drum,” all in the past week.  Now what am I supposed to do? After all, “to know is to do.” I’m fairly certain that I know what I want to do but I cannot complete my plan overnight.

I do not have the notes before me of the thoughts I wanted to share with you so please excuse the lack of continuity between this set of notes and the last one.  Also, I will, as usual, share with you words that may or may not contribute to the friendship between Fredirique and Lee.  I’ve heard that honesty is not the best policy but I am not here to try to impress you, attract you to me, or otherwise falsely influence you in any way.  Instead, I am here of my own free will to share these words with you so that one or both of us may learn something about the human condition, from which we may gather strength, wisdom, beauty, and I don’t know what else, to use in the next life (that is, the next life that will be the moments we have not yet lived, moments that we are not merely repeating or stretching out for lack of something else to do).  I have lived this life long enough.  I can gain little else besides boredom, patience and an early death (death to self, not death to life).

I have spoken to you of a plan for my next life and you have stated that you anticipate reading about the plan, if plan is the right word to describe the preparation to pack my bags, acquire the necessary papers and board the ship that will carry me…carry me across unknown waters?…away from something?…toward new adventures?…I cannot sufficiently describe the vessel and journey I seek because I seek the unknown.  Right now, the preparation is the thing.  If you want a full description of the contents of my bag, I shall give it to you.  I shall give it to you in the next paragraph, which you may skip if you are not interested.

I turn from this laptop to look at my bag.  Actually, I have to use more than one bag to pack my things but I am not taking all of the things with me.  A couple of the bags are labeled, “excess baggage,” and contain, as you easily surmise, the contents of my current life that have become, shall I say, superfluous?  The bags I will take with me have been meticulously measured, the dimensions determined, and the space within filled to the brim with artifacts belonging to a member of the culture known simply as America.  Has anyone ever seen Atlantis or is it an inspiration only?  In any case, my artifacts may well have come from Atlantis for their use in the future is independent of the utopian promise they imply.  Shall I enumerate (should that be “elaborate”)?  I carry with me the following: my writings to date, a dictionary, a thesaurus (Roget’s International to be exact), a small collection of the Classics (Epictetus, Marcus Aurelius, Shakespeare, Locke, Poe, etc.), a laptop computer, retirement planning worksheet, clothes, photo albums and . . . well, I haven’t finished packing yet but the list of items will get boring if I continue.

Okay, let’s say I have finished packing.  Now what?  My dear friend, the one who lives far away yet sits in the corner of my mind, I’m beginning to see what I want to do.  Look at my mind with me.  Can you see it?  Have the worlds and images I’ve projected given you enough to illuminate the scene?  Perhaps not.  I do not always speak clearly.  In any event, the witching hour approaches and I must away.  Karen and I are going to east Tennessee this weekend to spend time with our parents.  I have not packed for this small trip.

I probably shouldn’t say this but I’ll record the words that I was pleased to hear the voice of the broom-straw girl on the phone.  That I could not talk to her was a disappointment but not the end of the world.  I hope that you find the job you’re looking for.  I look forward to hearing about the vocation you plan to pursue.  You sounded very excited about getting a new job.

I told my boss today that I no longer plan to do computer support. He told me he would see what the company could do for me.  I think the best thing this company can do for me is giving me my share of the 401k money I have earned.  But that is part of my plan, isn’t it?

Lee sent the email.  He shut down the computer and raced home to pack clothes for a weekend visit to see his mother and mother-in-law on Mother’s Day.  What did they know of his heart?  He had a comfortable life and a comfortable relationship with his wife.  What more could a man’s parents ask for besides grandchildren?

Throughout the weekend, Lee felt uneasy.  He walked with his father through an exhibit of local racecars.  He looked in the eyes of the men at the show and could not look back with confidence because he felt that he was lying to them about who he was.  He was not a garage mechanic, a car salesman or local boy.  He was a dreamer, a wordsmith, a man of fantasy worlds where people did not lose their arms and teeth in terrible accidents while pursuing their dreams.

Lee suffered through the weekend, as only he knew how — he punished himself on a minute-by-minute basis, thrashing himself with a whip of deprecation.

On Monday, he sent another email to Fredirique.

Hey, I’m sure you had a good weekend.  I hope you took advantage of our society’s insistence on creating a single day to recognize our maternal relatives and called your mother for Mother’s Day.  I spent time this weekend with both my mother and my mother in-law.

Anyway, I have created a series of emails just to tell you what I plan to do with my life.  Now I’ll finish with this email telling you what I plan to do and then you don’t have to hear from me ever again.

I already described the basic contents of the stuff I’m taking with me when I leave this current lifestyle.  I did not go into complete detail but you got the idea of the objects that are important enough for me to drag into my adventure, my journey away from the particular middle-class structure I have been supporting.

With my bags packed and ready to go I open the map of the human world and spread it out on the table in my study at home.  Where do I go?  What do I do with the rest of my life?  Let’s see, I have about $5,000 a year on which to live, not enough money with which to re-establish a middle-class living (thank god!).  Now that I know the financial restraints, I can narrow my search.  I want a place to live that costs nearly nothing.  Transportation-wise, I don’t need a car because I can either walk or ride my bike within a local area.  Well, that accounts for my physical needs.

Now for the exciting part.  I want to explore new mental territory.

Currently, my life is surrounded by . . . that line of thought isn’t working.  This weekend, while spending time with my family, I asked myself what it is, if I had my choice without consideration for others, that I would do for myself.  To determine that, I looked at what my life is now and figured out that I can count off my experiences of the day because most of them are repeated, not new.  For instance, in the morning, I get up, rearrange the covers on the bed, pet the cats, open the blinds, weigh myself on the scales, take a shower, dress, feed the fish, pet the cats, put on my shoes, pack something to eat for lunch, and listen to NPR (national public radio) on my drive to work.  From that line of thought, I decided to categorize the processes of my life.

I divided the processes of my life into four categories:  personal bodily functions (talking, eating, sleeping, peeing, etc.), the actions of others, my reactions to others, my reactions to the environment.  From just one of those processes, talking, I realized how much my day is filled with the discussion of the transportation system.  You know, “Some guy almost hit me on the way to work this morning,” “I hate it when people cut me off,” “Have you seen the new Volkswagen Beetle?” and “Let’s plan a weekend to see a race in Huntsville.”  When did I decide that fossil-fuel transportation devices are the central part of my life?  Well, I didn’t consciously decide to focus on cars.  I was just raised that way, right?

As you can imagine, many of my daily routines are the results of the way I was raised, not just by my parents but by the people — including family members, friends, teachers, television actors, movie actors, politicians, preachers, grocery store clerks — who have come into contact with me thhrrough the years.  In other words, I am the society I grew up in (while I’m on the subject, I hope that you have not been bothered by my casual use of society and culture; I know that these two words have distinct meanings but I am using culture here as in “the integrated pattern of human knowledge, belief, and behavior that depends upon man’s capacity for learning and transmitting knowledge to succeeding generations,” and society as “a community, nation, or broad grouping of people having common traditions, institutions, and collective activities and interests” from Webster’s dictionary).

I do not plan to leave my personality behind so wherever I go I will take part of my society with me (hell, my language is evidence of that).

So, with that said, here is my plan:

1. I will cash out my 401k savings plan so that I will have money with which to “start over”.

2. I will find a small place to live that is cheap, in a town or city setting, near a so-called artists colony, possibly in east Tennessee (in Knoxville, Maryville or Townsend) or western North Carolina (Asheville, perhaps); I have thought about going overseas but I know nothing about the cost of living outside of the southeastern United States, and my non-English language skills are limited.

3. I will spend my days and nights gathering new experiences and putting them down on paper.  I will not worry about being commercially successful.  I will concern myself with the inner joy of writing (loosely paraphrasing Shakespeare, “To thine own self be true/Thou canst not be false to any man”).  I will share my writing with my friends.

I have enjoyed having you as a friend.  Even though our time together in space has been a drop in the ocean of time, I have created a creek that flows into that ocean by talking to you through these emails or through my stories and poems.  I hope that your life has been enriched by what I’ve written you as much as mine has by knowing you.  You have encouraged me to explore life through words and I thank you for the patience to read them.

You should have a wonderful life with Paul as long as you both are committed to the future.  You yourself said, in June of last year, “Paul and I very different in many ways, but we both have the same goals – which I find to be most important.  My view of our future is everchanging and flexible, which I think is also very important.  I just want to have a relaxed, fun relationship which can weather any unforeseen issues.”  I hope that neither of you, when your relationship becomes familiar, fall into the trap of applying the stereotypes of husband (main provider who’s gone all the time and doesn’t do housework because he needs time to do things for himself — recreational activities, club meetings, etc.) or wife (household queen who quit work to have “their” babies and is now stuck with all the family duties so she has no time for herself), in place of learning more about yourselves or life.

Lee sent the email while wondering what he was doing.   Would he really cut off the only person who represented his perfect friend?  Throughout the day, he pondered the possibilities of Fredirique’s response.  When he got home that night, he patiently ate dinner, stared at the television screen for a few hours and then headed to the computer in the front bedroom.

Lee took a breath and started what he told himself was the last email to Fredirique.

Fredirique,

“Of course I’m mad,” I said to Lady, “I’ve always been mad,” I said, thinking of Pink Floyd’s album, “The Dark Side of the Moon.”  I put on my madman’s smile and laughed, jumping up and down to the music on TV.  I really am mad, aren’t I?  Normality is a statistical mean to which none of us wholly belong,” reads a clipping of the words of John Weightman taped to my desk at home.
And what is madness?  Would a madman turn to Webster’s dictionary to verify his condition?  Could he look to see that mad is “1 : disordered in mind: INSANE 2 a : completely unrestrained by reason and judgment : SENSELESS b : incapable of being explained or accounted for : ILLOGICAL”?  Dictionaries are for referencing the meaning of words, not for diagnosing a person’s ailment.
I believe I just found out, as I saved this file, that Karen loaded the software package, Microsoft Office 98, onto our Power Macintosh computer and inadvertently deleted several files I had stored under the old Microsoft Office file structure.  This is not the first time this has happened.  Karen is a person who thinks logically.  Application software like Microsoft Office should be stored separately from the data, she probably thinks.  My logic is not like Karen’s but am I illogical?  I think, “Application software and its data should be stored together so later on I don’t have to remember where the two separate items are stored.”  I believe I just lost some irreplaceable letters I had written to friends and family, letters that I go back to read occasionally so I know not to repeat the same things in my next letters.
I cannot take it anymore.  My attempt to understand any one person and live with one person for an extended period of time has put a significant strain on my limited brain capacity, especially with the stress of work and school on top of living with someone else.  I am living with a person who is doing work I don’t agree with, I am performing duties of a job that I have no interest in, I am living in a town that is far removed from where I desire to live, I am taking college courses toward a degree I do not want, and I wonder why I am not sane?

I wonder how you are doing.  You once left a Post- it note in my office on which you had written, “I’ve missed and I’ll miss you” (or was it the other way around?).  I never knew the significance of that note until I realized that without you as a friend I would have been back in the hospital years ago.  I don’t think that is fair.  In other words, I see the value of what you have done for me and tell you but I can never know what I have done for you because you know if you tell me that I will write it down and leave it out there for everyone to read in my next story.  I keep no secrets and apologize for not asking permission before putting the words of Fredirique on paper for others to read.

You are a kind and generous person at heart yet you put up a variety of masks before you so I cannot be sure if the kindness I see is just another mask under the craziness mask you usually wear.  Unfortunately, I see you through the filter of my personality so I cannot see the “pure” you nor describe you without tainting the image of you with bits of me.  That won’t keep me from trying, of course.

“Who is Fredirique?” I ask myself.  I look at her and see a woman shorter than myself.  She has long blond hair that reminds me of the color of winter wheat or broom straw.  She has a full set of eyebrows because she does not seek to conform to the plucked eyebrow look.  She is slender because she exercises regularly.  She smiles readily.  Her voice is often loud and boisterous.  She flirts with ease.  I cannot approach her because the projection of her personality is stronger than I am used to, but that is me.  Other people, especially people in a power position, are comfortable with her.  She exudes confidence.  What does this say?  Let’s say I pick up an ostrich egg and feel its strength, I marvel at the thickness of the shell and turn the shell over to see its contents are missing.  What was inside that calcium fortress?  Who is inside the fortress of Fredirique?

I know nothing about the seriousness of life so I hold nothing sacred.

I had started this letter to tell you that I am crazy.  I sat at work for seven hours today and did nothing (nothing being my reading and rereading of personal emails and surfing the ‘Net) but I was able to lie to the people who came by my office and convince them to walk away because I was busy at work.

I have been perpetuating this lie for too long.  The phone rings, someone asks me a question about software and to avoid my looking like a complete idiot, I tell that person the first answer that comes to my mind, regardless of the correctness of the answer.  It’s amazing how many people accept what I say.

It’s even more amazing that I can come up with an answer that works (I have no idea how often I’m right).

Although I have no idea who you are, I accept you for who you are.  Sometimes I am lost in this Me soup fog and am not sure if I am talking to you, the person who says “Hmm” so well, or if I am talking to the perfect You, the person who is not me.

Right now, with the passing of each day, I am losing it; that is, I am losing my place in this world of middle-class normality.  I do not know in which world you fit.  I only know that you are not me and thus I can lose you as easily as I can lose my sanity.  Should I break down, whatever that means, and wander away from the world in which we met, I hope you know that if I never talk to you again, I am not excluding you from my new world but losing my ability to reach back to the old world.

There is no meaning to life so I can go back to work tomorrow, turn on my computer, pick up a software test plan, and return to the duties of my job without anyone saying anything about my recent strangeness.  It does not matter.  I can be lazy and use poor grammar to record these thoughts.  No one will correct me if I’m wrong.  I can tell you to take a flying leap and I will hate myself for saying it but I will feel no better or worse because life and friends are fleeting.  There is no right answer.  I will never be happy because I will never be sure if I am doing the right thing and that makes me crazy.

I can start a new paragraph and say, “Fredirique, I love you.  Come away with me and we will try to prove that being mad is just as much fun and frustrating as acting normal.”  I can put all these words down on paper.  It does not matter. At the end of day, I look at the same face in the mirror, the face I protect from physical harm because the face puts food on the table for me.  How many of us have a personality that matches our physique?

Madness is contagious, you can get it from your coworkers.

When the day is done, I lay my head down on the pillow and wait for sleep to come.  My wife serenades me with her snoring.  The cats warm up to us and purr.

“Amazing grace, how sweet the sound.  I once was lost but now I’m found.”  I hear the melody from a New Age version of the song coming out of the speaker beside my head and I know the words.  I see mists rising from an Irish plain. I see men dragging their bodies back to the house at the end of the day. They place their boots next to the door.  I see women wipe their brows and call the children to the supper table.  I confuse the images of people sitting under a sod roof in Ireland with people sitting under a ranch house roof in middle America.  No matter, the people all bow their heads and thank the Lord for another day of good weather, good food and good health with a good word for Aunt Laura who’s laid up sick in bed.  No one at these tables worries about the lives of movie stars or mid level politicians.  They do not take vacations on the Riviera or read the stock reports.  They know their lives depend on the production of crops and livestock and the watchful eye of the Lord.

Are these people mad to trust their lives to the weather and the land?  If so, our country is senseless because it was founded on agricultural principles.  Thomas Jefferson believed an agricultural society would provide for a stable government.  Now we live in the information age.  Does that mean anything?  Can we make any conclusions?  Well, sure, we can write something down that sounds academic and debate it on the air and in the streets.  Words are tools to help improve the human condition.  With words, we can communicate the condition of the weather around the globe.

We are human animals, you and I, and have animals needs to meet – food, air and protection from the elements.  Our goal is to reproduce ourselves to perpetuate our species.

My life does not depend on my working in the fields all day.  I do not have to provide for my family.  My wife does not stay home with the kids.  I can cut myself loose from the life I have and no one will suffer the loss of their daily bread.  Except for settling shared debt with Karen, I have no obligatory ties that bind.

The world is my canvas but I don’t know what I want to paint.  That metaphor sounds poetic and lends itself well to the image of recording life’s journey but in the end I will have lived and died.  How much the thoughts in my mind pleased or troubled me will not matter.  I can suffer in the confines of this house on Mohawk Road or pick up my bags and move elsewhere to suffer.  It no longer matters.  I have lost the capacity to love and laugh.  All I have left is words.

When you are old and fondly remember your past, think about the joy and beauty around you.  Do not think about me.  I was a person who exploited your persona to put in words the feelings I have lost.  You are not the words I’ve written, you are the wonderfully mysterious person behind the label, Fredirique Faye Smith.

Once again, I thank you for letting me hang around you, so to speak, but I can no longer maintain the fantasy of a platonic relationship with you and the married relationship with Karen.  Something has to give.  By law, I am obligated to Karen.  I cry as I say that I bury myself away by saying goodbye to you but I know that doing so will be best for the woman I married.  She has given of herself unselfishly and I feel I owe her something for that.

Despite my desire to live by myself, I know that I am lazy by nature and will find it easier to sit here, get a degree in MIS and work toward an early retirement.

Am I really mad, after all?  How crazy am I to perpetuate the society that created me?  In other words, I bury the thought that I have a right to be myself – there never was a self to begin with.  I am just a slightly skewed result of the society I live in.

The robot has been reprogrammed. He is ready to go back to work.

Goodbye,
Brother Lee

There once was a man named Lee who was married to a woman named Karen.  Lee desired the apparent freedom of a woman named Fredirique who was married to a man named Phillip.  Lee read, “The Minister’s Black Veil,” and saw the black veil as the protective cover that hid the look in the minister’s eyes of the discovery of a contradictory life.  Lee understood the minister’s predicament.  The shepherd cannot tend a flock and at the same time tell the flock that their existence doesn’t matter just because the shepherd can live or has lived a different life.  Lee put on his own veil and silently tended to the lives of those around him because he knew the lives he had lived in his heart were more than he or his “flock” could handle.

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