Some plugs are too good to be shameless

Email from a dear friend in the field of bluegrass music:

CLAIRE LYNCH IBMA NEWS – JULY 2013

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…and we may be in the midst of it! We’re hoping so, anyhow!
So if you’re an IBMA member (and prospective voter) we’d like to ask that when you get your email and follow that link for the Second Ballot voting, you’ll make note of these categories where my band members and I are “on the list”.   We do appreciate so much!

WE ARE NOMINATED!

ENTERTAINER OF THE YEAR:

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CLAIRE LYNCH BAND

 INSTRUMENTAL GROUP OF THE YEAR:

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CLAIRE LYNCH BAND

(“If Only They Could Pick!”) 

 VOCAL GROUP OF THE YEAR:

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CLAIRE LYNCH BAND

SONG OF THE YEAR:

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DEAR SISTER

(Written by Louisa Branscomb & Claire Lynch –

Lots of info below about the song…) 

 ALBUM OF THE YEAR:

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DEAR SISTER

(Our brand new release on Compass Records)

FEMALE VOCALIST OF THE YEAR:

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CLAIRE LYNCH

BASS PLAYER OF THE YEAR:

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MARK SCHATZ

GUITAR PLAYER OF THE YEAR:

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MATT WINGATE

(Way to go, Mattie!  1st time on 2nd ballot – ‘Bout time!) 

Before I get away…

I wanted to share some background info on “Dear Sister”.   I co-wrote the song with Louisa Branscomb when she brought a book to my attention which had been compiled by her 4th cousin, Frank Chappell from Huntsville, Alabama. The book titled  “Dear Sister:  Civil War Letters to a Sister in Alabama.”  is a collection of letters written to Louisa’s great great, great aunt, Lucinda Caroline Branscomb Hunter living in Union Springs AL, who had four brothers fighting in the Civil War.  Lucinda saved all the letters, concealed them in an old BVD box and stored them in a trunk which miraculously hermetically sealed and preserved them until the 20th century when the family found them in the attic of the old house.  They are now preserved in the State of Alabama Archives, Montgomery.

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The song tells of a battle on the Stone’s River near Murphreesboro, Tenn. where Louisa now lives.  In those days, each regiment had a musical band that would travel with them and keep morale up with their songs.  On the eve before the biggest battle of Stone’s River on a cold night in December, the Union and Confederate troops played songs across the holler from each other – a sort of 1800’s “battle of the bands”.  Then all at once one side began playing “Home Sweet Home” and the opposing forces joined in.  For those few fleeting moments they all shared those sentiments they could not deny – the love of peace, harmony, home and, I suspect, the fear of losing those precious commodities.

LISTEN TO “DEAR SISTER”

CLICK HERE

SEE THE CLAIRE LYNCH BAND PLAY “DEAR SISTER” LIVE AT MERLEFEST!

Thank you ALL for opening this email and reading my shameless ploy for an IBMA vote!  Seriously though we hope you’ll consider the CLB on your list of favorites this year.  Have a beautiful summer and stay cool!

 

Claire Lynch

Is that my Epipen or Livescribe Pulse/Echo?

Every theory that I test always falls back to this position: is there anything that contradicts the fact this body is a set of states of energy in constant flux?

All the other details fade in comparison.

For instance, I found a 4GB flash drive on my desk this evening, completely unaware of its contents until I plugged it into this notebook PC.  On the flash drive are subfolders labeled GE184, IT104, IT250, IT302, TB133 and TB143 under the main folder labeled ITT, all of them from the year 2009.

There’s also a file labeled “Lesson Plan Outline – Twenty Minute Segments – Spring 2009.xls” for IT104 – Introduction to Computer Programming.

Is it coincidence that I read an online article about professors and students this afternoon which led me to think about my teaching days at ITT and then to discover the flash drive in the pile of junk on my desk later today?

We make our own coincidences, do we not?

Ever since I got married in 1986, I kept the promise to stay physically devoted to my wife, putting aside the thoughts that once led me to pursue women.

Sure, temptations are there everyday when I see people of all shapes and sizes, their sights and smells capturing my attention like Seirênes on strange shores.

I do not take lovers anymore.  Instead, I convert my amorous feelings into short stories and poems, inspiration for dreams of life on Mars and other celestial bodies.

I’m getting older, if I’ve ever been young, yet I’m always a kid at heart.

Falling in love over and over, day after day, takes its toll on this little old kid.

To spend one second holding the hand of another on the dance floor is an eternity of feelings — happiness, joy, trust — moments I barely remember from my younger days.

Next week I will compete in one dance with my wife, then my wife and I will compete separately with Abi and Stephane in a different dance.

How do I dance with someone as beautiful and graceful as Abi without falling in love with her?

How do I feel about competing against my wife, so to speak, in the PROAM OPEN NEWCOMER SWING MALE/FEMALE divisions?

How does this affect my belief in the theory that I am alone in the universe which is here solely for my entertainment?

Whenever I feel myself attracted to another person, I revert to generalising and stretching my practical self into expounding about universal theories in order to protect myself from becoming a blathering idiot and making a fool of myself.

It’s no coincidence that the Echo and Pulse pens on my desk are not Epipens because, unlike my father, I have no deathly allergic reactions to protect myself against.

I have been a solo artist for so long that I’ve forgotten what it’s like to dance with another person as one.

What I have remembered is that the dance partner is the one toward whom I give my fullest attention, all barriers dropped temporarily, whilst we give ourselves over to the lord of the dance:

Lord Of The Dance
I danced in the morning when the world was young
I danced in the moon and the stars and the sun
I came down from heaven and I danced on the earth
At Bethlehem I had my birth

Dance, dance, wherever you may be
I am the lord of the dance, said he
And I lead you all, wherever you may be
And I lead you all in the dance, said he

I danced for the scribes and the Pharisees
They wouldn’t dance, they wouldn’t follow me
I danced for the fishermen James and John
They came with me so the dance went on

Dance, dance, wherever you may be
I am the lord of the dance, said he
And I lead you all, wherever you may be
And I lead you all in the dance, said he

I danced on the Sabbath and I cured the lame
The holy people said it was a shame
They ripped, they stripped, they hung me high
Left me there on the cross to die

Dance, dance, wherever you may be
I am the lord of the dance, said he
And I lead you all, wherever you may be
And I lead you all in the dance, said he

I danced on a Friday when the world turned black
It’s hard to dance with the devil on your back
They buried my body, they thought I was gone
But I am the dance, and the dance goes on

Dance, dance, wherever you may be
I am the lord of the dance, said he
And I lead you all, wherever you may be
And I lead you all in the dance, said he

They cut me down and I leapt up high
I am the life that will never, never die
I’ll live in you if you’ll live in me
I am the Lord of the dance, said he

Dance, dance, wherever you may be
I am the lord of the dance, said he
And I lead you all, wherever you may be
And I lead you all in the dance, said he

There are moments…

There are moments where the incredibunctious creativity of others makes me want to kill myself in bourgeois mediocre banality.

This is one of those moments

It’s not enough that killing trees and small rodents makes me question the role of our sets of states of energy on other celestial bodies…

…except to tell myself that how combinations of sets of states of energy recombine energy/mass is fractionally fractious if not fictionally close to fractal patterns one step away from randomness whose repetition makes us believe in godlike qualities of beauty, purity and real flavours of ice cream.

Better a silent self-delusional god than a loud and complete fool that I usually play for laughs.

I will never satisfy the rulemaking judges of dance because the noise in my thoughts is more musically challenging than perfecting socially-defined steps toward judgeworthy happiness, but I can try.